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< Back Interview with The Photographers' Mail 13 May 2015 Adrian Hatwell of D-Photo magazine and The Photographers' Mail sat down to discuss Guy Needham's upcoming solo exhibition, Shades of Otara. As part of the Auckland Festival of Photography, the exhibition opens on Wednesday 27 July. < Previous Next >

< Back The Mentawai in D-Photo Magazine 19 Jul 2017 In an exclusive interview with D-Photo magazine Guy Needham talks about the lengths he went to to get the shots for his upcoming exhibition, The Mentawai of Indonesia. The article reveals what it's really like as a photographer where a contrast in culture is the least of your worries. Read journalist Adrian Hatwell's article here . < Previous Next >

< Back The Vatwa go to Melbourne 6 Oct 2025 Melbourne's Ladder Art Space will be showing the Vatwa exhibition as part of their 2026 programme, bringing to Australia one of Angola's most intriguing tribes. Regarded as the first indigenous inhabitants of the Angola's Onconcua region, no-one knows exactly where they originally came from, not even their chief. In May next year a curated selection of captivating portraits will be on show in Melbourne accompanied by texts sharing the lifestyle, history and social structures of this semi-nomadic tribe. The Vatwa are the ninth in Guy Needham's Tribal series, which to date has included indigenous peoples in Africa, Asia, the Pacific and South America. < Previous Next >

< Back First Place win in Florida 28 Sept 2019 Hadzabe Girl has taken away 1st Place in the People & Portraits category at the Florida Museum of Photographic Arts. The image, taken under a rock ledge in Northern Tanzania, shows a young girl, her face covered in dirt except for the clean areas around her mouth. She is one of only 1,500 Hadzabe left in the world, who to this day still speak in clicks. < Previous Next >

< Back Here to Help 19 Jan 2016 Guy Needham's latest article about voluntourism in Ethiopia is the cover story of the New Zealand Herald's travel section. Covering his adventures working with Big Beyond, an NGO working out of the Lower Valley of the Omo, the article follows his time with the Hamar tribe. < Previous Next >

“Hold on, I just need to scrape something off…” My guide had removed his gumboot and was reaching for a knife. Slowly he sliced the blade down his leg to remove the blood sucking leech that had attached itself to him. “Welcome to Mentawai!” he said with a broad grin. < Back The Mentawai of Indonesia New Zealand Herald 24 Oct 2017 “Hold on, I just need to scrape something off…” My guide had removed his gumboot and was reaching for a knife. Slowly he sliced the blade down his leg to remove the blood sucking leech that had attached itself to him. “Welcome to Mentawai!” he said with a broad grin. The leech and I were on the island of Siberut in the Indian Ocean, 150km west of Sumatra, on one of Indonesia’s 17,000 islands. I was there to spend a week living with the Mentawai tribe, a proud, independent hunter-gatherer people living off the land since the Stone Age. Far from your typical holiday, only a few people make it this deep into the equatorial rainforest, and had I not been researching for an exhibition I doubt I would have heard of them. So, here I was, three flights, one ‘fast’ ferry, 1 motorcycle ride, 3 hours on a motorized canoe, and 2 hours tramping through mud later. No electricity, no cell phone, no internet, no bedding, no toilet, no running water. “Anai loita” welcomed the tough, wiry sikerei (medicine man) who wore nothing more than a loin cloth, as his intricately tattooed hands firmly gripped mine. Aman Teutagougou was to be my host for the next few days, and after pointing out where in the uma (long house) I could leave my backpack – just under the monkey skulls hanging from the door frame – it was time to look around. Aman Teutagougou, like other Mentawai men, had multiple tattoos all over his body. He told me that the tattoos – which are tapped out painfully with needle and ink – each take a week. The men all have the same designs and start with the Sun, symbolising life. The final tattoo applied is to the face, signifying “I am finished”. Perhaps more disconcerting to the Western eye is the Mentawai women’s teeth. In a show of traditional beauty women sharpen their teeth to a point, which the Mentawai men find attractive. A beaming Bai Ibuk proudly flashed me her chiselled molars one night, as the jungle rains came down hard outside. Looking out into the torential rain it was easy too understand why the Mentawai consider themselves Keepers of the Rainforest. They are entirely self-sufficient, only taking what they need from the world around them and are at one with nature. I saw first-hand bark from the breadfruit tree stripped to make loincloths, water channelled to make sago, special leaves picked to mix poison for arrows, and left-over chicken bones fed through the floor boards to the snorting pigs below. What living with the Mentawai lacked in creature comforts, it made up for in spirits. Literally. While the rest of Indonesia is predominantly Muslim, the 64,000 Mentawai still follow a type of animalism called sibulngan, which worships the four main nature spirits of the Sky, Sea, Jungle and Earth. It was these spirits that were called upon when I was sick with fever towards the end of my trip. In a show of traditional beauty women sharpen their teeth to a point, which the Mentawai men find attractive. Ill, sweating, shaking, lying on a thin mattress under a mosquito net, I awoke feeling pressure on my stomach. Struggling to open my eyes, I could just make out a man kneeling over me pushing his hands into my abdomen. He slowly lifted my head and poured a crushed concoction of berries, leaves, water and dirt into my dry mouth. Delirious, I wondered why he was wearing my watch… When I awoke the next day I was told that the medicine man who came to see me was Aman Toikok, a village elder I had met at the start of my trip and who I had gifted my watch to. He heard that I was sick, and made the 3 hour walk to the uma I was staying in to call to the spirits of the Sky to heal me. While I was grateful for the relief, officially the Mentawai are not allowed to practice medicine, nor their indigenous religion. Pressure from the Indonesian government, including a 1950s decree prohibiting such customs, and the construction of ‘Government villages’ with schools, amenities, healthcare and free houses to entice the Mentawai from the jungle, are threating the traditional lifestyle and simple values of the tribe. Today the Mentawai people have to work harder than ever to preserve their ancient unique culture. Leeches and all. Original publication: New Zealand Herald < Previous Next >

“In the olden days,” began Apinelu, a tone of longing in his voice, “it was never this hot. Never. Now everything has changed, not just the sea.” It was a very still 33° and my earlobes were sweating. Welcome to the small island nation of Tuvalu. < Back Where the Ocean meets the Sky New Zealand Herald 2 May 2017 “In the olden days,” began Apinelu, a tone of longing in his voice, “it was never this hot. Never. Now everything has changed, not just the sea.” It was a very still 33° and my earlobes were sweating. Welcome to the small island nation of Tuvalu. “Tomorrow I take you out to the islands, less crowded, more local,” he chuckled. We were driving around Funafuti, the densely populated capital and I’m pretty sure I was the only tourist here. To answer your ‘where?’ question, Tuvalu is 1000km north of Fiji, an archipelago made up of six coral atolls and three islands nestled under the Equator. It used to be one half of the Gilbert & Ellice Islands before it became independent from Britain and dropped the Ellice name. These days it’s better known for being the poster child of climate change. It’s fair to say that Tuvalu is unlike any other islands you’re likely to visit: small, isolated, beautiful, sleepy and sinking. I was here to explore the country and see what it was like on the frontline of global warming. Arriving in Tuvalu is an experience in itself. After two and a half hours flying over the Pacific the wheels are down but there ain’t no land. Out of nowhere appears a thin airstrip – lagoon on one side, sea on the other – and the passengers let out a collective breath. It seems all of Funafuti is here to welcome us: kids waving, locals on motorbikes, and officialdom waiting in front of the world’s smallest airport building of Immigration, Customs, Quarantine and Baggage Claim all rolled into one. The exit door leads to a slower pace of life. Even the wind seems laid back here, as heavily-burdened motorbikes putt along at 20kph, hammocks in pandanas trees get a solid work-out, and schoolchildren kick rocks along the road. Apilenu had to laugh, “No need to rush, eh,” his arm resting out the window as we meander up the main island, Fongafale. Tuvalu isn’t really set up for tourism but there is one must-see: the Funafuti Marine Conservation Area. Unfortunately Apilenu had injured himself so it was up to his neighbour, Villi, and my new friend Kato from Tuvalu Overview (a climate change NGO) to take me into the lagoon. Tuvalu is unlike any other islands you’re likely to visit: small, isolated, beautiful, sleepy and sinking. “See that island over there,” yelled Villi over the outboard motor, “that is where our families go for picnics.” It was seriously, ridiculously beautiful. The whole lagoon was. Motu after motu (island) of swaying palms on white sand beaches, stark against the puffy white clouds and azure sky. “But this one we’re coming up to, not so good…”. Tepukasa Vilivili was nothing more than sand on coral after its vegetation had been washed away over the last 20 years. It was a sobering reminder of the challenges facing Tuvalu: rising sea levels, coastal erosion, king tides, increasing tropical cyclones and drought. We boated on to Funafala, an islet inhabited by 5 families and a church. Kato knew some of the locals from his work planting mangroves there to stop the erosion. Greetings were exchanged but no one got off their sleeping mats – it was too damn hot. On we went and eventually Villi dropped me back at the main beach just in time for a sundowner at Vaiaku Lagi Hotel, the only one in town. The hotel has a pleasant outlook to the horizon that is only broken by foreign fishing vessels. Commercial fishing rights are one of Tuvalu’s main revenue sources; the other being the “.tv” internet domain name which the Government sub-licences for millions. By the next day I‘d learnt my lesson and started exploring before the harsh sun hit. “Hi palangi!” the kids yelled out; the adults were more circumspect and simply noded and raised their eyebrows in a cool Pacifika way. I knew I was taking a chance walking around when thunderstorms were predicted and soon enough the weather turned. The rain was intense. “Hey you, come here.” A man was hurriedly waving me towards his house, cigarette in hand. “That’s better,” Suauili said, with a big beaming smile. “We need this rain eh, but it won’t last.” It didn’t. “You know in Kiribati they have water from under the ground, but not here. Too salty now.” He lit another cigarette as his nephew played with my camera. We chatted about New Zealand. “You know the ‘borrow pits’?” he asked, referring to the huge ground holes that had been left when construction materials had been taken, and which had subsequently turned into cesspits of garbage. “New Zealand filled those in. Didn’t have to but they did. And they filled over the dump too. You have a good Government.” The rain cleared and it was time to head back. As the sun lazily went down, my ears pricked up. Singing! Not just any singing but Tuvaluan hymms, men and women alternating with highs and lows, harmonies escaping through the open slat windows of the nearby church. The men were sitting crosslegged dressed in their Sunday best, while the women fanned themselves and tried vainly to keep the children still. Greetings were exchanged but no one got off their sleeping mats – it was too damn hot. Religion plays an important role in Tuvaluan life with 98% of the population being Protestant. Many have faith that God will never let their islands disappear. It says something for their positive nature that despite being able to run off the names of cyclones like old friends – Bebe, Ula, Pam, Winston– they are absolutely committed to staying in Tuvalu and no one wants to leave. When it came to me leaving though, I didn’t have to go far. My lodge was next to the maneapa (meeting house) that was next to the terminal. But before the plane landed the fire truck sounded its siren, a signal for everyone to clear the runway. Yes, when not in use by the two flights a week the runway becomes a racing strip, volleyball court and dog park plus a road cuts through the middle of it. A cursory security glance in my luggage, a check of my name off a list and I’m allowed to return to the lodge. “Wouldn’t happen at Heathrow," observed a fellow passenger. But neither would the customs officer handing me back my passport with, “Oh, you sunburnt!” Despite my peeling forehead, Tuvalu really was a surprising pleasure. If you’re after the cocktails of Denarau or Gallic treats of Noumea then Tuvalu isn’t for you. There are no credit card facilities, no resorts, no duty free stores and no all-inclusive excursions. What you do is up to you and who you make contact with. As Apinelu would say, this is what the Pacific used to be like, “in the olden days.” Details Requirements: New Zealanders do not need a Visa but do need 6 months validity on their passport. Getting there: Via Fiji. Fiji Airways flies from Suva to Funafuti 2-3 times per week depending on the season. Check with your travel agent. Weather: Temperatures vary between 28° - 32° every day of the year. Try to avoid the Western Pacific Monsoon Season between December and March. Currency: Australian Dollars are the offical currency of Tuvalu and there are no credit card facilites in the country. Be prepared with cash. See: Funafuti Marine Conservation Area requires a AUS$50 permit and the boat ride will cost you AUS$200. Stay: The government-owned Vaiaku Lagi Hotel or the family-run Filamona Lodge next to the airport www.filamona.com Original publication: New Zealand Herald < Previous Next >

< Back Head on Photo Festival 12 Jan 2018 The third of Guy Needham's tribal series, The Mentawai of Indonesia, will be shown as part of the Head On Photo Festival in Australia this year. The exhibition, to be held at the historic ArtHouse Hotel in Sydney, will feature ten of the original portraits taken in 2017 and be on display from May 5th though to June 8th. < Previous Next >

< Back The AFAR Guide to Auckland 12 Dec 2017 Want to know more about visiting New Zealand's 'City of Sails'? Check out this guide on AFAR.com that I locally edited, to find out the best places to stay, where to eat & drink, what to do, and of course, where to shop. The AFAR Guide to Auckland is here. < Previous Next >

PROJECTS Colour Nature Manurewa, New Zealand During the dark days of the Coronavirus pandemic this series echoed Henri Matisse, "There are always flowers for those who want to see them". The images, each taken at the Auckland Botanic Gardens with only natural light, are a microcosm of hope and the future, of growth and life. The collection is a digitisation of beauty, not beauty itself, highlighting the power of a singular image at its most pared back simplicity. Previous Next

< Back Off-grid Ocean Journey 5 Feb 2015 “When the alarm goes you grab this,” Officer Cadet Dusan said as he pointed to my lifejacket. “And this.” An orange survival suit. “We muster on C Deck, starboard side.” I didn’t know if it was a good or bad thing that my welcome was bringing up Titanic-like thoughts. I had just boarded the ANL Bindaree, a Liberian-flagged freighter that was slowly pulling out into the Hauraki Gulf laden with 30,000 tones of freight, 24 crew and 1 other passenger. I was following a little-known tradition of passengers on cargo ships, harking back to the days when cabins were set aside for owners and VIPs. Today they’re taken by people looking for a slow alternative to air travel, who are independent, have time to spare, and who – like me – just want to do something a little different. I’d chosen a rather circuitous route as was pointed out by Adrian, the bemused Chief Engineer. “OK, so you’re leaving here to come back here to go nowhere?” “Uh huh,” I replied. From Auckland around Cape Reinga across the Tasman to Melbourne, up the Australian Coast to Sydney and then into the South Pacific to disembark at Tauranga. The journey would take two weeks. “You are very strange,” he chuckled. Adrian was one of the Bindaree’s band of officers from Croatia, Romania, and Montenegro; the crew were all Filipino. As is maritime tradition there was strict segregation between the officers and the crew including socialising, eating and sleeping. This irked my fellow passenger, Naomi, a Canadian environmental educator, who was telling me so when we were interrupted. “Attention all crew. Attention all crew,” boomed the PA system. “Clocks go back one hour tonight. One hour.” That marked us entering international waters and that meant the Slop Chest was open. The Slop Chest (official name: Bonded Store) was a duty free treasure trove of alcohol, treats and cigarettes. You pick what you want from the checklist, hand a slip to the officer, it gets delivered to your door, and you pay in $US before disembarking. I made the landlubber’s mistake of thinking I was paying US$18 for a dozen Becks beer. 24 bottles turned up. No matter, there was more than enough room in my quarters. Officially the “Owner’s cabin”, I had a dayroom (two couches, table, writing desk and chair, fridge, LG mini-system, DVD player and TV) as well as a bedroom plus shower and toilet. My porthole (ticket note: “View may be restricted by containers”) looked all the way to the bow. As the days went by the low rumble of the engines was occasionally punctuated by the creaking of container lashes. I spent as much time as possible on the Bridge. Being allowed in the Wheelhouse is one of the perks of being a passenger on a merchant ship, but it definitely wasn’t what I expected. Sure, I’d done my research – if watching Captain Phillips counts – but I hadn’t reckoned on was how automated it all was. There is no grand wheel any more; this one was the size of a PlayStation racing control. “Surprised huh?” Third Officer Paul called out with a grin on his face. “Everything is automatic now, see”. He pointed to the navigation console. “Of course, we still do things manually. Every two hours we plot our exact position on the charts behind you. Don’t want anything to go wrong,” he said understatedly, still smiling. As Officer on Watch he wasn’t actually steering the ship; he was checking it was on track. Just to humour me though he opened a small hatch on the bulkhead – out popped a Morse code machine. The following day I joined Chief Officer Aleksandar on the outer Bridge – him with cigarette and coffee in hand, me with sunglasses, both of us looking out to the horizon. “People don’t understand,” he said passionately. “We are the life blood of the world economy!” He jokingly jabbed his finger to his forearm. “No planes, no trains, ever carry as much as economically as us. This is why shipping will never die.” I nodded in agreement. We were heading west at a majestic 14 knots. He opened a small hatch on the bulkhead – out popped a Morse code machine. Seven decks below the powerhouse of the ship thundered on. In the engine room nine turbines pumped out 720RPM of raw power. “140°” said the engineer, “That’s how hot these pipes are. Don’t touch them.” I didn’t need to be told twice. As awesome as all that power was it was a relief to be topside again. My favourite place was at the bow with 250m of container ship behind me, the hypnotic sound of the swell and the gentle rocking of a massive ship. The mornings were fresh and tingly; the afternoon’s hot and tan-worthy. It wasn’t until Day 6 that we saw land again – Australia. The mood on the Bridge noticeably changed and focus replaced humour. It was as if the ship had been given a talking to at half time and came out with guns blazing. In Melbourne I saw first-hand the life-blood of the world economy. Every container was positioned on the deck according to its declared weight, need for power, displacement of cargo and final destination. Massive cranes, hoists and lights worked 24 hours to keep the infrastructure pumping. After ‘shore leave’ I was back up the gangway in time for dinner. Meals were at set times (7-8am, Noon-1pm, 5-6pm) and eating in the Officers’ Mess was a chance to get to know the men onboard. On freighters the meals are dependent on how good a cook you have and ours was good. Chef Leonardo and Messman Rodel invited me into the galley to proudly show off their honey-glazed chicken, Thai-inspired beef and ice-cream sundaes. Evenings were spent chilling. There was time to read, watch DVDs, work out in the gym or just stare out to sea. More than once I caught up with the ship’s Master, Danko Grgurevic, a typically friendly Croatian who was usually dressed in shorts, a company t-shirt and tennis shoes. We arrived in Botany Bay under a full moon. By then I’d learnt that you’re not supposed to take your passport off the vessel when entering another country (oops) and you have to sit at your allocated place at the dining table even when you’re the only person there (oops again). But despite all those idiosyncrasies there was one great benefit: being “off the grid”. No cellphone, no Facebook, no hashtags, no selfies. After another five days we arrived in Tauranga. I left the crew with a few magazines and beers, and descended the gangway one last time. It had been a privileged insight into a rarefied ecosystem, one with rules and norms that could be daunting to the uninitiated. Luckily, I had the best hosts I could have asked for. And I was rather pleased that I never had to put on that orange survival suit. < Previous Next >

< Back The Mentawai opens in Sydney 8 May 2018 The third of Guy Needham's tribal series, The Mentawai of Indonesia, is now on show in Sydney as part of Australia's Head On Photo Festival. The exhibition in the historic ArtHouse Hotel's Grafitti Bar, features ten of the original portraits taken in 2017 and will be on display though to June 8th. < Previous Next >