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  • Guy Needham | Why Albania

    “Why Albania?” “Why not?” “What have they done to us?” “What have they done for us?” “Nothing….” “See, they keep to themselves. Shifty. Untrustable.” < Back Why Albania Let's Travel 4 Jun 2015 “Why Albania?” “Why not?” “What have they done to us?” “What have they done for us?” “Nothing….” “See, they keep to themselves. Shifty. Untrustable.” No, not a weird conversation about where to holiday but a scene from Wag The Dog, where Robert De Niro and Dustin Hoffman are deciding who America should go to war with. Thankfully it never happened, but if it had you can bet Albania would have been ready. Dotted along its coastline are thousands of concrete bunkers to protect it from invasion - the paranoid legacy of communist dictator Enver Hoxha. It had been 20 years since communism had died and I was in Albania to see how much the country had changed. To the outside world Albania is still a mystery; a former Socialist People’s Republic “somewhere near Greece where everyone is poor and backward and ride donkeys and the women have moustaches” (they don’t). Sure, it’s not the most advanced country in the world but that’s what makes it so unique. Where else would you see grass being cut on the main square with a scythe? Or a foreign street named after George W Bush? My quest to discover today’s Albania began in its capital, Tirana. In the 1990s the former mayor - himself an artist - came up with the idea of painting the ubiquitous apartment blocks different colours, to brighten up residents’ lives. As a result the city’s a lot more attractive these days, but it’s never going to win a beauty pageant. No matter, what Tirana lacks in looks it makes up for in character. From the never-ending cacophony of horns as three-wheeled trucks fight with motorbikes navigating Skanderbeg Square, to elderly men warily drinking tea to pass the time of day, the capital of Albania is truly a mish-mash of east meets west with a victor yet to be decided. As the capital, all roads lead to Tirana and you certainly know when you’re on them. “Pot-holed” is an understatement but bouncing up and down in the back of a furgon taxi adds to the sense of adventure. In typical Balkan fashion these shared taxis have no set schedule (nor departure point for that matter); as soon as they’re full, they’re off. I managed to catch an early morning one and only had to wait 15 minutes before the chugging Mercedes starting making its way to my next destination, Berat. After two hours of Albanian viba-train I was relieved to finally arrive. “Somewhere near Greece where everyone is poor and backward and ride donkeys and the women have moustaches” Berat is a charming 2400 year old Ottoman town with houses built one on top of another, earning itself the moniker ‘Town of a Thousand Windows’. I was excitedly met by my host and taken to his ‘welcome room’ for a shot of rakija (a fermented alcoholic drink that’s probably illegal elsewhere). The room itself was magic: traditional curved brick walls, pigeons cooing on the sill, strings of onions hanging from rafters, and the waft of slowly cooking lamb. Another rakija was poured. “Are you going to the Xhiro tonight?” he asked. “It’s Monday so it should be good.” He pointed down to the town. The Xhiro (pronounced ‘giro’), as it turns out, is one of the most curious rituals I have come across. At a time when we might be watching primetime TV the inhabitants of Berat are walking back and forth down a closed off boulevard, dressed to the nines like its 1987. Furtive glances are exchanged as Europop seeps from the cafes. This is dating, Albania-style. In a country where pre-marriage relations are frowned upon and the Western version of ‘going out’ is non-existent, the nightly Xhiro is the one opportunity to size up potential partners. Like someone? Your relatives can talk to their relatives. We joined in – the walking, not the dating – and amongst the fried sweetcorn hawkers and popped collars you could sense the locals enjoying themselves. Berat was also where I saw another sign that times have changed. Mount Shpirag, behind the entrance to the township, once had the name “Enver” (after the former dictator) spelt out in huge letters on the mountainside. Today they’ve been rearranged to spell “N.E.V.E.R” – a very large, defiant statement not to repeat the past. Of course not all of the past was bad. My guide, a Tirana native who had spent much of his life in construction openly opined, “Under communism, we always had a job. No matter how small. Now look around you.” He waved his arm across the square. Men of working age were sitting around doing not much. It was 2:30pm on a weekday. He did admit though that since ‘freedom’ he now had enough money to send his daughter to Germany to study which he would never have been able to do “in the old days”. The final stop on my journey was Shkodra, a town bordering Montenegro. With a castle above and lake below it prides itself as being a little more Balkan-esque than the rest of Albania. Certainly, it has its fair share of al fresco restaurants, tourist-oriented ‘lodges’ and fresh food stalls; Shkodra was a cosmopolitan surprise. One of my favourite moments happened just as I was leaving town and looking to spend the last of my LEK on some meaningful souvenirs. An old woman at the bus stop dangled some woollen socks in my face in the hope that this foreigner would buy them - despite me sweltering in the 35 degree heat. I followed her back to her knitting, and after much hand gesticulation I gave her cash, she gave me some socks, and topped it off with an Albanian ‘smile’. As the bus pulled out I gave her a wee nod, and thought about all the changes she’d seen. After 20 years, capitalism had replaced communism and pester-power had replaced paranoia. The Albania of old was no longer there and yet, as the country was finding itself – with infrastructure and systems still to come – I felt lucky to have seen the Albania of today, knowing that it’s special quality would change again 20 years from now. < Previous Next >

  • Māori Wardens | Guy Needham

    PROJECTS Māori Wardens Aotearoa / New Zealand There are approximately 700 Māori Wardens who play an intrinsic role in improving the wellbeing of whānau and communities in Aotearoa New Zealand. Māori Wardens are not police, but they have legal responsibilities under the Māori Community Development Act 1962 and they give their time to supporting communities. The guiding principles of a Māori Warden is respect, awhi, aroha, and whānaungatanga. Previous Next

  • Yunita Mabel wins Shoot The Frame

    A portrait of a young Dani woman, Yunita Mabel, from the Papua region of Indonesia has won the Portrait Award for Shoot The Frame. < Back Yunita Mabel wins Shoot The Frame 8 Jul 2022 A portrait of a young Dani woman, Yunita Mabel, from the Papua region of Indonesia has won the Portrait Award for Shoot The Frame. The image, which has echoes of the Mona Lisa , was taken in Anemoigi village and will be on display at this year's IPF Festival in Hyderabad, India. Yunita is one of the Dani tribe that was unknown to the rest of the world until 1938. Like their ancestors they still live a simple life and, while not isolated from the march of modernity, they keep their traditions and values alive through their culture. < Previous Next >

  • The Mentawai in D-Photo Magazine

    In an exclusive interview with D-Photo magazine Guy Needham talks about the lengths he went to to get the shots for his upcoming exhibition, The Mentawai of Indonesia. < Back The Mentawai in D-Photo Magazine 19 Jul 2017 In an exclusive interview with D-Photo magazine Guy Needham talks about the lengths he went to to get the shots for his upcoming exhibition, The Mentawai of Indonesia. The article reveals what it's really like as a photographer where a contrast in culture is the least of your worries. Read journalist Adrian Hatwell's article here . < Previous Next >

  • Hadzabe Girl wins Silver

    Hadzabe Girl has won Silver at the prestigious 2022 Prix de la Photographie de Paris in France. < Back Hadzabe Girl wins Silver 30 Aug 2022 Hadzabe Girl has won Silver at the prestigious 2022 Prix de la Photographie de Paris in France. The Dickenesque portrait of a young child in wonder has now earned accolades across the United States, Australasia and Europe. The image was taken in the Laye Eyasi district of Tanzania as she stood under a rock ledge; her face revealing an inner strength belying her age. Hadzabe Girl will be shown in Paris in November 2022. < Previous Next >

  • On cultural awareness

    Last night Guy Needham spoke at the North Shore Photographic Society about his travel photography experiences and his recent Shades of Otara exhibition. < Back On cultural awareness 14 Apr 2016 Last night Guy Needham spoke at the North Shore Photographic Society about his travel photography experiences and his recent Shades of Otara exhibition. As well as talking about photographic styles and cultural awareness, Guy took questions on everything from lighting to permission to working as a freelancer. < Previous Next >

  • Story of the Creative

    Some of Guy Needham's images marking the 20th anniversary of the 90s wars in the Balkans recently featured in a New York City digital exhibition, The Story of The Creative. < Back Story of the Creative 1 May 2014 Some of Guy Needham's images marking the 20th anniversary of the 90s wars in the Balkans recently featured in a New York City digital exhibition, The Story of The Creative. It was one of the largest events ever put on by See|Me, featuring artists from all over the worlds in two venues in New York City, including their exhibition space at 19-26 Jackson Ave, Long Island City, Queens. < Previous Next >

  • Guy Needham | The Hamar

    Like their ancestors before them, the Hamar of the Lower Valley of the Omo are agro-pastoralists and subsistence farmers. The fields of sorghum that they live off are not far from their ornay (huts) and the bocas where the elders sit and chat. TRIBES The Hamar Lower Valley of the Omo, Ethiopia Like their ancestors before them, the Hamar of the Lower Valley of the Omo are agro-pastoralists and subsistence farmers. The fields of sorghum that they live off are not far from their ornay (huts) and the bocas where the elders sit and chat. < Previous Next >

  • Jaguars in the Jungle

    In this coming weekend's Sunday Star-Times you can read all about how I helplessly watched on as my guide was slowly poisoned... < Back Jaguars in the Jungle 20 Jan 2020 In this coming weekend's Sunday Star-Times you can read all about how I helplessly watched on as my guide was slowly poisoned... ... how children celebrate Christmas in an Amazonian fishing village, how the 'mark of the Matses' is slowly fading with generations, and how I ended up on a Peruvian Air Force sea plane trying to reach the middle of the jungle. < Previous Next >

  • Māpua Magic

    This week The Press featured my article on Māpua, a pocket of paradise on the Waimea Inlet 30 minutes from Nelson, that blends natural encounters with artisan flair and friendly style. < Back Māpua Magic 28 Sept 2025 This week The Press featured my article on Māpua, a pocket of paradise on the Waimea Inlet 30 minutes from Nelson, that blends natural encounters with artisan flair and friendly style. From being propositioned not long after we arrived, to taking an e-bike on the only ferry crossing on the New Zealand's cycle trail, you can read all about how this historic and revitalised township is punching above its tourism weight, in The Press here or on my website here . < Previous Next >

  • Lubango Local chosen for Athens

    An image of a just-emptied train carriage at a railway station on the outskirts of Lubango, Angola, has been selected for a global travel exhibition in Athens, Greece. < Back Lubango Local chosen for Athens 19 Aug 2025 An image of a just-emptied train carriage at a railway station on the outskirts of Lubango, Angola, has been selected for a global travel exhibition in Athens, Greece. The image of bright blue seats and piercing sunlight under an array of diminishing ventilation fans, is one of Guy Needham's two photographs that will be exhibited at Blank Wall Gallery in Athens from late September. Part of a travel series taken in Angola for The Post, the image captures the stripped back utilitariuanism of public transport. < Previous Next >

  • Guy Needham | The Waorani

    Numbering no more than 3,000, the Waorani live on the edge of the Amazon basin. Like many indigenous peoples they are a tribe in transition - hunting with blowguns and poisonous darts is giving way to nightly wi-fi and televised football. TRIBES The Waorani Territorio Waorani, Ecuador Numbering no more than 3,000, the Waorani live on the edge of the Amazon basin. Like many indigenous peoples they are a tribe in transition - hunting with blowguns and poisonous darts is giving way to nightly wi-fi and televised football. < Previous Next >

© Guy Needham 2026

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