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“Seriously man, what are you wearing?” My friend Fernando was jacket shaming me in the Valencia arrivals hall, not-so-subtly pointing out how hot it was. “What is wrong with you?!” With mock indignation I removed my jacket – and then proceeded to sweat profusely anyway. < Back Viva Valencia Sunday Star-Times 29 Nov 2025 “Seriously man, what are you wearing?” My friend Fernando was jacket shaming me in the Valencia arrivals hall, not-so-subtly pointing out how hot it was. “What is wrong with you?!” With mock indignation I removed my jacket – and then proceeded to sweat profusely anyway. It’s been nearly 20 years since 25,000 New Zealanders came through the same arrivals hall, enduring the Valencian humidity during the 2007 Americas Cup. After the cup moved on most Kiwis didn’t hear much about Valencia – that is, until last October’s devastating flood. In a city that has over 300 days of sunshine a year the speed of the rising floodwaters came as a shock, leaving over 230 dead and billions of euros worth of damage. It wasn’t the first time either: in 1957 the Turia River flooded so badly that the Franco government permanently rerouted the river three kilometres away from its original course. The Turia’s old riverbed was the starting point for my exploration. Now a sunken verdant park in the centre of the city, the 9km long Jardín del Turia is full of trees, running tracks, fountains, a football pitch and – most impressively – an oversized climbing structure that when viewed from above is a giant Gulliver pinned to the ground, sword and hat beside him, with Lilliputians (actually, humans) climbing all over him. Jardín del Turia is not only a living breathing artery, it’s also a direct path to Valencia’s top attraction: Ciutat de les Arts i les Ciències (City of Arts and Sciences). Designed by Valencian architect Santiago Calatrava the stunning futuristic complex is considered one of the 12 Treasures of Spain, up there with La Sagrada Família and the Guggenheim Museum Bilbao. Fernando looked at me looking in awe as we walked through the whale-like spine of the interactive Museu de les Ciències, while behind us stood L'Oceanogràfic, the largest aquarium in Europe. The star of the complex is without a doubt the spectacular L'Hemisfèric – a building ‘made whole’ as a huge human eye when reflected in its surrounding pond. I half expected to see Westworld’s Charlotte Hale step out of the Delos headquarters (IYKYK). My modernist bucket filled, we made our way back to the Juliet balconies and ornate doors of the old town, Ciutat Vella. In medieval times it was surrounded by the Muralla Cristiana (the Christian Wall) and only two of the original 14th century gates still stand, one being Torres de Serranos. Initially built to defend Valencia from siege, over the years it has been a prison for knights and nobles, hosted official ceremonies for Kings, and even protected artworks during the Spanish Civil War. I paid the princely sum of €2 and climbed to the parapets for a panoramic view of the Valencia’s Gothic, Romanesque and Neoclassical architecture. The old town’s one-way streets below were extremely walkable if somewhat deceptive. “If it’s big enough for a car, expect a car,” advised my friend Sarah, as we shared what looked like wide footpaths with e-scooters, Segways, and electric Peugeots. “Look, see that?” she said, pointing to a manhole cover. “There, above the crown…”. The shape of a bat, wings spread, sat atop Valencia’s coat of arms, stamped into the cast iron cover. Legend has it that in 1238 a noisy bat awoke King Juame 1, warning him of a surprise enemy attack and giving him time to defeat the Moorish invaders. Despite the interesting history lesson it was the odour emanating from below that caught my attention. My hosts, both in olfactory denial, had obviously got used to Valencia’s sewerage smell long ago, but ‘Spain drain’ is real and the city’s antiquated pipes are particularly pungent during humid weather. Not that it was putting off any tourists; the clacking of suitcases across cobblestones only stopped when visitors paused to admire the street art in front of them. An urban canvas of walls, shutters and roller doors, Valencia’s El Carmen neighbourhood is an eclectic mix of graffiti by taggers such as Deih, Hyuro and Xelon. David de Limón’s masked ninja peaks out from behind lamp posts, while Disneylexya’s large scale Latin-American illustrations cover entire walls. Urban art is such an integral part of the city that the contemporary gallery Centre del Carme is holding an exhibition on its origins. Art has long been part of Valencia and nowhere more so than Iglesia de San Nicolás de Bari y San Pedro Mártir de Valencia, or San Nicolás for short. Having pre-purchased tickets to this 750-year-old church we didn’t have to wait long before picking up our audio guides. And then we looked up. Nicknamed the ‘Sistine Chapel of Valencia’, San Nicolás’ ribbed-vault ceiling is simply magnificent. Painted in Baroque frescoes that stretch all the way from the altar to the baptismal font, depictions of archangels, saints, apostles, and cherubs look down upon the headphone-wearing visitors below. Like many a historic site San Nicolás is using 21 st technology to introduce a new generation to its attractions. We stayed for La Luz de San Nicolás, an immersive video show that transforms the Gothic architecture with beams of light, projects heavenly flowers across the frescoes, and fills the nave with divine ethereal music. Impressive as it was, Fernando wasn’t sure that the already beautiful church needed it. Three short blocks away was a more traditional slice of Valencia, the Mercat Central. Like Barcelona, Valencia has its own language – Valencian – and here a market is not a ‘mercado’ but a ‘mercat’ and there is none bigger than the Mercat Central. Pescaderos (fish mongers), fruiters (green grocers), and pastissers (sweet sellers) all have their sections but it is the charcutiers who are the busiest. Under hanging legs of jamón ibérico, Jose Vicente was handing over prime cuts accompanied by local cheeses, catering to customers ducking in during the siesta. Ahhh the siesta. Valencia still honours the afternoon rest period although not for sleeping these days, with the majority of small-to-mid-size shops closing between 2-5pm then reopening until 8pm. Even the shops that don’t have split shifts remain open late, before the al fresco restaurants start filling up quickly for dinner. As you’d expect for the birthplace of paella, food holds a special place here – Valencians eat five times a day – so it was only right that we went to one of Fernando’s favourite eateries, Kiosko La Pérgola. Perched up on barstools we ordered two large bocadillos, half and half sandwiches of beef tenderloin, ham, cheese, tomato, bacon and salsa verde, which were promptly cut in half again giving us eight minis. Eating over the hum of the kitchen, we watched servers enthusiastically leaning out to talk to locals and visitors alike. Unlike other Spanish destinations, visitors are welcome here (side eye emoji to Barcelona), and although Valencia is the country’s third biggest city at no stage did it feel overcrowded with tourists. Even the Line 3 metro back to the Aeroporto was busy but not packed with travellers. In the departures hall I hugged my tour guide farewell, thanking him for showing me the best of Valencia. It was time to put on my jacket again. Original publication: The Post < Previous Next >

"All the fun of the fiesta in Latin America" is captured on the cover of the latest New Zealand Herald travel magazine. < Back Colours of Colombia 16 Jan 2018 "All the fun of the fiesta in Latin America" is captured on the cover of the latest New Zealand Herald travel magazine. From the arm-grabbing La Lloranda to getting shot on the streets of Pasto, Guy Needham's latest adventure in Colombia takes you to the most colourful Festival of the Blacks and the Whites on earth. < Previous Next >

The Royal Photographic Society, one of the world's premium photography institutions, is featuring a gallery of Shades of Otara on their website. < Back Royal Photographic Society meets Otara 13 Sept 2017 The Royal Photographic Society, one of the world's premium photography institutions, is featuring a gallery of Shades of Otara on their website. The exhibition was included in the Society's Documentary magazine, The Decisive Moment. < Previous Next >

PROJECTS Nature Global A collection of images off animals in the wild - from the plains of the Serengeti to the falls of Iguacu. Previous Next

Continuing their tour of major European cities, in June the Dani of Papua will next be making their inaugural showing in Rome, at Italy's GARD Galleria Arte Roma Design. < Back I Dani vanno a Roma 24 Apr 2026 Continuing their tour of major European cities, in June the Dani of Papua will next be making their inaugural showing in Rome, at Italy's GARD Galleria Arte Roma Design. GARD, a specialist gallery known for its international collaborations will be showing a unique collection of portraits of the Dani. Artist Guy Needham will be attending in Rome on opening night, 5 June, to talk about the Dani, their culture, customs and unique attire, as well as the work he has done photographing indigenous tribes over the past ten years. < Previous Next >

Like their ancestors before them, the Hamar of the Lower Valley of the Omo are agro-pastoralists and subsistence farmers. The fields of sorghum that they live off are not far from their ornay (huts) and the bocas where the elders sit and chat. TRIBES The Hamar Lower Valley of the Omo, Ethiopia Like their ancestors before them, the Hamar of the Lower Valley of the Omo are agro-pastoralists and subsistence farmers. The fields of sorghum that they live off are not far from their ornay (huts) and the bocas where the elders sit and chat. < Previous Next >

The feature image of the Shades of Otara series is on show this week at the 2018 London Photo Festival. < Back Resting at London Photo Festival 15 May 2018 The feature image of the Shades of Otara series is on show this week at the 2018 London Photo Festival. Part of an international group exhibition on Street Photography, it is on show at St George the Martyr Church until 19 May. The image balances a young man's physical exhaustion with a girl looking on, licking an ice-cream as if it was her reward for his hard work. < Previous Next >

Boston's Griffin Museum of Photography will be the first United States gallery to feature one of the Dani tribe from Indonesia's Papua region. < Back From Papua to Boston 15 Nov 2022 Boston's Griffin Museum of Photography will be the first United States gallery to feature one of the Dani tribe from Indonesia's Papua region. Although thousands of years old, the Dani were unknown to the rest of the world until 1938. Today they still live a simple life and, while not isolated from the march of modernity, their traditions and values have endured. The portrait of Lokop Mabel, pensive while smoking and wearing a traditional horim (penis gourd), will be part of the Winter Solstice exhibition on show in Massachusetts from 9 December 2022 - 8 January 2023. < Previous Next >

In an exclusive interview with D-Photo magazine Guy Needham talks about the lengths he went to to get the shots for his upcoming exhibition, The Mentawai of Indonesia. < Back The Mentawai in D-Photo Magazine 19 Jul 2017 In an exclusive interview with D-Photo magazine Guy Needham talks about the lengths he went to to get the shots for his upcoming exhibition, The Mentawai of Indonesia. The article reveals what it's really like as a photographer where a contrast in culture is the least of your worries. Read journalist Adrian Hatwell's article here . < Previous Next >

Guy Needham and a number of photographers worldwide have joined together to raise funds for UNICEF Ukraine via Portugal's Incubator Gallery. < Back Photographers for Ukraine 9 Mar 2023 Guy Needham and a number of photographers worldwide have joined together to raise funds for UNICEF Ukraine via Portugal's Incubator Gallery. Sales from the images donated , like this one of a Hadzabe leader, will go towards life-saving support for children and their families who are suffering as a result of the Russian invasion. Images will be on show in Lisbon for all of March plus available online to purchase at < Previous Next >

PROJECTS Rodeo Warkworth, New Zealand Every year one of New Zealand's premiere rodeos, the Warkworth Rodeo, is held north of Auckland. Full of the usual events such as barrel racing, bull riding, saddle bronc riding, steer wrestling and breakaway roping, interest in the event has only grown over the years, no doubt helped by the global TV phenomenon that is Yellowstone. Previous Next

For years the name Beirut evoked images of a vicious civil war and a hotspot of clashing cultures. It’s been a while since tourists flocked to the ‘Paris of the Middle East’, so you can imagine my surprise when I discovered a Lebanon of high class fashion, vibrant beauty, worldly citizens and some of the most amazing nightlife in the Middle East.​ < Back A Date with Hizbollah Real Travel 10 Feb 2009 For years the name Beirut evoked images of a vicious civil war and a hotspot of clashing cultures. It’s been a while since tourists flocked to the ‘Paris of the Middle East’, so you can imagine my surprise when I discovered a Lebanon of high class fashion, vibrant beauty, worldly citizens and some of the most amazing nightlife in the Middle East. Before I go on, forget everything you have ever heard about Lebanon. These days it is generally (a) out of date (b) wrong, or (c) the exception rather than the rule. It’s true that years of war and occupation have left their mark on Beirut, especially the southern Shi’ite district of Dahieh, but it is no longer home to the violence that used to dominate TV news. Like anywhere in the Middle East you have to take care and be aware, but it’s certainly not as unsafe as people make out. The locals, while wary, are welcoming and generous – even when you accidentally end up in the middle of a Hizbollah protest. But let’s start at the beginning… I was on a 6 week trip through the Middle East and had always wanted to go to Lebanon. Having heard so much about the country, it was a blend of curiosity combined with the “Oh my god, you’re going where?” factor that made me want to explore this part of the world. Initially I had hoped to go to Palestine and Israel first, but the Israeli stamp ‘issue’ meant that I would then have trouble getting into Syria and Lebanon. (As it was, the Israelis will stamp a piece of paper instead of your passport if you ask.) I’d just spent a week in Syria coping with the fact that Facebook is blocked (one of only two countries in the world; the other is Iran), where the highlight was Crac de Chevaliers – a medieval crusader castle that looked like the ones you imagined as a kid. Coming from Homs in Syria, I crossed the border at Abboudieh into Northern Lebanon. The ride to Beirut was an adventure in itself. I took a sherut, a shared taxi, paying an agreed amount and stopping numerous times along the way to have our papers checked. While my Arabic was very rudimentary a couple of Asalaam 'Alaykum’s (peace be upon you) and Shukran’s (thank you) can get you further than you think. And money’s pretty easy to use once you get into Lebanon: the general rule is pay $US for large amounts and LP (Lebanese Pounds) for smaller purchases. Beirut’s nightlife was calling me, so as soon I’d put my pack down at the Mayflower Hotel in Hamra (got a great rate on Hostels.com – lots of accommodation to choose from), I was off to a club. Flagging down the nearest taxi, the driver Jamal spoke very good English. Little did I know that he would end up shaping my entire visit. When I said how I wanted to go to Southern Beirut the next day to see the reconstruction and find out what the people are really like, he just smiled and said Inshallah (God willing). So we agreed a pick-up time, and he then dropped me off for my first experience of Lebanese nightlife. Entering the ironically designed Element club – which looks and feels as if you’re in a bunker – I immediately knew that this was glamour plus. The women were stunning, the men stylish, the drinks reasonably priced and the locals friendly. And this was on a Tuesday. Nearly everyone spoke English (de rigueur among young Lebanese professionals), and one couple who were celebrating their 3rd wedding anniversary wanted to know everything about my home country, New Zealand, while I wanted to know everything about theirs. It was a very late night. The next day Jamal was waiting outside my hotel as promised. He’d put aside the day to show me his city, which started with the drive down the Corniche, the boulevard that once used to be the jewel in Beirut’s crown. While the rebuilt downtown area with its restaurants and high class shopping is now the star attraction, there were more than enough people strolling along the promenade on a slightly overcast day. I was a little apprehensive when he told me not to take any pictures of the men with guns. I didn’t need telling twice From there we headed into Southern Beirut, where Jamal lived and a Hizbollah stronghold. It’s not an understatement to say I was a little apprehensive when he told me not to take any pictures of the men with guns. I didn’t need telling twice. What was fascinating though was what Hizbollah actually did beyond what we hear about in the news. Not just an armed organisation, Hizbollah also has representatives in the Lebanese parliament. As we drove along Jamal pointed out the Hizbollah universities, Hizbollah petrol stations, Hizbollah construction companies, Hizbollah supermarkets and of course, subtley, the Hizbollah checkpoints. All was going well, until we turned the corner. I was a little apprehensive when he told me not to take any pictures of the men with guns. I didn’t need telling twice. Little did I know that that day was Ashura, one of the holiest Shi'ite festivals that marks the Battle of Karbala where the grandson of Mohammed was killed. To show their affinity with the suffering, men self-flagellate. As we entered the next street we found ourselves next to bleeding backs from whipping, and boys with rubbing blood onto their chest. While that was a little concerning, it wasn’t until we got a few metres down the road when it became apparent what was really going on. The head of Hizbollah was giving a televised address to thousands of followers, all pumping fists and firing guns in the air. Now, at this point I should say that my timing was extremely bad. It was January ‘09 and while I was in Jordan, Israel had invaded the Gaza strip, the Middle East was in an uproar and rockets were being fired from Southern Lebanon into Northern Israel. This was one of those “exception to the rule” moments and is definitely not the norm. Thinking quickly, Jamal pulled the taxi over and bought a Hizbollah flag from one of the stores opposite the protest. We tied it to the car aerial with a rubber band and slowly made our way through the ever vocal crowd, with Jamal voicing his support so we didn’t get stopped at checkpoints and no-one asked what I was doing there. It seemed like the longest car ride in the world and I still have today “the flag that rescued us”. Once we got to relative safety, there was one other place I wanted to see: the Sabra and Shatila camp which is home to over 10,000 Palestinian refugees. My interest in politics meant that I had long ago heard of the massacre here that inspired the Israeli animated film “Waltzing with Bashir”. Despite its awful history - and my naiveté - I didn’t know what to expect. The "camp" is really a one kilometer square suburb with roads and the semblance of paths; there is no wire or separation wall surrounding them and people are free to go out beyond them. The buildings are concrete and food stalls abound. The people were cautious of this stranger in a taxi and perhaps with some justification. Jamal told me that this is their home even though it officially isn’t: if you are a Palestinian born in a refugee camp on Lebanese soil, you do not get Lebanese citizenship. There was a palpable degree of resolve in the air with the knowledge that their fathers, or in some cases, their fathers’ fathers had land that was taken from them, and the hope that one day it will be returned. And yet they became friendlier when I introduced myself and explained why I wanted to be in this part of the world. Standing outside the large banners of dead bodies at the Sabra and Shatila memorial was extremely sobering. Deciding it was time to lighten things up, and due to the fact we couldn’t get far because there were still so many people protesting, Jamal invited me back to his house to meet his wife and family. Recognising that this was a truly generous offer and one that I was never likely to get again, I gratefully accepted… and it was here I saw the true meaning of Lebanese hospitality. Arriving outside of his apartment he saw that the power was off, a frequent occurrence in Dahieh as the government restricts electricity to Hizbollah. No matter though, up the dark internal stairwell we went to be welcomed by his wife and two teenage kids who wanted to know what was on my iPod and if I was in Lord of The Rings. So here I was, with a taxi driver I’d just met, his wife, their teenage kids who had lit candles around the place and out comes the Merlot from Bekaa valley. In between Jamal regaling them with where we’d been, by the time the power came back on we’d worked through dishes of lamb, tahini, salad and the ever-present Markouk bread. Luckily, after a month in Arabic countries I already knew to only use my right hand while eating and not to eat everything on the plate, so I got some points for not being a complete Westerner. It was getting late and I had to get back downtown. As I left, Jamal’s teenage son handed me the Palestinian scarf he had around his neck as a gift for visiting their family and breaking bread with them. I realised that I’d been taken into the home of people who did not have much but wanted to share it all. The next day I saw a completely different side of the country. The manager of the Lebanese branch of a company I worked for, Daniel, had offered to show me the sights north of Beirut. Unlike the rest of the Middle East it seemed that the towns on the coastal road didn’t end and start as such, they just ran one into another. Beirut became Dawa which became Jounieh which became the ancient town of Byblos. Named by the Greeks after their word for papyrus (which used to be shipped via the port), the town has been invaded by Phoenicians, Greeks, Romans, Crusaders, Ottomans and Mamluks… and it shows. I’m the first to admit that I thought this major archeological site was going to be a bunch of boring ruins, but I’m glad I was wrong. I can best describe it as a history lesson pockmarked in stone, and to touch walls over 5000 years old really brings home how much Lebanon has seen through the ages. Walking around the port, I asked a fisherman who was eyeing up the horizon why he wasn’t out there. Gestations to the sky and the sea complemented his broken English: “no good, no good”. At the top of the hill, there was nothing more to do than wander through the restored souk and humorously haggle over a cedar wooden box with shell inlay which made a fantastic Christmas gift.Back in the car again, this time heading to Beit Mary, a suburb reached at the top of a cable car – and a far cry from Southern Beirut the day before. Standing at the foot of the statue of Our Lady of Lebanon with her arms outspread over the city below, I had the perfect view over Jounieh Bay. But it was what was underground on our way back, rather than what was on top of it, that really piqued my interest. Daniel insisted I was not going to leave Lebanon without visiting the Jeita Grotto, a set of crystalised limestone caves that is truly a world class attraction. With site map in hand I headed down the long boardwalk into the stunning Upper Cavern, joining a group of ohh-ers and ahh-ers as the guides showed us through (without once seeking the ubiquitous baksesh). With an abundance of ‘tites and ‘mites I wondered how the Lower Cavern could really be any better… but it had the bonus of a short boat trip further into the cave. It’s more than a little eerie when the only sounds you hear are drips of water into the lake below. It was disappointing that you’re not allowed to take any photos, which was a real pity for something so beautiful. We got back to downtown Beirut in time to appreciate the lit up Mohammed Al-Amin mosque; the call to prayer echoing from its towering minarets. A Christmas tree stood proudly nearby, another symbol of reconciliation in a land that has experienced a lot. Beirut is literally a phoenix of a city. The rejuvenation of the Solidere (downtown Beirut) after the civil war is generally credited to one man – former Prime Minister Rafiq Hariri, who was killed in 2005 by a massive car bomb outside a hotel. Thanks to his work, boutique stores, restaurants and offices all stand now where once there was rubble. Eateries are plentiful in the cobblestoned area so we thought ‘why not spoil ourselves’ and entered one of the flashest restaurants in the Solidere, Al-Sultan Brahim. It definitely wasn’t the cheapest place to eat but the food was as good as anything I had tasted in the Middle East. Truly Lebanese, with four types of hommos and the obligatory missed pickles. Blanched dandelion leaves never tasted so good and I won’t even mention how delicious the fish sausages were (who knew?!). Mezzed-out and ready for my last night we hit the clubs once again. As I suspected, everyone is beautiful here all the time – not just on Tuesdays. The morning of my leaving I got a surprise as Jamal, my taxi driver, and his two teenage children who had entertained me with the lights out, were waiting outside the hotel when I checked out. Not to pick me up, but just to say goodbye and hand me an e-mail address so I could keep in contact. So there it was, three days in one of the most ancient/modern, peaceful/politicised, friendly/wary, and beautiful/bombed places on earth. As I left Lebanon I learnt one final lesson: if you’re going to be there from say, a Monday to a Wednesday do not get the free 48 hour visa. Get the visa that covers between 48hours and 15 days for 25000LP (about US$16). Otherwise you’ll find yourself like I did, signing Arabic forms at the Lebanon-Syria border which say things to the effect of “I’m sorry, I won’t do it again”. It was worth it though. < Previous Next >