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< Back Resting at London Photo Festival 15 May 2018 The feature image of the Shades of Otara series is on show this week at the 2018 London Photo Festival. Part of an international group exhibition on Street Photography, it is on show at St George the Martyr Church until 19 May. The image balances a young man's physical exhaustion with a girl looking on, licking an ice-cream as if it was her reward for his hard work. < Previous Next >

< Back Yellowstone meets Warkworth 3 Jan 2024 The Warkworth Rodeo, held north of Auckland New Zealand, didn't disappoint with its annual gathering of cowboys and cowgirls. Featuring all the favourites including Team roping, Breakaway, Barrel Racing, Novice steer riding, Bareback, Open Bull Ride and Steerwrestling, there was a packed crowd of local fans appreciating some fancy skills. You can check out some images here . < Previous Next >

< Back Greece welcomes Éxi Fylés 9 Feb 2019 Last night Éxi Fylés (six tribes) opened at the Blank Wall Gallery in Athens, with a show-and-tell opening night. Guy Needham talked about the 'other side' of taking photos including his adventures from watching women self-flagellate to getting carjacked to hunting baboons. The collection of 50 images can be seen here. < Previous Next >

< Back Monochrome in Hungary 23 May 2019 Aman Ipai, one of the lead images in The Mentawai of Indonesia series, has been selected as part of a group Monochrome exhibition to be held in Budapest next month. The black and white portrait will be one of 35 international images on show at the PH21 Gallery from June 6-29. < Previous Next >

TRAVEL PROJECTS

< Back Colours of Colombia 16 Jan 2018 "All the fun of the fiesta in Latin America" is captured on the cover of the latest New Zealand Herald travel magazine. From the arm-grabbing La Lloranda to getting shot on the streets of Pasto, Guy Needham's latest adventure in Colombia takes you to the most colourful Festival of the Blacks and the Whites on earth. < Previous Next >

< Back Tower to the People 8 Oct 2019 "Squinting up, we could make out a young girl in a red helmet scrambling towards the top. The crowd was told to shush. Plaça de Sant Juame fell silent as we held our collective breath..." In the cover story of today's New Zealand Herald Travel section you'll find out what happened next, plus get a taste of what else goes on in Barcelona's Festival of Festivals. < Previous Next >

< Back Yunita Mabel wins Bronze 30 Nov 2022 Fresh off winning the Portrait award for Shoot The Frame, and ashowing at the Indian Photography Festival, this image of Yunita Mabel has just won Bronze at the Budapest International Foto Awards. The strong portrait which has echoes of the Mona Lisa was taken in Anemoigi village in West Papua, Indonesia, and will be on display in Hungary in 2023. Like other Dani women, Yunita plays the traditional role expected of females in the tribe - cooking, cleaning, and looking after the children - and lives separately from the men in the village. < Previous Next >

< Back Hadzabe Girl wins Silver 30 Aug 2022 Hadzabe Girl has won Silver at the prestigious 2022 Prix de la Photographie de Paris in France. The Dickenesque portrait of a young child in wonder has now earned accolades across the United States, Australasia and Europe. The image was taken in the Laye Eyasi district of Tanzania as she stood under a rock ledge; her face revealing an inner strength belying her age. Hadzabe Girl will be shown in Paris in November 2022. < Previous Next >

< Back New Zealand Camera 2020 20 Aug 2020 Hadzabe Girl has been included in the just-released 2020 New Zealand Camera Book. Put together by the New Zealand Photographic Society, the book i s a hard cover, full colour, coffee-table collectible with images portraying all genres of photographs taken by New Zealand artists. You'll be able to purchase your own copy from here soon. < Previous Next >

“Why Albania?” “Why not?” “What have they done to us?” “What have they done for us?” “Nothing….” “See, they keep to themselves. Shifty. Untrustable.” < Back Why Albania Let's Travel 4 Jun 2015 “Why Albania?” “Why not?” “What have they done to us?” “What have they done for us?” “Nothing….” “See, they keep to themselves. Shifty. Untrustable.” No, not a weird conversation about where to holiday but a scene from Wag The Dog, where Robert De Niro and Dustin Hoffman are deciding who America should go to war with. Thankfully it never happened, but if it had you can bet Albania would have been ready. Dotted along its coastline are thousands of concrete bunkers to protect it from invasion - the paranoid legacy of communist dictator Enver Hoxha. It had been 20 years since communism had died and I was in Albania to see how much the country had changed. To the outside world Albania is still a mystery; a former Socialist People’s Republic “somewhere near Greece where everyone is poor and backward and ride donkeys and the women have moustaches” (they don’t). Sure, it’s not the most advanced country in the world but that’s what makes it so unique. Where else would you see grass being cut on the main square with a scythe? Or a foreign street named after George W Bush? My quest to discover today’s Albania began in its capital, Tirana. In the 1990s the former mayor - himself an artist - came up with the idea of painting the ubiquitous apartment blocks different colours, to brighten up residents’ lives. As a result the city’s a lot more attractive these days, but it’s never going to win a beauty pageant. No matter, what Tirana lacks in looks it makes up for in character. From the never-ending cacophony of horns as three-wheeled trucks fight with motorbikes navigating Skanderbeg Square, to elderly men warily drinking tea to pass the time of day, the capital of Albania is truly a mish-mash of east meets west with a victor yet to be decided. As the capital, all roads lead to Tirana and you certainly know when you’re on them. “Pot-holed” is an understatement but bouncing up and down in the back of a furgon taxi adds to the sense of adventure. In typical Balkan fashion these shared taxis have no set schedule (nor departure point for that matter); as soon as they’re full, they’re off. I managed to catch an early morning one and only had to wait 15 minutes before the chugging Mercedes starting making its way to my next destination, Berat. After two hours of Albanian viba-train I was relieved to finally arrive. “Somewhere near Greece where everyone is poor and backward and ride donkeys and the women have moustaches” Berat is a charming 2400 year old Ottoman town with houses built one on top of another, earning itself the moniker ‘Town of a Thousand Windows’. I was excitedly met by my host and taken to his ‘welcome room’ for a shot of rakija (a fermented alcoholic drink that’s probably illegal elsewhere). The room itself was magic: traditional curved brick walls, pigeons cooing on the sill, strings of onions hanging from rafters, and the waft of slowly cooking lamb. Another rakija was poured. “Are you going to the Xhiro tonight?” he asked. “It’s Monday so it should be good.” He pointed down to the town. The Xhiro (pronounced ‘giro’), as it turns out, is one of the most curious rituals I have come across. At a time when we might be watching primetime TV the inhabitants of Berat are walking back and forth down a closed off boulevard, dressed to the nines like its 1987. Furtive glances are exchanged as Europop seeps from the cafes. This is dating, Albania-style. In a country where pre-marriage relations are frowned upon and the Western version of ‘going out’ is non-existent, the nightly Xhiro is the one opportunity to size up potential partners. Like someone? Your relatives can talk to their relatives. We joined in – the walking, not the dating – and amongst the fried sweetcorn hawkers and popped collars you could sense the locals enjoying themselves. Berat was also where I saw another sign that times have changed. Mount Shpirag, behind the entrance to the township, once had the name “Enver” (after the former dictator) spelt out in huge letters on the mountainside. Today they’ve been rearranged to spell “N.E.V.E.R” – a very large, defiant statement not to repeat the past. Of course not all of the past was bad. My guide, a Tirana native who had spent much of his life in construction openly opined, “Under communism, we always had a job. No matter how small. Now look around you.” He waved his arm across the square. Men of working age were sitting around doing not much. It was 2:30pm on a weekday. He did admit though that since ‘freedom’ he now had enough money to send his daughter to Germany to study which he would never have been able to do “in the old days”. The final stop on my journey was Shkodra, a town bordering Montenegro. With a castle above and lake below it prides itself as being a little more Balkan-esque than the rest of Albania. Certainly, it has its fair share of al fresco restaurants, tourist-oriented ‘lodges’ and fresh food stalls; Shkodra was a cosmopolitan surprise. One of my favourite moments happened just as I was leaving town and looking to spend the last of my LEK on some meaningful souvenirs. An old woman at the bus stop dangled some woollen socks in my face in the hope that this foreigner would buy them - despite me sweltering in the 35 degree heat. I followed her back to her knitting, and after much hand gesticulation I gave her cash, she gave me some socks, and topped it off with an Albanian ‘smile’. As the bus pulled out I gave her a wee nod, and thought about all the changes she’d seen. After 20 years, capitalism had replaced communism and pester-power had replaced paranoia. The Albania of old was no longer there and yet, as the country was finding itself – with infrastructure and systems still to come – I felt lucky to have seen the Albania of today, knowing that it’s special quality would change again 20 years from now. < Previous Next >

< Back Hadzabe Kudu in F-Stop magazin 2 Jun 2020 Online photography magazine F-Stop has included two of the Hadzabe series in its June issue - Hadzabe Boy and Hadzabe Kudu. The magazine features contemporary photography from established and emerging photographers from around the world with each issue's theme uniting photographs to create a dynamic dialogue among the artists. < Previous Next >