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  • Opening Night for The Huli

    Last night saw the opening of The Huli of Papua New Guineaas part of the Auckland Festival of Photography. < Back Opening Night for The Huli 4 Jun 2014 Last night saw the opening of The Huli of Papua New Guineaas part of the Auckland Festival of Photography. Over 80 people attended the opening night to hear about the Huli tribe - their way of life, traditions, culture and history. The exhibition continues on until Saturday 14 June at Allpress Gallery, 8 Drake St, Freemans Bay, Auckland. < Previous Next >

  • Carnaval in the Bogota Post

    Colombia's Bogota Post has selected an image taken by Guy Needham at the recent Carnaval de Negros y Blancos for its front page. < Back Carnaval in the Bogota Post 25 Jan 2018 Colombia's Bogota Post has selected an image taken by Guy Needham at the recent Carnaval de Negros y Blancos for its front page. It's a rare honour for a foreign photographer covering a Colombian cultural event to be featured in this newspaper. You can see the image here . < Previous Next >

  • Carnaval in Suitcase Magazine

    The latest issue of travel + culture magazine SUITCASE features a photo essay of images Guy Needham took at the Carnaval de Blancos y Negros. < Back Carnaval in Suitcase Magazine 8 Dec 2021 The latest issue of travel + culture magazine SUITCASE features a photo essay of images Guy Needham took at the Carnaval de Blancos y Negros. Each January, the 5-day festival of colour, noise and foam is held in the southern Colombian city of Pasto, with showers of confetti raining down on performers atop the four-storey-high floats. You can pick up your copy of SUITCASE from next week. < Previous Next >

  • PhotoKina Germany

    Final Touches, the lead image of Guy Needham's The Huli of Papua New Guinea series, will be on show at PhotoKina in Cologne, Germany this September. < Back PhotoKina Germany 14 Jul 2018 Final Touches, the lead image of Guy Needham's The Huli of Papua New Guinea series, will be on show at PhotoKina in Cologne, Germany this September. It will be part of the international Atlas of Humanity exhibition, a multi-artist project dedicated to highlighting the ethnic and cultural populations that inhabit our planet to share their traditions, customs and origins. < Previous Next >

  • Palliser & Pinnacles

    Check out the cover story of today's Herald Travel section to read all about New Zealand's only red-and-white striped lighthouse, the country's biggest fur seal colony... < Back Palliser & Pinnacles 22 Mar 2022 Check out the cover story of today's Herald Travel section to read all about New Zealand's only red-and-white striped lighthouse, the country's biggest fur seal colony... Check out the cover story of today's Herald Travel section to read all about New Zealand's only red-and-white striped lighthouse, the country's biggest fur seal colony, rock formations that formed Paths to the Dead, where bulldozers drive boats into the sea, and where Wellington-surfers-in-the-know sneak away for weekends... < Previous Next >

  • The Mentawai opens in Sydney

    The third of Guy Needham's tribal series, The Mentawai of Indonesia, is now on show in Sydney as part of Australia's Head On Photo Festival. < Back The Mentawai opens in Sydney 8 May 2018 The third of Guy Needham's tribal series, The Mentawai of Indonesia, is now on show in Sydney as part of Australia's Head On Photo Festival. The exhibition in the historic ArtHouse Hotel's Grafitti Bar, features ten of the original portraits taken in 2017 and will be on display though to June 8th. < Previous Next >

  • Six Tribes donates to Barcelona

    Following its inaugural showing at Atelier Güell, a limited number of Six Tribes prints will be on show in Barcelona from April 24 to May 15 at the gallery. < Back Six Tribes donates to Barcelona 23 Apr 2021 Following its inaugural showing at Atelier Güell, a limited number of Six Tribes prints will be on show in Barcelona from April 24 to May 15 at the gallery. The show in the historic Raval area will feature images from Papua New Guinea to Ecuador to Kenya, with proceeds to go to supporting the gallery. < Previous Next >

  • THE DANI | Guy Needham

    See the exhibition about one of the world's most remote tribes, the Dani of Papua "One of Papua’s 150 tribes, the Dani live in the isolated Baliem valley where the smell of dampness hangs in the air, pushed down by the cigarette smoke and low cloud.” The Dani of Papua In the distant land of Papua, Indonesia, live the Dani tribe. Although thousands of years old, they were unknown to the rest of the world until 1938. Today they still live a simple life and, while not isolated from the march of modernity, their traditions and values have endured. Dani men are renowned for their formidable appearance – including wearing the horim or penis gourd. While most of the younger members of the tribe wear western clothes today, the elders still adhere to the old ways and the tribe embraces traditional dress when it comes to ceremony. See the exhibition Rome 5 - 19 June 2026 Address GARD Galleria Arte Roma Design - Via Dei Conciatori,3/i ( Giardino Interno) Contact +39 06 5759475 soniagard@gmail.com guy@guyneedham.com Opening Hours Mon - Fri 10:30am - 12:30pm; 3:30pm - 7:30pm ABOUT THE PHOTOGRAPHER Guy Needham’s inquisitive worldview was shaped by growing up in rural New Zealand in the 1970s. Today he is noted for his international work with indigenous tribes, primarily drawing on themes of identity and place within cultural narratives. His work is a hybrid of photographic genres, sitting somewhere between documentary and portraiture. The simplicity of his pared-down style has been described as having both a quiet intensity and a subtle momentum. His images have been exhibited in New York, London, Paris, Berlin, Barcelona, Tokyo, and Athens, and been seen on the pages of National Geographic Traveler, CNN.com, Lonely Planet, SUITCASE Magazine, International Traveler, Portrait Magazine and AFAR.

  • Guy Needham | Deep in the Heart of Texas

    Y’all not from round here, are ya? Ain’t nobody drinks Budddd. This is Shiner Bock country, sir.” And with that the barman passed over a golden-labelled bottle of ale. I was in Luckenbach, Texas, population 3, a small town in the Hill Country west of San Antonio. < Back Deep in the Heart of Texas New Zealand Herald 3 May 2016 Y’all not from round here, are ya? Ain’t nobody drinks Budddd. This is Shiner Bock country, sir.” And with that the barman passed over a golden-labelled bottle of ale. I was in Luckenbach, Texas, population 3, a small town in the Hill Country west of San Antonio. It was to be the starting point for an adventure deep into the heart of Texas, a road trip to discover the smaller side of the big state. The Hill Country is known as much for its wildflowers and Harley-hugging roads as it is for being in the Bible Belt of America – a place where God meets guns, traffic yields to longhorns, and TexMex and ribs are a staple diet. Even the towns have great names; you can travel to Welfare in the morning, visit Comfort in the afternoon and spend the night in Utopia. ‘Luckenbach, Texas’ was made famous by a Waylon Jennings song and is not so much a town as a gathering of buildings. Located just off Highway 290, the post office is also the general store and the saloon is out back. It’s renowned for its live music scene so we arrived in time to see the ‘picker circle’ – an improvised mish-mash of musicians who gather under an old oak tree and pass around a pick, each playing a song with the others joining in. "Da-da ding-ding, ding-ding, ding-ding, diiinnng," the unmistakable sound of a banjo was slowly echoed by a guitar, "Da-da ding-ding, ding-ding, ding-ding, diiinnng.” Everybody chuckled at Duelling Banjos being played, and I half expected someone to call out “Squeal like a pig, boy!” as a nod to Deliverance. Thankfully it was not to be as the banjo player ended with a flourish before passing the pick to the young cowboy on his right. He broke straight into that ol’ country classic, “Cocaine’s gonna kill my honey dead.” It was time to explore. Not far from the circle in front of a wooden building sat Cassey, co-owner of the Snail Creek Hat Co. “Howdy, y’all look like you need a hat!” While I didn’t take her up on her offer I did ask about what’s in style. “Welllllll,” she drawled, “Over yonder you can see that they come in all shapes and sizes,” pointing to the audience. “I used to be able to tell a Texan from a Dakotan just by looking at their hat but now it’s about personal preference.” She and her husband Glen use water to shape the unstructured palm leaf hats they get in. “In West Texas they angle the brim like this,” she said, folding in the sides like a paper dart. “It means the hat’s more aerodynamic and the winds just pass right on through.” Much as I was tempted to buy a cowboy hat, I opted instead to see the real thing in action, and where better than the Cowboy Capital of the World. Even the towns have great names; you can travel to Welfare in the morning, visit Comfort in the afternoon and spend the night in Utopia. Bandera, Texas, earned its moniker after the Great Western Cattle Trail drives of the 1880s, where at one stage there were more cattle and cowboys going through the main street than all the other cattle trails in the United States. More recently they’ve had a number of rodeo champions come from Bandera, which just gives extra points to their town spurs. Everywhere you look there are authentic buildings, early Americana and signs advertising the next rodeo (Friday). We were here to see the most Western event of them all – the gunslingers shootout.Every weekend the Bandera Cattle Company celebrates its heritage with a re-enactment of real scenarios from the town’s past. Taking a seat on the bleachers behind the Visitors Centre we watched as the period costumed cowboys slowly took up their positions, one drinking ‘whisky’, another playing cards, and our host, Dennis, sharing some of the local history. “God damn, that wasn’t meant to happen!” Dennis had just shot himself in the groin with a blank. It looked like it hurt. “You’re as dumb as a box of hammers!” yelled one of his compatriots to much laughter from the crowd. The show went on for an hour, with kids having the chance to be deputised afterwards. It was enough motivation for me to take the plunge and go buy some cowboy boots. After much assistance I settled on a pair of Justin’s that have been produced since 1879, “Made by his daddy’s daddy and his daddy’s granddaddy before him.” Quite chuffed with my new purchase we rocked up to our accommodation, a Texan ‘dude ranch’. There are a number of dude ranches near Bandera that offer accommodation, meals and activities all rolled into one – think of it as AirBnB meets the Warkworth Rodeo. We chose the Twin Elm “For Western Fun.” As it was getting dark when we arrived the owner pointed us towards the campfire and invited us to join her for ‘s’mores’. S’mores are a Texan treat where you roast marshmallows over a fire ‘til they’re ohhh-so-gooey and then add them to a graham cracker topped with a slice of chocolate. With full tummies the next morning we took advantage of our surrounds with a horse ride led by some of the local hands. Wading through the Medina River, past the fallen trees and down the trail, we got to experience their daily life at a leisurely pace. Bandera was also where I discovered how deeply ingrained religion is. On the way into town we noticed a number of flags at half-mast. I politely enquired when we got there, “We saw some of the flags were at half mast, has someone important died?” The lady stared straight back at me and said, “Jesus”. It was Good Friday. Moving on quickly after insulting the entire state of Texas, our next stop on the small town tour was Fredericksburg. Established by a German baron in 1846 after signing a peace treaty with the Comanche Indians, the town is considered the capital of Hill Country. Fredericksburg’s main claim to fame is being the birthplace of Admiral Chester Nimitz who led the US Pacific naval effort in World War II. The town houses the fantastic National Museum of the Pacific War and it made me proud to see the New Zealand flag flying (at full mast). “God damn, that wasn’t meant to happen!” Dennis had just shot himself in the groin with a blank. It looked like it hurt. The best part of Fredericksburg however is just outside of town. It’s called Wine Road 290 and comprises 15 different wineries in the area. In Texas a winery does not necessary mean a vineyard; it could simply be wine retailer. We didn’t let a wee detail like that put us off as we slowly pulled in to The Vintage Cellar. We’d already tried some of the local Bending Branch ‘Thinkers Blanc’ so that was a mandatory buy, but what caught my eye was the “Pour It Forward” chalkboard. Like a ‘random act of kindness’, the idea is to buy someone a drink in advance by writing up an occupation on the board. Unfortunately, no one had written ‘Parched Kiwi’ but if I’d been a fireman, marine, zookeeper or teacher it would have been a very boozy afternoon. Leaving the Hill Country the next day we noticed that the landscape had changed, speckled with political billboards. Texas is staunchly Republican – represented by Senator Ted Cruz – and even here it’s hard to escape the slogans in the midst of an election campaign. Looking around as the last of the sun’s rays lit up the wildflowers on the side of the road, we passed a “Make America Great Again” sign. Something tells me that the locals don’t have anything to worry about. This land of cowboys has never had a problem being great. Details Stay: www.twinelmranch.com Getting there: Air New Zealand flies direct Auckland to Houston (14 hours); Houston to San Antonio is a 1 hour flight; Hill Country is a 1 hour drive away Websites: www.luckenbachtexas.com www.banderacowboycapital.com Visas: Apply online for the USA ESTA visa waiver for up to 90 days Location: Hill Country, Texas, USA Original publication: New Zealand Herald < Previous Next >

  • Guy Needham | When Two Worlds Collide

    “Smash it on the head” yelled Geranio, our guide. “Quick!” The freshly caught piranha was flip-flopping in a desperate attempt to get back to water, sharp teeth biting at air as I brought a rotting stick down upon its head. Minewa, a 60-year old local tribesman, added it to his string of dead fish and smiled at me. “Now you are a warrior!’”, laughed Geranio. < Back When Two Worlds Collide Sunday Star-Times 25 Feb 2018 “Smash it on the head” yelled Geranio, our guide. “Quick!” The freshly caught piranha was flip-flopping in a desperate attempt to get back to water, sharp teeth biting at air as I brought a rotting stick down upon its head. Minewa, a 60-year old local tribesman, added it to his string of dead fish and smiled at me. “Now you are a warrior!’”, laughed Geranio. We were fishing in the Amazon Basin on the edge of the world’s most bio-diverse ecosystem. I was there to spend time with the Waorani, one of Ecuador’s indigenous tribes who today number no more than 3,000. Not that any of that mattered to the piranha. Getting to the Amazon had been no easy task. Far from the cobblestones and thin mountain air of colonial Quito, it had taken us two days by boat. I say ‘us’ because I wasn’t the only tourist onboard; sitting ahead of me was a machete-wielding, coca-chewing, bird spotting Dutch sociologist. He had been travelling for three months now and had something of a gaunt Colonel Kurtz of Apocalypse Now look about him. The Cononaco River - one of the feeders to the 1000km Rio Napo - was low as the rains hadn’t come. The upside was that the bird and animal life were a zoologist’s dream. As we skimmed logs and scraped rocks, a Black Vulture screeched in the distance. Overhead a pair of White Throated Toucans flopped from one river bank to the other. Squinting into the Sun we could make out an Amazon Kingfisher, perched on the far branch of an even farther tree. He had been travelling for three months now and had something of a gaunt Colonel Kurtz of Apocalypse Now look about him. “Look”, exclaimed my new Dutch companion. Bringing our eyes back down to earth, he pointed to a strange animal gazing on the river bank – thin long snout, big bushy tail - a cross between a giant raccoon and a stretched pig. With a nonchalant glance the Giant Anteater ambled back into the grass behind it. On we continued. As we approached another curve Geranio abruptly raised his fist. The engine was cut. Off the bow we saw movement, a pale fin cutting through the calm brown waters. Then bubbles – and we watched in awe as a rare Amazon Pink Dolphin surfaced 30metres from us. The largest dolphin of its kind had just made our day. Still on a high by the time we got to our destination, we disembarked through the mud carrying water, camping gear and cooking supplies. I’d prepped myself for meeting the Waorani. Having been with tribes in Africa, Asia and the Pacific, I knew to expect very basic conditions, traditionally dressed people and a limited understanding of the modern world. How wrong I was. I found something even more fascinating – a tribe in transition between two worlds. While the older members were traditionally (un)dressed, the rest of the tribe were in Westernised clothing. While their malookas (huts) were built using no nails, concrete bricks were lined up for construction of new houses. While we had taken two days to get there by boat, there was an airstrip down the middle of the village. And while they hunted using blowguns and poison darts, the Wi-Fi kicked on every night. The dichotomy that intrigued me. Minewa was the personification of the old ways. With his stretched ear lobes dangling under his long hair, naked aside from twine tying up his foreskin, it was he who led us on our first hunting expedition. As we started out he gave me a closer look at his weapons. His blowgun was over 2metres long and perfectly straight, its pre-poisoned darts in a cylinder looped over his shoulder. Just as impressive was his spear, sharpened to a point with slight notches to make it difficult for monkeys to pull out. Following Minewa’s lead we crept as quietly as two non-Amazonians can creep. The deeper into the jungle we got, the more distinctive the loud calls of the Howler Monkeys. Suddenly Minewa took off – spear raised above his head. By the time we caught up to him he was frozen, staring down at a salt lick between a group of trees. Ahead of us were a family of Collared Peccaries (pigs) snorting through the undergrowth. With an almighty throw and not a single word, Minewa launched the spear at the boar. Narrowly missing by inches, the family rapidly grunted off, Minewa in close chase behind. When he returned half an hour later with nothing more than a look of resignation it was time to return to the village. On the way back I asked about the changes he must have seen in this lifetime. The Waorani, I was told, were only ‘discovered’ by Europeans in the 1950s. That is now four generations ago since the average age of childbirth is 16. But it wasn’t until we got to the village that we were shown the biggest impact on their way of life. Standing in front of a map, Geranio drew a circle around the Waorani territory that is officially part of the 10,000km2 Parque National Yusumi. A red line marked the border with Peru, and green shading showed where two ‘uncontacted’ tribes still roam. Most noticeable though were Bloque Petroleum – areas where the Ecuadorian government have allowed oil exploration and drilling despite the national park being a UNESCO Biosphere Reserve. Suddenly Minewa took off – spear raised above his head. By the time we caught up to him he was frozen, staring down at a salt lick between a group of trees. It was the oil industry that had brought electricity to the Waorani, levelled the airstrip, introduced the internet and built a covered basketball court, although obviously not everyone agreed with this ‘progress’. As Geranio spoke, the Dutchman and I looked around. It was nature that made the place so special, not the material things that had been brought in from the outside. Despite the accelerated change the tribe was going though, despite the encroachment into their traditional lands, the Waorani simply wanted to protect their environment. A few days later it was time to say our farewells and get back in the motorized canoe for the two day journey home. Minewa had picked up that we were sad to be leaving, but even sadder about what was happening to the tribe. As we got onboard he gave us a big broad smile and said something to Geranio. “It’ll be aright, he wants to let you know. The spirits and Mother Earth will look after them as they always have.” And with that final wave of optimism we headed back up the Cononaco, towards ominous dark clouds covering the jungle canopy, hoping that for a little while longer the Waorani can hold on to their traditional way of life. Details Getting there: Air New Zealand flies direct to Houston with a connecting United flight to Quito. Domestic Avianca flights fly from Quito to El Coca, which is the starting point for any Ecuadorian Amazon adventure Staying there: You can choose to base yourself at one of the river lodges throughout the basin or take a tour staying in tents in the villages. Ask your tour company for options. Exploring there: Your accommodation will determine how you explore the area, but you will go by boat and by foot. Depending on your level of fitness, you can go on jungle walks for the whole day or go birdwatching for an hour Services there: The lodges are fully equipped, and even if you camp at the villages your tour guide is likely to have a chef with him. There are no ATMs or credit card facilities so it is best to take small notes of the Ecuadorian currency with is US Dollars. More Information: www.ecuadorecoadventures.com www.yasuninationalpark.org Original publication: Sunday Star-Times < Previous Next >

  • Guy Needham | Opening up Angola

    My guide turned to me. “I’m lonely,” he said. Oh OK, this is going to be an interesting trip. “No, no, that is my name. My Bantu name is Uliwa which means Lonely. I have no idea why my mother called me that, I have seven brothers and sisters!” And so began a weeklong friendship of Angolan stories and Afropop beats in the cabin of a Hilux. < Back Opening up Angola The Post 23 Jun 2025 My guide turned to me. “I’m lonely,” he said. Oh OK, this is going to be an interesting trip. “No, no, that is my name. My Bantu name is Uliwa which means Lonely. I have no idea why my mother called me that, I have seven brothers and sisters!” And so began a weeklong friendship of Angolan stories and Afropop beats in the cabin of a Hilux. One of the least visited countries in the world, Angola is a former Portuguese colony on the Atlantic coast of south-west Africa. More associated with danger than tourism, the country is now on a mission to change that perception, introducing visa-free entry to 90+ nations (including New Zealand) and opening a second international airport in the capital Luanda. As one wit put it, it doesn’t help having a machete on your flag. I wasn’t quite sure what to expect as the reviews weren’t exactly enticing: “The most expensive, obstructionist, bureaucratic, and most difficult place for travel in Africa.” Part of that is explained by Angola’s recent history. The country has endured massive crop failures, yellow fever outbreaks, failed coups, and a brutal 27-year civil war that became a Cold War proxy: thousands of Cubans and Russians on one side, with the United States and the apartheid-South Africa backing the other. World attention was drawn to Angola in 1997 when Princess Diana wore body armour walking through one of Angola’s minefields. Today, there are still millions of unexploded devices throughout the countryside slowly being de-mined by NGOs. Despite Uliwa being personally affected by the war – he left the country as a child refugee and lost family in the fighting – he was positive about the future of Angola and eager to show it off. “We’re nearly there!” he unconvincingly tried to tell me as we were into our fifth hour of rutty off-roading and dry riverbeds. ‘There’ was the municipality of Oncocua, a village in the remote south western province of Cunene and our home for the next week. We were here to spend time with the indigenous Vatwa, one of the lesser-known tribes who imitate the dress and language of another tribe: the Himba. Upon arrival the chief, Mutjila, invited us to join him under a mupane tree, a shady respite from the punishing 35 degree heat. “The Vatwa”, Mutjila explained in Herero, “were the original inhabitants of this area thousands of years ago. No one really knows where we came from.” Sipping a drink that one of his two wives brought over to him, he continued. “We have crops over there, we have these goats, we live off the land.” A few years ago the Government built houses for them in the village but they soon reverted back to their traditional huts and semi-nomic lifestyle. The most striking thing about the Vatwa are the women, covered in a red paste of ochre clay, animal fats and lotion that makes their skin shine in the unrelenting sun. Young, newly married women wear a three-pronged ekori goatskin on top of their platted dreadlocks. I asked about the beads, shells, anklets and leathers worn by the women. “Oh that’s just personal style,” replied Mutija, as I purchased one of the necklaces from a woman feeding her baby. On the morning of our last day we were farewelled with traditional singing and dancing (‘ Also try to take milk from the goats ’ was a favourite) before tackling the uneven road back to the nearest city, Lubango. A clean, modern, metropolitan centre of one million people, Lubango is considered the most beautiful city in Angola. With its Rio-inspired version of Christo Rei looking down from the hill above it, and a nearby large Hollywood-type sign proclaiming the town’s name, there is no shortage of civic pride. Like much of Angola, the informal market economy is hard at work here: roadside touts offer everything from windscreen wiper blades to sim cards to grilled fish heads; women balance sacks of wheat and loaves of bread on their heads; and children try to poke bananas through any open car windows for a quick sale. A few Kwanza, the local currency, can go a long way; while accommodation can be expensive, generally food and transport is very affordable. “I need to show you something,” Uliwa announced. Not far from Lubango was one of Angola’s natural wonders, Fenda da Tundavala, a stunning gorge between two steep-walled cliffs with a 1km drop straight down to the valley below. “My pastor came here,” Uliwa said. “He came with everyone and they closed their eyes to pray. When they opened their eyes he was gone. Just gone. Do not get too close to the edge.” He did not have to tell me twice. Once back in Angola’s capital, I decided to explore the city and its surrounds. In contrast to the sparse countryside, skyscrapers tower over Luanda Bay and G-class Mercedes rule the road – a nod to the vast wealth generated by Angola’s oil, gas, diamonds and gold. Not far from the Luanda’s rich centre lies a more sober reminder of the country’s past, the National Museum of Slavery. During the 400 years of Portuguese rule, over 5.6 million people were taken as slaves from Angola, most heading to another Portuguese outpost, Brazil. Located in a former church where the captives would be baptised, the modest museum houses chains, shackles, and whips next to tally boards listing the ports slaves were traded to. Rather than being a depressing reminder of humankind’s cruelty, it is an authentic collection that aims to educate and preserve a major part of Angola’s history. “Boa tarde!” the guard cheerfully waved as I exited the museum, taking the steps down to Benfica craft market strategically located below. There sat men chiselling away at wood carvings, traditional masks and hand-made bowls, each inviting a closer inspection of their handiwork. I settled on a wooden carving, small and portable, something to go with the necklace I was purchased in the village, so it wouldn’t be lonely for the long trip home. Original publication: The Post < Previous Next >

  • Guy Needham | Magical Māpua

    We’d been in the village for less than half an hour before we were propositioned. Usually, I’m a little wary of strangers inviting me to their house but the tall man in the grey hoodie insisted. “It’s only three minutes away,” he said with a straight face and slight accent. “You should come.” So we slowly followed him down the road. < Back Magical Māpua The Press 29 Sept 2025 We’d been in the village for less than half an hour before we were propositioned. Usually, I’m a little wary of strangers inviting me to their house but the tall man in the grey hoodie insisted. “It’s only three minutes away,” he said with a straight face and slight accent. “You should come.” So we slowly followed him down the road. Not that there was anything to worry about. The inviting local was one of the Māpua’s many talented craftspeople, industrial designer Sebastian Roccatagliata. In the workshop below his house, he pointed to thin boards of rimu, matai, and rewarewa, ready to be crafted into lamps for his Studio Deco Design showroom. Sebastian, like many of Māpua’s residents, had moved here for the lifestyle and natural beauty. The name says it all: Māpua means ‘a place of abundance’ in Māori. Only 30 minutes from Nelson, the township is best known for the historic and revitalised Māpua Wharf – an eclectic mix of boutiques, restaurants, bars, galleries, and a bike hire shop. “You want a step thru? A hardtail?” Establishing that I was a novice, the staff at Kiwi Journeys carefully wheeled out my first e-bike. “Go round to the left, between the buildings, down the ramp, onto the sand, we’ll meet you there. We drive the ferry too.” The flat-bottomed Māpua Ferry is the cycle-friendly link to nearby Rabbit Island and the only ferry crossing on New Zealand’s cycle trail. It took a whole five minutes to get to the other side. “See you in a few hours” came the cheery wave and off we went, doing a majestic 20kph with the help of eco and sport modes, peddling the coast track before heading towards the beach. Beyond the protected bird nests lay total solitude, undisturbed sand as far as the eye could see. Further inland we doubled back though the pine forest, navigating pinecones and debris before taking on the Conifer Park Track. Along the way we came across other cyclists who were doing the Great Taste Trail, one of the Ngā Haerenga Great Rides of New Zealand. Once back in Māpua it was time to eat, and The Jellyfish’s sun deck was calling. Located in a prime position on the wharf this well-regarded restaurant was bustling despite the chilly spring day. I rued not choosing the BBQ brisket dripping in caramelised onion that she-who-doesn’t-like-to-share ordered. Oh well, there was always Hamish the heron to watch on the pier (spoiler alert: it took me a while to figure out Hamish is not a real bird). Not far from the restaurant are the old apple coolstores, now converted into an art lover’s paradise. Where once 100,000 cases of Granny Smiths and Galas sat ready to be exported, today it is pīwakawaka sculptures of recycled spoons (Forest Fusion), hand-painted scarfs (The Mapua Collective), and mini terracotta vases (Coolstore Gallery) that take pride of place. But it was a pop of fuchsia nearby that caught my eye. The brightly painted beacon that is Kandē was a magnet to my oh-so-sweet tooth . Seated behind the smallest counter in the world was college student Aidan Porch, purveying jars of Grow Some Balls and Stop the Whining Gums . “How would I describe this shop? Small!” he laughed, going on to explain that the candy store was a family affair - built by him and his dad, with mum doing the ordering – giving him the flexibility to work when he can. Like many seaside towns, opening hours in Māpua vary by season : the Golden Bear Brewing Company was still ‘hibernating’ in early September; the ferry timetable was operating on winter hours (weekends / school holidays); and many of the pop-up shops hadn’t popped-up yet. Thankfully this wasn’t the case everywhere. “Open every day but Christmas,” shouted Tim over the Wega coffee machine at Java Hut, a little further up Aranui Road. Complete with self-identifying grumpy old men sitting out front and an overflowing tippo-potamus, it was obvious that Java Hut is a local’s local. “I love it when we get visitors, but there’s more to Māpua than just the wharf.” He wasn’t wrong. Staying in a converted warehouse apartment at Pohutukawa Farm, with its expansive views of tidal Waimea Inlet framed by the distant snowy ranges, it was easy to forget how much the wider area had to offer. In a region renowned for its wines we headed to Moutere Hills Restaurant & Cellar Door in search of lunch. Mistake #1 : not making a booking during a potentially busy period (I’m looking at you, Fathers’ Day). Mistake #2 : not giving ourselves enough time to take in the surrounds. We laser focused in on deserts. Dark Chocolate Ganache Tart? Yes please. Orange Cake, Safron Gel and Aquafaba Meringue? We’ll have that too. A trio of Feijoa Cake Limoncello, Tiramisu, and Ginger Loaf Icecream? Go on then. It’s fair to say that we didn’t have dinner. We had one last stop though: Brook Waimārama Sanctuary, a shortish drive away. The South Island’s biggest predator-free sanctuary is home to 65 tuatara and 41 kiwi pukupuku (Little Spotted Kiwi), as well as the critically endangered kākāriki-karaka (orange-fronted parakeet). We were warmly welcomed to the visitor centre by Chris McCormack, CEO, enthusiastic conservationist, and our tour guide for the night. Red-light head torches on, puffers zipped up, we headed through the double doors into the forest valley. A few hundred metres in Chris froze. “Hear that?” he urgently whispered, “It’s a male.” A high-pitched whistle. A pause, and then another one. “No, he’s a different male.” Then a lower call, slower, a short of trill. “Wow, she’s responding! That’s two kiwi males and a female you’ve just heard”. This was going to be hard to beat. We followed the path through the sanctuary, Chris shining an infrared light to bring the hidden glowworms alive, stopping occasionally to open a wooden ‘weta hotel’ (it’s OK, they’re in cases). This time there was a sharp “Shhh”. Leaves rustled to our right. Then suddenly, out popped a kiwi pukupuku metres from us and shot up the side of the path, it’s powerful legs too quick for us to get a photo, its soft shaggy feathers shining in the full moonlight. We were stunned. To see this taonga in its natural habitat really did feel like an honour. “That has never happened on a tour,” Chris said, when we all got our breath back. The wide smiles continued all the way back to Māpua. The next morning, still excited about our kiwi encounter, we coffee’d in Māpua one last time. As we left the wharf we passed Sebastian’s lighting showroom, his whale-shaped lights still on, grateful that this stranger had taken the time to proposition us. Original publication: The Press < Previous Next >

© Guy Needham 2026

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