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"There are always flowers (for those who want to see them) - Henri Matisse" is a series designed to bring light to the dark days of Coronavirus. < Back There are always flowers 3 Apr 2020 "There are always flowers (for those who want to see them) - Henri Matisse" is a series designed to bring light to the dark days of Coronavirus. The images, each taken at the Botanical Gardens in Auckland New Zealand with only natural light, are a microcosm of hope and the future, of growth and life. They will be published online regularly 'in the Time of Coronavirus' . < Previous Next >

The latest issue of travel + culture magazine SUITCASE features a photo essay of images Guy Needham took at the Carnaval de Blancos y Negros. < Back Carnaval in Suitcase Magazine 8 Dec 2021 The latest issue of travel + culture magazine SUITCASE features a photo essay of images Guy Needham took at the Carnaval de Blancos y Negros. Each January, the 5-day festival of colour, noise and foam is held in the southern Colombian city of Pasto, with showers of confetti raining down on performers atop the four-storey-high floats. You can pick up your copy of SUITCASE from next week. < Previous Next >

Europe's first showing of The Dani is now live at Barcelona's Fotonostrum Gallery, accompanied by background on the tribe itself. < Back On show in Barcelona 17 Sept 2023 Europe's first showing of The Dani is now live at Barcelona's Fotonostrum Gallery, accompanied by background on the tribe itself. The portraits, taken in the Papuan village of Anemoigi in 2022, are a testament to the tribe's quiet intensity and traditional values. On display until September 29, the collection includes the award-winning image of Lokop Mabel, an elder in the tribe. < Previous Next >

Adrian Hatwell of D-Photo magazine and The Photographers' Mail sat down to discuss Guy Needham's upcoming solo exhibition, Shades of Otara. < Back Interview with The Photographers' Mail 13 May 2015 Adrian Hatwell of D-Photo magazine and The Photographers' Mail sat down to discuss Guy Needham's upcoming solo exhibition, Shades of Otara. As part of the Auckland Festival of Photography, the exhibition opens on Wednesday 27 July. < Previous Next >

In Guy Needham's first New Zealand show in three years, The Dani is now showing at The Grey Place in Auckland. < Back The Dani come to Auckland 27 Sept 2023 In Guy Needham's first New Zealand show in three years, The Dani is now showing at The Grey Place in Auckland. A testament to the tribe, the exhibition will be a collection of intimate portraits displaying both a quiet intensity and a subtle momentum. The images – all taken using natural light in front of a backdrop held up by villagers – are printed on C-Type photographic prints and Giclee prints. The Grey Place is open 10am-3pm Tues-Sun at 37 Scanlan Street, Grey Lynn. < Previous Next >

Guy Needham's The Hadzabe of Tanzania has been selected for the Core programme of this year's Auckland Festival of Photography. < Back Auckland Festival of Photography 23 Feb 2019 Guy Needham's The Hadzabe of Tanzania has been selected for the Core programme of this year's Auckland Festival of Photography. The festival takes place within Auckland's major galleries, project spaces, non-gallery venues and public sites, featuring a mix of emerging and established artists. The Hadzabe of Tanzania will be on show at The Grey Place from 28 May - 8 June. < Previous Next >

Boston's Griffin Museum of Photography will be the first United States gallery to feature one of the Dani tribe from Indonesia's Papua region. < Back From Papua to Boston 15 Nov 2022 Boston's Griffin Museum of Photography will be the first United States gallery to feature one of the Dani tribe from Indonesia's Papua region. Although thousands of years old, the Dani were unknown to the rest of the world until 1938. Today they still live a simple life and, while not isolated from the march of modernity, their traditions and values have endured. The portrait of Lokop Mabel, pensive while smoking and wearing a traditional horim (penis gourd), will be part of the Winter Solstice exhibition on show in Massachusetts from 9 December 2022 - 8 January 2023. < Previous Next >

On Tuesday 3rd June at 6pm Guy Needham, will be talking at the opening of his latest exhibition, The Huli of Papua New Guinea. < Back Presentation on the Huli 20 May 2014 On Tuesday 3rd June at 6pm Guy Needham, will be talking at the opening of his latest exhibition, The Huli of Papua New Guinea. Part of the Auckland Festival of Photography, Guy will be sharing his experiences with the Huli tribe - the last traditional tribe in the Southern Highlands of Papua New Guinea. < Previous Next >

The feature image of the Shades of Otara series is on show this week at the 2018 London Photo Festival. < Back Resting at London Photo Festival 15 May 2018 The feature image of the Shades of Otara series is on show this week at the 2018 London Photo Festival. Part of an international group exhibition on Street Photography, it is on show at St George the Martyr Church until 19 May. The image balances a young man's physical exhaustion with a girl looking on, licking an ice-cream as if it was her reward for his hard work. < Previous Next >

Hadzabe Girl has been included in the just-released 2020 New Zealand Camera Book. < Back New Zealand Camera 2020 20 Aug 2020 Hadzabe Girl has been included in the just-released 2020 New Zealand Camera Book. Put together by the New Zealand Photographic Society, the book i s a hard cover, full colour, coffee-table collectible with images portraying all genres of photographs taken by New Zealand artists. You'll be able to purchase your own copy from here soon. < Previous Next >

Indonesia’s centuries-old shadow puppet-making tradition as practiced by artisans today​ < Back Wayang Kulit Makers of Java The Jungle Journal 16 Feb 2024 Indonesia’s centuries-old shadow puppet-making tradition as practiced by artisans today Y ogya (pron. Jo-Ja) is considered the cultural centre of Java, and post-independence from the Dutch, it was briefly the capital of Indonesia. Wayang kulit makers tend to live and work in the outskirts of this particular city, where the roads narrow and tyre stores give way to sugar cane. Wayang kulit , Indonesia’s sacred shadow puppet show, is a form of traditional theatre complete with gamelan orchestra and a puppet master called a dalang . It is mainly practiced in Java and Bali, based on Hindu stories such as the Mahabharata. Top shows cost over 50,000,000 IRP (£2,600) to put on, including the Dalang, gamelan orchestra and decorative set. However, during the COVID pandemic walang kulit shows were banned as large gatherings were prohibited, so the creators turned to producing work for collectors. Walang kulit puppets are produced on demand for both dalang and for collectors who spend tens of thousands of pounds to expand their collection. The true craftsmen follow the rules and customs set down centuries ago for the design and creation of the wayang kulit characters, which are far more intricate than souvenir versions. The production time for each puppet varries but ranges from two weeks to a month, depending on the amount of detailed work required. The puppets themselves are made of fine buffalo skin ( kulit means skin) which is sketched out, cut, shaped, sanded and then chiselled using a set of fine tools made from bicycle spokes. The puppets are then delicately painted; the more expensive wayang kulit puppets feature gold leaf imported from China. Some walang kulit makers use hammers made out of buffalo horn, and the rods, handling spine and joints are all made of buffalo bone. There are so many characters that when you ask the wayang kulit makers how many there are they tend to laugh and roll their eyes – every character has versions of the character as well. While these artisans all learnt at the hands of a master before them, the revival in interest in the last 25 years in Java’s cultural heritage has led to walang kulit courses now being taught at Yogyakarta’s ISI Faculty of Fine Arts (Jurusan Seni Murni FSR ISI). Those who collect walang kulit keep them in large coffin-like boxes, lying flat one on top of another, with each box dedicated to a craftsman. The mixing of puppets made by different makers would be noticed immediately. Collectors can spend tens of thousands of pounds on expanding their set of puppets, joining waitlists to secure the most prized gold leaf puppets. Old wayang kulit puppets are very treasured – I was shown one 150 years old. Traditional performances of walang kulit can last for up to nine hours although these days there are ‘cut down’ versions for shorter, younger attention spans. It is the dalang, the puppet master, who controls the marionettes, putting on different voices and improvising with topical news, politics, and religious subjects of the day. Supporting him is a gamelan orchestra, a collection of Indonesian percussive instruments that are played such harmony that it is considered part of gotorong royung – the life philosophy of working together to communally support each other. These shows and performances can be watched from the front where the colourful puppets appear as shadows illuminated by halogen lights, or from the back to see the dalang in action as the gamelan plays. This photo essay features: Mr Sarjiano , a walang kulit craftsman since 1980. Now operating out of a small workshop at the front of his house, he has been a guest presenter many times at schools to discuss and demonstrate his craft. Mr Jumakir , has been a walang kulit craftsman for 46 years and is now working out of one of the more well-known studios, Sagio Griya Ukir Kulit (Sagio Puppet Handicraft). Mr Suryadi , an extensive Wayang Kulit collector, who puts on shows once a week for local children to learn about the traditions at Kali Opak restaurant and gallery @kaliopak.wo Tour organized by Mr Deny , Yogyakarta Tour Guide Originally Published in The Jungle Journal < Previous Next >

“The Pope, The Pope!” A construction worker was vigourously waving his arms and yelling at me. “The Pope, no entrada!” Seeing my obvious confusion, he came running over and introduced himself by way of tattooed name on his forearm. Pito explained that the attraction I had come to see, was closed, in preparation for a visit from the Pontiff. < Back Asia's overlooked Gem Copy Sunday Star-Times 2 Aug 2024 “The Pope, The Pope!” A construction worker was vigourously waving his arms and yelling at me. “The Pope, no entrada!” Seeing my obvious confusion, he came running over and introduced himself by way of tattooed name on his forearm. Pito explained that the attraction I had come to see, was closed, in preparation for a visit from the Pontiff. Pito and I were on the road below Cristo Rei of Dili, a magnificent statue of Christ with welcoming arms, standing atop a globe. Reminiscent of Rio de Janeiro’s Christ the Redeemer, the statue was built by the Indonesian Government during its occupation. “It’s OK,” Pito assured me, “I can tell you history.” The sun bounced off his dusty hard hat. The history of Timor-Leste (pron. less-tay) is a long and bloody one. After 400 years as a Portuguese colony, a coup in Lisbon encouraged the East Timorese to declare independence in 1975. In the lead-up there were border incursions by Indonesian militia, a prequel to a full-scale invasion. The film Balibo, about the five Australian journalists killed during those incursions and journalist Roger East who was executed, is an excellent, if gut-wrenching, watch. During the 24 years of Indonesian rule more than 200,000 Timorese lost their lives. Many Kiwis will remember that New Zealand was part of the UN peacekeeping force in East Timor after a referendum on independence in 1999. Private Leonard Manning of the New Zealand Army was one of those who paid the ultimate sacrifice, killed in action while defending the freedom of the East Timorese. While the suffering of the past is never far from the country’s collective memory, these days Timor-Leste is on friendly terms with its neighbours, is eager to prosper, and keen to show the world what it has to offer. A country of boundless natural beauty, it’s fair to say that intrepid travellers will get more out of it than someone who loves their creature comforts. Don’t get me wrong, there are 4-star hotels in Dili and Timor-Leste is gearing up for more tourism. But part of the charm is the unique opportunity to experience a country that hasn’t yet been commercialised. Even the arrival process is uncomplicated: you line up for a visa (US$30 cash only), you get your stamp, you walk around the corner, you pick up your bag, you buy a local SIM card (very important), and the next thing you know you’re in Dili. Getting around the capital is best done by microlet – colourful, numbered minibuses that follow set routes. They’re easy to hail down, and when you’re ready to get off you tap the metal handrail with a coin. It costs 25 centavos (about 40c) no matter how far you go. Getting around the rest of the country though, that’s another story, and usually requires your own set of wheels. I was lucky enough to have two Timorese, Guido and Cesar, take me to the easternmost point, Tutuala Beach. It really is off the beaten track. We were bouncing around so much on the deconstructed roads that my Apple Watch asked If I’d like to “Record indoor walk”. Our beachfront accommodation was the community-run Valu Sere, made up of simple rooms with thatched roofs, mosquito nets, and a light. We ate in the open-air dining room metres from the sea enjoying the fish Guido had picked out for dinner. The next morning, we hired a boat to take the 10-minute journey across to instagrammable Jaco Island. Part of the protected Nino Konis Santana National Park, the sand is so white, the ocean ridiculously clear. This is about as deserted a tropical island as you can get. Back in Baucau, the country’s second city, we stocked up on water to explore the nearby countryside in 30-degree heat. Our first stop was Gua Tujuh (the seven caves) where the Japanese fought from in World War II, and the Timorese resistance fought from during the Indonesian occupation. The mountainous landscape is dotted with numerous scenic points, but none as revered as Mount Ariana. At the top of some steep, concrete steps the wind buffeted us as we took in the 360-degree views and looked up to the statue of Maria Auxiliadora. Part of joy of travelling through Timor-Leste is sampling the local cuisine. On the way back to Dili we stopped at a beachside restaurant for some skewered grilled fish, unwrapped our katupa (rice wrapped up in coconut leaf parcels) and dug in with forks and fingers. The local food is very cheap, despite the official currency being US dollars. Timor-Leste now only accepts US $5 denominations upward and uses local Centavos for anything below that. Don’t worry though, it’s all interchangeable. Just make sure you have enough cash before you leave the cities. Select ATMs accept Visa – although they had run out of money after the weekend. Off the coast, Atauro Island looms large. A divers’ and snorkelers’ paradise, travel agents can not only hook you up with dive masters but also accommodation ranging from eco resorts to camping. Even if you’re not an avid diver, the water is so clear that a snorkel and mask is all you’ll need. Back in Dili the cacophony of horns continued as pedestrians skirted around the uncovered manholes. A Ranger full of nuns zoomed past, habits flapping out the open windows. In a country that’s 95% Catholic it’s no surprise that Pope Francis is visiting, the first Pope to do so since the late 1980s. Papa Francisco will get a very Timorese welcome, full of warmth and respect and love. He will get to climb the steps to Cristo Rei and look out at Asia’s newest county. And I’m sure Pito will be there, calling out to him. Details Flights: From Darwin or Bali daily Tourism Timor-Leste: https://visiteasttimor.com/timor/ Original publication: Sunday Star-Times < Previous Next >