“Seriously man, what are you wearing?” My friend Fernando was jacket shaming me in the Valencia arrivals hall, not-so-subtly pointing out how hot it was. “What is wrong with you?!” With mock indignation I removed my jacket – and then proceeded to sweat profusely anyway.
It’s been nearly 20 years since 25,000 New Zealanders came through the same arrivals hall, enduring the Valencian humidity during the 2007 Americas Cup. After the cup moved on most Kiwis didn’t hear much about Valencia – that is, until last October’s devastating flood. In a city that has over 300 days of sunshine a year the speed of the rising floodwaters came as a shock, leaving over 230 dead and billions of euros worth of damage. It wasn’t the first time either: in 1957 the Turia River flooded so badly that the Franco government permanently rerouted the river three kilometres away from its original course.
The Turia’s old riverbed was the starting point for my exploration. Now a sunken verdant park in the centre of the city, the 9km long Jardín del Turia is full of trees, running tracks, fountains, a football pitch and – most impressively – an oversized climbing structure that when viewed from above is a giant Gulliver pinned to the ground, sword and hat beside him, with Lilliputians (actually, humans) climbing all over him. Jardín del Turia is not only a living breathing artery, it’s also a direct path to Valencia’s top attraction: Ciutat de les Arts i les Ciències (City of Arts and Sciences).
Designed by Valencian architect Santiago Calatrava the stunning futuristic complex is considered one of the 12 Treasures of Spain, up there with La Sagrada Família and the Guggenheim Museum Bilbao.
Fernando looked at me looking in awe as we walked through the whale-like spine of the interactive Museu de les Ciències, while behind us stood L'Oceanogràfic, the largest aquarium in Europe. The star of the complex is without a doubt the spectacular L'Hemisfèric – a building ‘made whole’ as a huge human eye when reflected in its surrounding pond. I half expected to see Westworld’s Charlotte Hale step out of the Delos headquarters (IYKYK).
My modernist bucket filled, we made our way back to the Juliet balconies and ornate doors of the old town, Ciutat Vella. In medieval times it was surrounded by the Muralla Cristiana (the Christian Wall) and only two of the original 14th century gates still stand, one being Torres de Serranos. Initially built to defend Valencia from siege, over the years it has been a prison for knights and nobles, hosted official ceremonies for Kings, and even protected artworks during the Spanish Civil War. I paid the princely sum of €2 and climbed to the parapets for a panoramic view of the Valencia’s Gothic, Romanesque and Neoclassical architecture.
The old town’s one-way streets below were extremely walkable if somewhat deceptive. “If it’s big enough for a car, expect a car,” advised my friend Sarah, as we shared what looked like wide footpaths with e-scooters, Segways, and electric Peugeots.
“Look, see that?” she said, pointing to a manhole cover. “There, above the crown…”. The shape of a bat, wings spread, sat atop Valencia’s coat of arms, stamped into the cast iron cover. Legend has it that in 1238 a noisy bat awoke King Juame 1, warning him of a surprise enemy attack and giving him time to defeat the Moorish invaders. Despite the interesting history lesson it was the odour emanating from below that caught my attention.
My hosts, both in olfactory denial, had obviously got used to Valencia’s sewerage smell long ago, but ‘Spain drain’ is real and the city’s antiquated pipes are particularly pungent during humid weather. Not that it was putting off any tourists; the clacking of suitcases across cobblestones only stopped when visitors paused to admire the street art in front of them.
An urban canvas of walls, shutters and roller doors, Valencia’s El Carmen neighbourhood is an eclectic mix of graffiti by taggers such as Deih, Hyuro and Xelon. David de Limón’s masked ninja peaks out from behind lamp posts, while Disneylexya’s large scale Latin-American illustrations cover entire walls. Urban art is such an integral part of the city that the contemporary gallery Centre del Carme is holding an exhibition on its origins.
Art has long been part of Valencia and nowhere more so than Iglesia de San Nicolás de Bari y San Pedro Mártir de Valencia, or San Nicolás for short. Having pre-purchased tickets to this 750-year-old church we didn’t have to wait long before picking up our audio guides. And then we looked up.
Nicknamed the ‘Sistine Chapel of Valencia’, San Nicolás’ ribbed-vault ceiling is simply magnificent. Painted in Baroque frescoes that stretch all the way from the altar to the baptismal font, depictions of archangels, saints, apostles, and cherubs look down upon the headphone-wearing visitors below.
Like many a historic site San Nicolás is using 21st technology to introduce a new generation to its attractions. We stayed for La Luz de San Nicolás, an immersive video show that transforms the Gothic architecture with beams of light, projects heavenly flowers across the frescoes, and fills the nave with divine ethereal music. Impressive as it was, Fernando wasn’t sure that the already beautiful church needed it.
Three short blocks away was a more traditional slice of Valencia, the Mercat Central. Like Barcelona, Valencia has its own language – Valencian – and here a market is not a ‘mercado’ but a ‘mercat’ and there is none bigger than the Mercat Central. Pescaderos (fish mongers), fruiters (green grocers), and pastissers (sweet sellers) all have their sections but it is the charcutiers who are the busiest. Under hanging legs of jamón ibérico, Jose Vicente was handing over prime cuts accompanied by local cheeses, catering to customers ducking in during the siesta.
Ahhh the siesta. Valencia still honours the afternoon rest period although not for sleeping these days, with the majority of small-to-mid-size shops closing between 2-5pm then reopening until 8pm. Even the shops that don’t have split shifts remain open late, before the al fresco restaurants start filling up quickly for dinner.
As you’d expect for the birthplace of paella, food holds a special place here – Valencians eat five times a day – so it was only right that we went to one of Fernando’s favourite eateries, Kiosko La Pérgola. Perched up on barstools we ordered two large bocadillos, half and half sandwiches of beef tenderloin, ham, cheese, tomato, bacon and salsa verde, which were promptly cut in half again giving us eight minis. Eating over the hum of the kitchen, we watched servers enthusiastically leaning out to talk to locals and visitors alike.
Unlike other Spanish destinations, visitors are welcome here (side eye emoji to Barcelona), and although Valencia is the country’s third biggest city at no stage did it feel overcrowded with tourists. Even the Line 3 metro back to the Aeroporto was busy but not packed with travellers. In the departures hall I hugged my tour guide farewell, thanking him for showing me the best of Valencia.
It was time to put on my jacket again.