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< Back Six Tribes donates to Barcelona 23 Apr 2021 Following its inaugural showing at Atelier Güell, a limited number of Six Tribes prints will be on show in Barcelona from April 24 to May 15 at the gallery. The show in the historic Raval area will feature images from Papua New Guinea to Ecuador to Kenya, with proceeds to go to supporting the gallery. < Previous Next >

< Back Someone Else's World 7 Sept 2014 Guy Needham's tips on preparing for overseas photoshoots is part of this month's D-Photo Magazine article on "Someone Else's World". Included in the advice is what's the most important thing to consider when prepping - "You can be forgiven for mangling a word, but if yu eat your food with the wrong hand or are too familiar with the host's family, it's hard to come back from that." < Previous Next >

< Back The Hamar opens in Auckland 5 Aug 2016 The Hamar of Ethiopia opened last night in Auckland with Guy Needham sharing stories about Ethiopia and talking about the concept behind the exhibition. The opening was also covered by D-Photo magazine who reviewed it online < Previous Next >

Deep in the equatorial jungle off the coast of Sumatra, live the indigenous Mentawai people. Considered one of the planet's most ancient tribes, among anthropologists the Mentawai are most notable for their body art and tendency to sharpen their teeth. TRIBES The Mentawai Siberut, Mentawai Islands, Indonesia Deep in the equatorial jungle off the coast of Sumatra, live the indigenous Mentawai people. Considered one of the planet's most ancient tribes, among anthropologists the Mentawai are most notable for their body art and tendency to sharpen their teeth. < Previous Next >

"Um, aren’t we a little low?!” shouted my fellow passenger over the Cessna’s engine. She was right of course, we were only 50 metres above the ground and below us impala were scattering everywhere. “No, of course not,” I reassured her while secretly enjoying a personal ‘Out of Africa’ moment as she gripped the armrest. < Back Kenya's Lion Warriors New Zealand Herald 11 Dec 2018 "Um, aren’t we a little low?!” shouted my fellow passenger over the Cessna’s engine. She was right of course, we were only 50 metres above the ground and below us impala were scattering everywhere. “No, of course not,” I reassured her while secretly enjoying a personal ‘Out of Africa’ moment as she gripped the armrest. We were half an hour out from Samburu airstrip in central Kenya, a wee spot on the map just inches above the equator, and the entry point to Samburu National Reserve. The landing wasn’t pleasant. My fellow passenger gave me a pained smile as she mumbled off the plane. Unlike her, I wasn’t there to go on safari; it was the guardians of the animals who interested me. “Super!” came the crisp New England welcome from behind a beige Land Rover. Strolling towards me was Tina Ramme, a Professor in Biology who tracks nomadic male lions for six months of the year and lectures at Harvard the other six. (I later learned she was actually saying ‘ su pa ’ which is ‘hi’ in Samburu language, as opposed to being really happy to meet me). Strapping myself in, we bumped our way across the east African wilderness, passing through the reserve – an unexpected safari of elephants, giraffes, baboons and ostriches. Exiting the park, a small plaque caught my eye: “In memory of Elsa, who helped safeguard this game reserve”. “You’ve heard of Elsa, right?” Tina asked. Elsa the Lioness was a young orphaned cub, adopted as a pet by game warden George Adamson and his wife Joy in the 1950s. They released her into the wild and their story, Born Free, went on to sell 5 million books and was turned into an Academy Award-winning film. I nodded affirmatively. Years on from Elsa, the presence of lions is still a hot topic. While the park is a guarded national reserve, the massive area around it is untamed land where lions and humans have co-existed for centuries, sometimes not so peacefully. Which is where Tina came in. “No lions have been killed by a Samburu since 2006,” she said proudly. Working with the Lion Conservation Fund for the best part of a decade now, her specialty is lions who are expelled from a pride – when they threaten the leader – and then become nomadic. But researching nomadic lions is, unsurprisingly, no easy thing. She realised early on that she needed the help of the moran (warriors) of the Samburu tribe, known for their tracking abilities. The moran (pron. mo-rahn) are the fearsome face of the Samburu, still traditionally dressed and armed with spears, and now with cell phones. The Lion Warrior project they are part of not only empowers them to track lions, but also helps educate their communities about the wider role conservation has to play in today’s Kenya. “It’s interesting,” she mused, “The moran have so many parallels to nomadic lions. They both are kicked out of families early in life and can’t return for a number of years.” I looked puzzled so she explained. The moran are the second stage of life for the Samburu male – after childhood and before ‘elder’ – that begins when the young male is 12 to 14. At that age they are circumcised (women are still circumcised too) and must leave home and join other moran in fending for themselves. Over the next 15 years they learn to hunt, kill, protect and live in the bush, and only after that period are they allowed to return to their boma (village), having shown that they are responsible enough to marry and raise a family. “You’ll get to meet them soon.” Sure enough, as we arrived at Sabache Eco-Lodge at the foot of the mountain O’Lolokwe, I was introduced to my helper, a young moran named Dickson. The lodge, run by the Samburu community, was far from what I expected. Described as a ‘traditional African bush camp’, my room came complete with hand-crafted furniture, stone ensuite, solar power and sundowners whenever I wanted them. Mornings started with watching elephants rummage in the riverbed below; days were spent chilling on my own private veranda; and in the evenings the campfire beckoned as dinner was shared with other guests – rock climbers, film crews, tourists and families. Over the next 15 years they learn to hunt, kill, protect and live in the bush, and only after that period are they allowed to return to their boma (village). “Do you want to meet the warriors?” asked Dickson with a wry smile.The moran were returning to camp having tracked lions over the previous few days. Once pawprints or other signs are spotted, they can identify the size and age of the animal they’re following. When they see the lions, they keep a healthy distance and report their observations to Tina once back at camp. I took the opportunity to ask them, through Dickson, what their day had involved. Suddenly, these serious young men become animated, pointing and gesturing down the valley towards the mountain. Dickson explained that three of the nomadic lions had banded together and were hunting in a mini-pack. Seeing this sort of activity in person was very rare and the moran were obviously proud. I was invited to join them for a meal. “Ohhhh, a goat! Now that’s something special,” said Tina knowingly, when I told her where I was off to. I arrived just as ‘lunch’ was being unloaded from the back of a motorbike. Held down by four warriors the animal bleated into submission, its body still. One of the moran put a knife to the goat’s throat, slowly, shallowly, slicing down the skin to part its coat under the neck. A quick nick, and then blood started flowing into the pocket of skin that had been created. One by one the moran put their lips to the pool of blood, sucking in the rich redness as the goat slowly died. The sacrifice wasn’t just because of lunch; the moran were contributing to a celebration that was being held that night. The entrails and liver were carefully wrapped and taken to the entrance of the nearby boma. “We are not allowed to eat with our family,” explained Titus, another moran, “so this is the closest we get.” My timing could not have been better. 29 days before I arrived there had been a blood moon eclipse where the moon ‘disappeared’. In the customs of the Samburu, the only way to guarantee its return is sing at it to bring it back. Tonight was the first full moon since the lunar eclipse and I was about to attend “The Moon is Back” party. The colourful Samburu women were gathered in a group in front of me, their bright beads bouncing upwards as they jumped and sang to welcome the Moon back. Nearby, elders drank tea while keeping an eye on the excitable children. Knowing I was a photographer, the women each lined up to have their picture taken. After seeing her portrait, one of them said something in Samburu to the group which got them all laughing. “What did she say?” I asked worryingly. “Don’t worry,” I was told,” She just said that you’d whispered that she was the most beautiful!” The eating started and the celebrations got under way. Taking my leave before it got too late, I crossed the riverbed on the way back to the lodge. Under the trees I could make out the Lion Warriors sitting around a fire, finishing off the remains of the goat. Away from their family, living the traditions that has kept the Samburu strong, and having their last meal before preparing to track the lions one more time. The Moon was indeed back. Details Fly: From Nairobi, depart Wilson Airport on Safari Air / Air Kenya to Samburu Visit: Samburu National Reserve www.samburu.net USD70 entry fee Activities: Samburu safari, village visits, camping, bush walks, rock climbing, birding Stay: Sabache Eco-lodge sabachecamp.com Visa: eVisa required www.evisa.go.ke USD50, valid 3months before travel Travel tip: Check the luggage allowance of any small planes you’re travelling on. Most have a 15kg maximum allowance including hand luggage, all to be in soft bags. Original publication: New Zealand Herald < Previous Next >

< Back Splendid Isolation in D-Photo magazine 27 May 2014 Guy Needham was recently interviewed by D:Photo Magazine. Freelance photographer Guy Needham travels to the little seen parts of the globe to document unique cultures, and for this year’s Auckland Festival of Photography he turns his lens of Papua New Guinea’s indigenous Huli. < Previous Next >

PROJECTS Māoriland Otaki, New Zealand The Māoriland Film Festival is New Zealand’s premier international Indigenous Film Festival. Eleven years strong, it is a cultural and arts event that invites New Zealanders to the Indigenous world through screen storytelling. Located on New Zealand’s Kāpiti Coast, Ōtaki is a vibrant seaside town where Māori culture and language thrives. Māoriland is celebrated for its manaakitanga and community spirit. Previous Next

< Back Java's sacred Shadow Puppets 4 Dec 2023 The Jungle Journal has just published Guy Needham's photo essay on the wayang kulit, Indonesia’s centuries-old shadow puppet tradition. Performed complete with a gamelan orchestra, Wayang kulit dates back to 800AD when puppets were used to worship ancestors. The shadow puppets are produced on demand for dalang (puppet masters) and for collectors who spend tens of thousands of rupiah to expand their collection. You can read more here http://itsthejunglejournal.com/stories/wayan-kulit-makers-of-java/ < Previous Next >

< Back Castles in the Sky 18 Aug 2019 If you want to read about why I disappointed a Nun while gazing out from ancient monasteries perched atop towering pinnacles of rock in Meteora, Greece, pick up a copy of this Tuesday's New Zealand Herald. In the cover story of Travel you'll also find out how these amazing monasteries were built, and the best way to get to this UNESCO World Heritage attraction. < Previous Next >

< Back Der Letzte Schliff geht nach Berlin 17 Apr 2019 Final Touches, from The Huli of Papua New Guinea series, is making an appearance at Berlin's Jarvis Dooney gallery throughout April. It is part of the gallery's innovative and interactive Postcard Salon, challenging both expectations of the exhibition space and giving audiences a new way to engage with art and discover new artists. < Previous Next >

< Back Issues around Permission 23 Oct 2015 Last night Guy Needham spoke at the Auckland Photographic Society about his travel photography experiences and his recent Shades of Otara exhibition. As well as talking about photographic styles, issues around permission, and cultural awareness, Guy took questions on everything from staging an exhibition to low profile street shooting. < Previous Next >

< Back Lokop Mabel wins Portrait Award 10 Sept 2023 Lokop Mabel of The Dani tribe has won another award, this time the Portrait category in the international Shoot The Frame competition. The image, taken in the Papua Region of Indonesia, will be exhibited at the Indian Photo Festival Exhibition later this year. Lokop Mabel is one of the elders of Anemoigi village where I stayed as part of my ongoing project to document indigenous peoples. < Previous Next >