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  • Guy Needham | Current Affairs

    An international visual journalist, Guy has traveled to more than 60 countries, bearing witness not only to turmoil and conflict, but also to hope and the power of the human spirit. Covering topical events from military occupations to civil unrest to emergencies in North and South America, Asia and the Pacific, these images have appeared in newspapers, magazines and websites. PHOTOJOURNALISM Current Affairs Global An international visual journalist, Guy has traveled to more than 60 countries, bearing witness not only to turmoil and conflict, but also to hope and the power of the human spirit. Covering topical events from military occupations to civil unrest to emergencies in North and South America, Asia and the Pacific, these images have appeared in newspapers, magazines and websites.

  • Yellowstone meets Warkworth | Guy Needham

    < Back Yellowstone meets Warkworth 3 Jan 2024 The Warkworth Rodeo, held north of Auckland New Zealand, didn't disappoint with its annual gathering of cowboys and cowgirls. Featuring all the favourites including Team roping, Breakaway, Barrel Racing, Novice steer riding, Bareback, Open Bull Ride and Steerwrestling, there was a packed crowd of local fans appreciating some fancy skills. You can check out some images here . < Previous Next >

  • Guy Needham | Leap of Faith

    Oh my god, he’s going to do it!” screeched the American teenager to my left. Sure enough with a quick wave to the crowd, a furtive glance downwards and a tuck of the pants, over he leapt. One of Mostar’s bridge-jumpers had just taken the plunge into the icy Neretva River below. I’d just witnessed something that wasn’t possible two decades before. < Back Leap of Faith The Press 12 Feb 2013 Oh my god, he’s going to do it!” screeched the American teenager to my left. Sure enough with a quick wave to the crowd, a furtive glance downwards and a tuck of the pants, over he leapt. One of Mostar’s bridge-jumpers had just taken the plunge into the icy Neretva River below. I’d just witnessed something that wasn’t possible two decades before. In 1992 the Bosnian town of Mostar, until then a peaceful mix of Muslims, Serbs and Croats, self-imploded; a microcosm of all that went wrong in the former Yugoslavia. Neighbours who had fought a common enemy turned on each other. The pointlessness was summed up by one act: the destruction of Stari Most – Mostar’s old bridge which had stood for over 500 years was destroyed by Bosnian Croat shells. I was in BiH (Bosnia & Herzegovina) to see how the country had progressed since the Bosnian War. What I found was a vibrant, friendly culture and people that only respected, but also remembered, the past. “Never Forget ‘93” is painted on a rock. Bombed out buildings house trees where once windows were. Cemeteries have the same year on the headstones. And yet, the country is warily finding its own way in the world and once again attracting visitors. While Mostar itself is a relatively small town it is one of the most visited in the Balkans. Known for its alley of coppersmiths, where the sons and daughters of coppersmiths before them have toiled, the ‘clang clang clang’ nearly drowns out the Europop wafting like the smell of burnt coffee. “I have been here with my brother for 17 years,” said one proud artisan. “We started after we stopped fighting. These are the tools of my father”. Showing me his family symbol on the bottom of a plate, he demonstrated how each tool creates a different indent while explaining that “imported stuff in other stores could never be pretty”. I walked away with a copper bowl, a shiny, hand-crafted, story-infused memory of Bosnia. The memory most of us have of Bosnia of course is the nightly news 20 years ago, dominated by Sarajevo. For nearly four years the city was under siege, surrounded by Bosnian Serbs who wanted it as part of a Greater Serbia. Today in The Hague sit those being tried for war crimes for the shelling and snipers that made Sarajevo unliveable. Zig-zagging across the street for fear of being shot. Queues for water and bread. Every tree cut down for firewood. And football fields converted to graveyards. When the 1993 Ms Sarajevo contestants held up a banner saying “Don’t let them kill us”, they were crying out to the world. When the 1993 Ms Sarajevo contestants held up a banner saying “Don’t let them kill us”, they were crying out to the world. The city had one way in and one way out, a tunnel to the UN-protected airport. We decided to tour it.It wasn’t long before our tour guide was on the verge of tears. She apologised for her emotion and had to stop at the tunnel entrance. “We found out our friends had died because they didn’t come to school. I had many friends… die. It was very sad to be 8 and lose friends”. Her English was broken but not because she didn’t speak fluently. 11,541 civilians were killed in the siege. Today’s Sarajevo is a symbol of resilience, buzzing with tourists-a-plenty. Its pedestrianised areas are filled with chain stores. Old men play chess, young couples kiss passionately and kids cry over spilt gelato. The charm of the old town is still there with restaurants serving up shots of rakia (40% distilled alcohol) and hot plates of cevapi, a moreish grilled lamb dish in open kebab bread. < Previous Next >

  • Falling for New England | Guy Needham

    < Back Falling for New England 24 Oct 2023 Want to know the best way to sell maple syrup in Vermont? Or where to go for the annual pumpkin' chuckin' contest? Check out this week's New Zealand Herald Travel story here about Fall in England. A time when the leaves turn orange, red and golden yellow, the 'leaf peepers' come out to play, and when every New England town seems like something out of a movie set. < Previous Next >

  • A Different Aspect of Reality | Guy Needham

    < Back A Different Aspect of Reality 16 Apr 2018 Two of the images from The Mentawai will be shown in Athens, Greece this month as part of an international group Portraits exhibition. Curated by Blank Wall Gallery, the show is designed to "express a different aspect of reality" and features a select number of images from around the world. It will be on display from April 20th though to May 3rd. < Previous Next >

  • Rodeo | Guy Needham

    PROJECTS Rodeo Warkworth, New Zealand Every year one of New Zealand's premiere rodeos, the Warkworth Rodeo, is held north of Auckland. Full of the usual events such as barrel racing, bull riding, saddle bronc riding, steer wrestling and breakaway roping, interest in the event has only grown over the years, no doubt helped by the global TV phenomenon that is Yellowstone. Previous Next

  • Off-grid Ocean Journey | Guy Needham

    < Back Off-grid Ocean Journey 5 Feb 2015 “When the alarm goes you grab this,” Officer Cadet Dusan said as he pointed to my lifejacket. “And this.” An orange survival suit. “We muster on C Deck, starboard side.” I didn’t know if it was a good or bad thing that my welcome was bringing up Titanic-like thoughts. I had just boarded the ANL Bindaree, a Liberian-flagged freighter that was slowly pulling out into the Hauraki Gulf laden with 30,000 tones of freight, 24 crew and 1 other passenger. I was following a little-known tradition of passengers on cargo ships, harking back to the days when cabins were set aside for owners and VIPs. Today they’re taken by people looking for a slow alternative to air travel, who are independent, have time to spare, and who – like me – just want to do something a little different. I’d chosen a rather circuitous route as was pointed out by Adrian, the bemused Chief Engineer. “OK, so you’re leaving here to come back here to go nowhere?” “Uh huh,” I replied. From Auckland around Cape Reinga across the Tasman to Melbourne, up the Australian Coast to Sydney and then into the South Pacific to disembark at Tauranga. The journey would take two weeks. “You are very strange,” he chuckled. Adrian was one of the Bindaree’s band of officers from Croatia, Romania, and Montenegro; the crew were all Filipino. As is maritime tradition there was strict segregation between the officers and the crew including socialising, eating and sleeping. This irked my fellow passenger, Naomi, a Canadian environmental educator, who was telling me so when we were interrupted. “Attention all crew. Attention all crew,” boomed the PA system. “Clocks go back one hour tonight. One hour.” That marked us entering international waters and that meant the Slop Chest was open. The Slop Chest (official name: Bonded Store) was a duty free treasure trove of alcohol, treats and cigarettes. You pick what you want from the checklist, hand a slip to the officer, it gets delivered to your door, and you pay in $US before disembarking. I made the landlubber’s mistake of thinking I was paying US$18 for a dozen Becks beer. 24 bottles turned up. No matter, there was more than enough room in my quarters. Officially the “Owner’s cabin”, I had a dayroom (two couches, table, writing desk and chair, fridge, LG mini-system, DVD player and TV) as well as a bedroom plus shower and toilet. My porthole (ticket note: “View may be restricted by containers”) looked all the way to the bow. As the days went by the low rumble of the engines was occasionally punctuated by the creaking of container lashes. I spent as much time as possible on the Bridge. Being allowed in the Wheelhouse is one of the perks of being a passenger on a merchant ship, but it definitely wasn’t what I expected. Sure, I’d done my research – if watching Captain Phillips counts – but I hadn’t reckoned on was how automated it all was. There is no grand wheel any more; this one was the size of a PlayStation racing control. “Surprised huh?” Third Officer Paul called out with a grin on his face. “Everything is automatic now, see”. He pointed to the navigation console. “Of course, we still do things manually. Every two hours we plot our exact position on the charts behind you. Don’t want anything to go wrong,” he said understatedly, still smiling. As Officer on Watch he wasn’t actually steering the ship; he was checking it was on track. Just to humour me though he opened a small hatch on the bulkhead – out popped a Morse code machine. The following day I joined Chief Officer Aleksandar on the outer Bridge – him with cigarette and coffee in hand, me with sunglasses, both of us looking out to the horizon. “People don’t understand,” he said passionately. “We are the life blood of the world economy!” He jokingly jabbed his finger to his forearm. “No planes, no trains, ever carry as much as economically as us. This is why shipping will never die.” I nodded in agreement. We were heading west at a majestic 14 knots. He opened a small hatch on the bulkhead – out popped a Morse code machine. Seven decks below the powerhouse of the ship thundered on. In the engine room nine turbines pumped out 720RPM of raw power. “140°” said the engineer, “That’s how hot these pipes are. Don’t touch them.” I didn’t need to be told twice. As awesome as all that power was it was a relief to be topside again. My favourite place was at the bow with 250m of container ship behind me, the hypnotic sound of the swell and the gentle rocking of a massive ship. The mornings were fresh and tingly; the afternoon’s hot and tan-worthy. It wasn’t until Day 6 that we saw land again – Australia. The mood on the Bridge noticeably changed and focus replaced humour. It was as if the ship had been given a talking to at half time and came out with guns blazing. In Melbourne I saw first-hand the life-blood of the world economy. Every container was positioned on the deck according to its declared weight, need for power, displacement of cargo and final destination. Massive cranes, hoists and lights worked 24 hours to keep the infrastructure pumping. After ‘shore leave’ I was back up the gangway in time for dinner. Meals were at set times (7-8am, Noon-1pm, 5-6pm) and eating in the Officers’ Mess was a chance to get to know the men onboard. On freighters the meals are dependent on how good a cook you have and ours was good. Chef Leonardo and Messman Rodel invited me into the galley to proudly show off their honey-glazed chicken, Thai-inspired beef and ice-cream sundaes. Evenings were spent chilling. There was time to read, watch DVDs, work out in the gym or just stare out to sea. More than once I caught up with the ship’s Master, Danko Grgurevic, a typically friendly Croatian who was usually dressed in shorts, a company t-shirt and tennis shoes. We arrived in Botany Bay under a full moon. By then I’d learnt that you’re not supposed to take your passport off the vessel when entering another country (oops) and you have to sit at your allocated place at the dining table even when you’re the only person there (oops again). But despite all those idiosyncrasies there was one great benefit: being “off the grid”. No cellphone, no Facebook, no hashtags, no selfies. After another five days we arrived in Tauranga. I left the crew with a few magazines and beers, and descended the gangway one last time. It had been a privileged insight into a rarefied ecosystem, one with rules and norms that could be daunting to the uninitiated. Luckily, I had the best hosts I could have asked for. And I was rather pleased that I never had to put on that orange survival suit. < Previous Next >

  • Chania International Photography Festival | Guy Needham

    < Back Chania International Photography Festival 25 Jun 2018 Two of Guy Needham's images from his Mentawai tribal series will be part of the inaugural Chania International Photography festival in Crete. The two images, Aman Teutagougou and Iman Ipai, were taken in 2017 in the rainforests of Indonesia. They'll be on show from 28 August to 5th September at the Grand Arsenali in the old town of Chania. < Previous Next >

  • Goroka selected for UK Portrait Salon | Guy Needham

    < Back Goroka selected for UK Portrait Salon 21 Oct 2015 The UK Portrait Salon has accepted ‘Goroka’ by Guy Needham, into the 2015 exhibition to be held in London in November. The photo of a young boy preparing for a traditional ceremony, taken in the Southern Highlands of Papua New Guinea, will join others on the wall of The Embassy Tea Gallery from November 19th as a part of a salon style exhibition. < Previous Next >

  • Aman Ipai honoured in Vienna | Guy Needham

    < Back Aman Ipai honoured in Vienna 11 Sept 2022 A monochromatic portrait of Aman Ipai, one of the Mentawai of Indonesia, has been selected for the Vienna International Photo Awards. The image, which captures his unique body art and trusting presence, has been awarded an Honorary Mention in the People & Portrait Photography category. Playing on contrast in a wider sense, it was taken in his uma (longhouse) using only natural light to frame his generous pose. < Previous Next >

  • First Place win in Florida | Guy Needham

    < Back First Place win in Florida 28 Sept 2019 Hadzabe Girl has taken away 1st Place in the People & Portraits category at the Florida Museum of Photographic Arts. The image, taken under a rock ledge in Northern Tanzania, shows a young girl, her face covered in dirt except for the clean areas around her mouth. She is one of only 1,500 Hadzabe left in the world, who to this day still speak in clicks. < Previous Next >

  • Colour Nature opens | Guy Needham

    < Back Colour Nature opens 14 Jul 2014 Guy Needham's next exhibition, Colour // Nature will be hosted by Auckland's Grand Rendezvous Hotel. Colour // Nature is a play on man's need to categorise, numerise and systemise what is naturally found on this planet. This is an exhibition of digitised beauty - scenic landscapes and close up flora are given references rather than titles. < Previous Next >

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