Search Results

“Why Albania?” “Why not?” “What have they done to us?” “What have they done for us?” “Nothing….” “See, they keep to themselves. Shifty. Untrustable.” < Back Why Albania Let's Travel 4 Jun 2015 “Why Albania?” “Why not?” “What have they done to us?” “What have they done for us?” “Nothing….” “See, they keep to themselves. Shifty. Untrustable.” No, not a weird conversation about where to holiday but a scene from Wag The Dog, where Robert De Niro and Dustin Hoffman are deciding who America should go to war with. Thankfully it never happened, but if it had you can bet Albania would have been ready. Dotted along its coastline are thousands of concrete bunkers to protect it from invasion - the paranoid legacy of communist dictator Enver Hoxha. It had been 20 years since communism had died and I was in Albania to see how much the country had changed. To the outside world Albania is still a mystery; a former Socialist People’s Republic “somewhere near Greece where everyone is poor and backward and ride donkeys and the women have moustaches” (they don’t). Sure, it’s not the most advanced country in the world but that’s what makes it so unique. Where else would you see grass being cut on the main square with a scythe? Or a foreign street named after George W Bush? My quest to discover today’s Albania began in its capital, Tirana. In the 1990s the former mayor - himself an artist - came up with the idea of painting the ubiquitous apartment blocks different colours, to brighten up residents’ lives. As a result the city’s a lot more attractive these days, but it’s never going to win a beauty pageant. No matter, what Tirana lacks in looks it makes up for in character. From the never-ending cacophony of horns as three-wheeled trucks fight with motorbikes navigating Skanderbeg Square, to elderly men warily drinking tea to pass the time of day, the capital of Albania is truly a mish-mash of east meets west with a victor yet to be decided. As the capital, all roads lead to Tirana and you certainly know when you’re on them. “Pot-holed” is an understatement but bouncing up and down in the back of a furgon taxi adds to the sense of adventure. In typical Balkan fashion these shared taxis have no set schedule (nor departure point for that matter); as soon as they’re full, they’re off. I managed to catch an early morning one and only had to wait 15 minutes before the chugging Mercedes starting making its way to my next destination, Berat. After two hours of Albanian viba-train I was relieved to finally arrive. “Somewhere near Greece where everyone is poor and backward and ride donkeys and the women have moustaches” Berat is a charming 2400 year old Ottoman town with houses built one on top of another, earning itself the moniker ‘Town of a Thousand Windows’. I was excitedly met by my host and taken to his ‘welcome room’ for a shot of rakija (a fermented alcoholic drink that’s probably illegal elsewhere). The room itself was magic: traditional curved brick walls, pigeons cooing on the sill, strings of onions hanging from rafters, and the waft of slowly cooking lamb. Another rakija was poured. “Are you going to the Xhiro tonight?” he asked. “It’s Monday so it should be good.” He pointed down to the town. The Xhiro (pronounced ‘giro’), as it turns out, is one of the most curious rituals I have come across. At a time when we might be watching primetime TV the inhabitants of Berat are walking back and forth down a closed off boulevard, dressed to the nines like its 1987. Furtive glances are exchanged as Europop seeps from the cafes. This is dating, Albania-style. In a country where pre-marriage relations are frowned upon and the Western version of ‘going out’ is non-existent, the nightly Xhiro is the one opportunity to size up potential partners. Like someone? Your relatives can talk to their relatives. We joined in – the walking, not the dating – and amongst the fried sweetcorn hawkers and popped collars you could sense the locals enjoying themselves. Berat was also where I saw another sign that times have changed. Mount Shpirag, behind the entrance to the township, once had the name “Enver” (after the former dictator) spelt out in huge letters on the mountainside. Today they’ve been rearranged to spell “N.E.V.E.R” – a very large, defiant statement not to repeat the past. Of course not all of the past was bad. My guide, a Tirana native who had spent much of his life in construction openly opined, “Under communism, we always had a job. No matter how small. Now look around you.” He waved his arm across the square. Men of working age were sitting around doing not much. It was 2:30pm on a weekday. He did admit though that since ‘freedom’ he now had enough money to send his daughter to Germany to study which he would never have been able to do “in the old days”. The final stop on my journey was Shkodra, a town bordering Montenegro. With a castle above and lake below it prides itself as being a little more Balkan-esque than the rest of Albania. Certainly, it has its fair share of al fresco restaurants, tourist-oriented ‘lodges’ and fresh food stalls; Shkodra was a cosmopolitan surprise. One of my favourite moments happened just as I was leaving town and looking to spend the last of my LEK on some meaningful souvenirs. An old woman at the bus stop dangled some woollen socks in my face in the hope that this foreigner would buy them - despite me sweltering in the 35 degree heat. I followed her back to her knitting, and after much hand gesticulation I gave her cash, she gave me some socks, and topped it off with an Albanian ‘smile’. As the bus pulled out I gave her a wee nod, and thought about all the changes she’d seen. After 20 years, capitalism had replaced communism and pester-power had replaced paranoia. The Albania of old was no longer there and yet, as the country was finding itself – with infrastructure and systems still to come – I felt lucky to have seen the Albania of today, knowing that it’s special quality would change again 20 years from now. < Previous Next >

< Back Dalmatian Cultural Society's Open Day 1 Jul 2014 Guy Needham's People of The Balkans exhibition is having its second showing, this time at the Dalmatian Cultural Society's Open Day in September 2014. The collection documents a two month journey and the resulting portraits are of a proud people who have gone through much in the last 20 years. < Previous Next >

< Back Resting at London Photo Festival 15 May 2018 The feature image of the Shades of Otara series is on show this week at the 2018 London Photo Festival. Part of an international group exhibition on Street Photography, it is on show at St George the Martyr Church until 19 May. The image balances a young man's physical exhaustion with a girl looking on, licking an ice-cream as if it was her reward for his hard work. < Previous Next >

Indonesia’s centuries-old shadow puppet-making tradition as practiced by artisans today​ < Back Wayang Kulit Makers of Java The Jungle Journal 16 Feb 2024 Indonesia’s centuries-old shadow puppet-making tradition as practiced by artisans today Y ogya (pron. Jo-Ja) is considered the cultural centre of Java, and post-independence from the Dutch, it was briefly the capital of Indonesia. Wayang kulit makers tend to live and work in the outskirts of this particular city, where the roads narrow and tyre stores give way to sugar cane. Wayang kulit , Indonesia’s sacred shadow puppet show, is a form of traditional theatre complete with gamelan orchestra and a puppet master called a dalang . It is mainly practiced in Java and Bali, based on Hindu stories such as the Mahabharata. Top shows cost over 50,000,000 IRP (£2,600) to put on, including the Dalang, gamelan orchestra and decorative set. However, during the COVID pandemic walang kulit shows were banned as large gatherings were prohibited, so the creators turned to producing work for collectors. Walang kulit puppets are produced on demand for both dalang and for collectors who spend tens of thousands of pounds to expand their collection. The true craftsmen follow the rules and customs set down centuries ago for the design and creation of the wayang kulit characters, which are far more intricate than souvenir versions. The production time for each puppet varries but ranges from two weeks to a month, depending on the amount of detailed work required. The puppets themselves are made of fine buffalo skin ( kulit means skin) which is sketched out, cut, shaped, sanded and then chiselled using a set of fine tools made from bicycle spokes. The puppets are then delicately painted; the more expensive wayang kulit puppets feature gold leaf imported from China. Some walang kulit makers use hammers made out of buffalo horn, and the rods, handling spine and joints are all made of buffalo bone. There are so many characters that when you ask the wayang kulit makers how many there are they tend to laugh and roll their eyes – every character has versions of the character as well. While these artisans all learnt at the hands of a master before them, the revival in interest in the last 25 years in Java’s cultural heritage has led to walang kulit courses now being taught at Yogyakarta’s ISI Faculty of Fine Arts (Jurusan Seni Murni FSR ISI). Those who collect walang kulit keep them in large coffin-like boxes, lying flat one on top of another, with each box dedicated to a craftsman. The mixing of puppets made by different makers would be noticed immediately. Collectors can spend tens of thousands of pounds on expanding their set of puppets, joining waitlists to secure the most prized gold leaf puppets. Old wayang kulit puppets are very treasured – I was shown one 150 years old. Traditional performances of walang kulit can last for up to nine hours although these days there are ‘cut down’ versions for shorter, younger attention spans. It is the dalang, the puppet master, who controls the marionettes, putting on different voices and improvising with topical news, politics, and religious subjects of the day. Supporting him is a gamelan orchestra, a collection of Indonesian percussive instruments that are played such harmony that it is considered part of gotorong royung – the life philosophy of working together to communally support each other. These shows and performances can be watched from the front where the colourful puppets appear as shadows illuminated by halogen lights, or from the back to see the dalang in action as the gamelan plays. This photo essay features: Mr Sarjiano , a walang kulit craftsman since 1980. Now operating out of a small workshop at the front of his house, he has been a guest presenter many times at schools to discuss and demonstrate his craft. Mr Jumakir , has been a walang kulit craftsman for 46 years and is now working out of one of the more well-known studios, Sagio Griya Ukir Kulit (Sagio Puppet Handicraft). Mr Suryadi , an extensive Wayang Kulit collector, who puts on shows once a week for local children to learn about the traditions at Kali Opak restaurant and gallery @kaliopak.wo Tour organized by Mr Deny , Yogyakarta Tour Guide Originally Published in The Jungle Journal < Previous Next >

< Back Interview with The Photographers' Mail 13 May 2015 Adrian Hatwell of D-Photo magazine and The Photographers' Mail sat down to discuss Guy Needham's upcoming solo exhibition, Shades of Otara. As part of the Auckland Festival of Photography, the exhibition opens on Wednesday 27 July. < Previous Next >

< Back Hadzabe Girl at Center for Photographic Art 9 Apr 2021 Fresh on the back of winning silver in the 2020 SGIPA International Photography Awards, Hadzabe Girl has been selected from amongst 2000 submissions to be part of the Center of Photographic Art's 2021 Juried Exhibition As well as being displayed in the CPA gallery in California, the Dickens-esque image will be published in the 2021 MJE catalogue along with 40 other chosen images. < Previous Next >

< Back Warriors with wi-fi 25 Feb 2018 The lead travel story in today's Sunday Star-Times is my experience of meeting the Waorani tribe in the Ecuadorian Amazon - and what I did not expect. From fishing for piranha to going hunting with blowguns, it was the transition the tribe is going through that made the trip so fascinating. Read the full article here. < Previous Next >

< Back Colour Nature II released 15 Oct 2016 Guy Needham's latest project, a departure from his tribal work, has just been released for sale as Colour Nature (II). Available as 500mm x 500mm square prints on Hahnemühle Rag Matt 308gsm archival art paper, the full set can be seen at colour-nature.com and are available from The Frame Workshop in Auckland. < Previous Next >

< Back Ciao Vatwa 14 Oct 2025 The Vatwa will be popping up in Rome at the Galleria Arte Roma Design in early January 2026. The Galleria Arte Roma Design will play host to a select number of Vatwa portaits as part of a pop-up exhibition in early January 2026. Coordinated by Blank Wall Gallery, the exhibition will feature both print and digital artworks from a range of international artists for a limited time, on show in Rome's central Piramide district. < Previous Next >

"Um, aren’t we a little low?!” shouted my fellow passenger over the Cessna’s engine. She was right of course, we were only 50 metres above the ground and below us impala were scattering everywhere. “No, of course not,” I reassured her while secretly enjoying a personal ‘Out of Africa’ moment as she gripped the armrest. < Back Kenya's Lion Warriors New Zealand Herald 11 Dec 2018 "Um, aren’t we a little low?!” shouted my fellow passenger over the Cessna’s engine. She was right of course, we were only 50 metres above the ground and below us impala were scattering everywhere. “No, of course not,” I reassured her while secretly enjoying a personal ‘Out of Africa’ moment as she gripped the armrest. We were half an hour out from Samburu airstrip in central Kenya, a wee spot on the map just inches above the equator, and the entry point to Samburu National Reserve. The landing wasn’t pleasant. My fellow passenger gave me a pained smile as she mumbled off the plane. Unlike her, I wasn’t there to go on safari; it was the guardians of the animals who interested me. “Super!” came the crisp New England welcome from behind a beige Land Rover. Strolling towards me was Tina Ramme, a Professor in Biology who tracks nomadic male lions for six months of the year and lectures at Harvard the other six. (I later learned she was actually saying ‘ su pa ’ which is ‘hi’ in Samburu language, as opposed to being really happy to meet me). Strapping myself in, we bumped our way across the east African wilderness, passing through the reserve – an unexpected safari of elephants, giraffes, baboons and ostriches. Exiting the park, a small plaque caught my eye: “In memory of Elsa, who helped safeguard this game reserve”. “You’ve heard of Elsa, right?” Tina asked. Elsa the Lioness was a young orphaned cub, adopted as a pet by game warden George Adamson and his wife Joy in the 1950s. They released her into the wild and their story, Born Free, went on to sell 5 million books and was turned into an Academy Award-winning film. I nodded affirmatively. Years on from Elsa, the presence of lions is still a hot topic. While the park is a guarded national reserve, the massive area around it is untamed land where lions and humans have co-existed for centuries, sometimes not so peacefully. Which is where Tina came in. “No lions have been killed by a Samburu since 2006,” she said proudly. Working with the Lion Conservation Fund for the best part of a decade now, her specialty is lions who are expelled from a pride – when they threaten the leader – and then become nomadic. But researching nomadic lions is, unsurprisingly, no easy thing. She realised early on that she needed the help of the moran (warriors) of the Samburu tribe, known for their tracking abilities. The moran (pron. mo-rahn) are the fearsome face of the Samburu, still traditionally dressed and armed with spears, and now with cell phones. The Lion Warrior project they are part of not only empowers them to track lions, but also helps educate their communities about the wider role conservation has to play in today’s Kenya. “It’s interesting,” she mused, “The moran have so many parallels to nomadic lions. They both are kicked out of families early in life and can’t return for a number of years.” I looked puzzled so she explained. The moran are the second stage of life for the Samburu male – after childhood and before ‘elder’ – that begins when the young male is 12 to 14. At that age they are circumcised (women are still circumcised too) and must leave home and join other moran in fending for themselves. Over the next 15 years they learn to hunt, kill, protect and live in the bush, and only after that period are they allowed to return to their boma (village), having shown that they are responsible enough to marry and raise a family. “You’ll get to meet them soon.” Sure enough, as we arrived at Sabache Eco-Lodge at the foot of the mountain O’Lolokwe, I was introduced to my helper, a young moran named Dickson. The lodge, run by the Samburu community, was far from what I expected. Described as a ‘traditional African bush camp’, my room came complete with hand-crafted furniture, stone ensuite, solar power and sundowners whenever I wanted them. Mornings started with watching elephants rummage in the riverbed below; days were spent chilling on my own private veranda; and in the evenings the campfire beckoned as dinner was shared with other guests – rock climbers, film crews, tourists and families. Over the next 15 years they learn to hunt, kill, protect and live in the bush, and only after that period are they allowed to return to their boma (village). “Do you want to meet the warriors?” asked Dickson with a wry smile.The moran were returning to camp having tracked lions over the previous few days. Once pawprints or other signs are spotted, they can identify the size and age of the animal they’re following. When they see the lions, they keep a healthy distance and report their observations to Tina once back at camp. I took the opportunity to ask them, through Dickson, what their day had involved. Suddenly, these serious young men become animated, pointing and gesturing down the valley towards the mountain. Dickson explained that three of the nomadic lions had banded together and were hunting in a mini-pack. Seeing this sort of activity in person was very rare and the moran were obviously proud. I was invited to join them for a meal. “Ohhhh, a goat! Now that’s something special,” said Tina knowingly, when I told her where I was off to. I arrived just as ‘lunch’ was being unloaded from the back of a motorbike. Held down by four warriors the animal bleated into submission, its body still. One of the moran put a knife to the goat’s throat, slowly, shallowly, slicing down the skin to part its coat under the neck. A quick nick, and then blood started flowing into the pocket of skin that had been created. One by one the moran put their lips to the pool of blood, sucking in the rich redness as the goat slowly died. The sacrifice wasn’t just because of lunch; the moran were contributing to a celebration that was being held that night. The entrails and liver were carefully wrapped and taken to the entrance of the nearby boma. “We are not allowed to eat with our family,” explained Titus, another moran, “so this is the closest we get.” My timing could not have been better. 29 days before I arrived there had been a blood moon eclipse where the moon ‘disappeared’. In the customs of the Samburu, the only way to guarantee its return is sing at it to bring it back. Tonight was the first full moon since the lunar eclipse and I was about to attend “The Moon is Back” party. The colourful Samburu women were gathered in a group in front of me, their bright beads bouncing upwards as they jumped and sang to welcome the Moon back. Nearby, elders drank tea while keeping an eye on the excitable children. Knowing I was a photographer, the women each lined up to have their picture taken. After seeing her portrait, one of them said something in Samburu to the group which got them all laughing. “What did she say?” I asked worryingly. “Don’t worry,” I was told,” She just said that you’d whispered that she was the most beautiful!” The eating started and the celebrations got under way. Taking my leave before it got too late, I crossed the riverbed on the way back to the lodge. Under the trees I could make out the Lion Warriors sitting around a fire, finishing off the remains of the goat. Away from their family, living the traditions that has kept the Samburu strong, and having their last meal before preparing to track the lions one more time. The Moon was indeed back. Details Fly: From Nairobi, depart Wilson Airport on Safari Air / Air Kenya to Samburu Visit: Samburu National Reserve www.samburu.net USD70 entry fee Activities: Samburu safari, village visits, camping, bush walks, rock climbing, birding Stay: Sabache Eco-lodge sabachecamp.com Visa: eVisa required www.evisa.go.ke USD50, valid 3months before travel Travel tip: Check the luggage allowance of any small planes you’re travelling on. Most have a 15kg maximum allowance including hand luggage, all to be in soft bags. Original publication: New Zealand Herald < Previous Next >

PROJECTS Shades of Otara Otara, New Zealand Just off New Zealand’s exit 444 is a social institution; a place where, for four decades now, people have come to buy, sell, laugh and sing. These images are an ode to the workers of the Otara Flea Markets, presenting the intersection between the everyday and the special, and balancing quiet moments of contemplation next to natural entrepreneurialism. Previous Next

Y’all not from round here, are ya? Ain’t nobody drinks Budddd. This is Shiner Bock country, sir.” And with that the barman passed over a golden-labelled bottle of ale. I was in Luckenbach, Texas, population 3, a small town in the Hill Country west of San Antonio. < Back Deep in the Heart of Texas New Zealand Herald 3 May 2016 Y’all not from round here, are ya? Ain’t nobody drinks Budddd. This is Shiner Bock country, sir.” And with that the barman passed over a golden-labelled bottle of ale. I was in Luckenbach, Texas, population 3, a small town in the Hill Country west of San Antonio. It was to be the starting point for an adventure deep into the heart of Texas, a road trip to discover the smaller side of the big state. The Hill Country is known as much for its wildflowers and Harley-hugging roads as it is for being in the Bible Belt of America – a place where God meets guns, traffic yields to longhorns, and TexMex and ribs are a staple diet. Even the towns have great names; you can travel to Welfare in the morning, visit Comfort in the afternoon and spend the night in Utopia. ‘Luckenbach, Texas’ was made famous by a Waylon Jennings song and is not so much a town as a gathering of buildings. Located just off Highway 290, the post office is also the general store and the saloon is out back. It’s renowned for its live music scene so we arrived in time to see the ‘picker circle’ – an improvised mish-mash of musicians who gather under an old oak tree and pass around a pick, each playing a song with the others joining in. "Da-da ding-ding, ding-ding, ding-ding, diiinnng," the unmistakable sound of a banjo was slowly echoed by a guitar, "Da-da ding-ding, ding-ding, ding-ding, diiinnng.” Everybody chuckled at Duelling Banjos being played, and I half expected someone to call out “Squeal like a pig, boy!” as a nod to Deliverance. Thankfully it was not to be as the banjo player ended with a flourish before passing the pick to the young cowboy on his right. He broke straight into that ol’ country classic, “Cocaine’s gonna kill my honey dead.” It was time to explore. Not far from the circle in front of a wooden building sat Cassey, co-owner of the Snail Creek Hat Co. “Howdy, y’all look like you need a hat!” While I didn’t take her up on her offer I did ask about what’s in style. “Welllllll,” she drawled, “Over yonder you can see that they come in all shapes and sizes,” pointing to the audience. “I used to be able to tell a Texan from a Dakotan just by looking at their hat but now it’s about personal preference.” She and her husband Glen use water to shape the unstructured palm leaf hats they get in. “In West Texas they angle the brim like this,” she said, folding in the sides like a paper dart. “It means the hat’s more aerodynamic and the winds just pass right on through.” Much as I was tempted to buy a cowboy hat, I opted instead to see the real thing in action, and where better than the Cowboy Capital of the World. Even the towns have great names; you can travel to Welfare in the morning, visit Comfort in the afternoon and spend the night in Utopia. Bandera, Texas, earned its moniker after the Great Western Cattle Trail drives of the 1880s, where at one stage there were more cattle and cowboys going through the main street than all the other cattle trails in the United States. More recently they’ve had a number of rodeo champions come from Bandera, which just gives extra points to their town spurs. Everywhere you look there are authentic buildings, early Americana and signs advertising the next rodeo (Friday). We were here to see the most Western event of them all – the gunslingers shootout.Every weekend the Bandera Cattle Company celebrates its heritage with a re-enactment of real scenarios from the town’s past. Taking a seat on the bleachers behind the Visitors Centre we watched as the period costumed cowboys slowly took up their positions, one drinking ‘whisky’, another playing cards, and our host, Dennis, sharing some of the local history. “God damn, that wasn’t meant to happen!” Dennis had just shot himself in the groin with a blank. It looked like it hurt. “You’re as dumb as a box of hammers!” yelled one of his compatriots to much laughter from the crowd. The show went on for an hour, with kids having the chance to be deputised afterwards. It was enough motivation for me to take the plunge and go buy some cowboy boots. After much assistance I settled on a pair of Justin’s that have been produced since 1879, “Made by his daddy’s daddy and his daddy’s granddaddy before him.” Quite chuffed with my new purchase we rocked up to our accommodation, a Texan ‘dude ranch’. There are a number of dude ranches near Bandera that offer accommodation, meals and activities all rolled into one – think of it as AirBnB meets the Warkworth Rodeo. We chose the Twin Elm “For Western Fun.” As it was getting dark when we arrived the owner pointed us towards the campfire and invited us to join her for ‘s’mores’. S’mores are a Texan treat where you roast marshmallows over a fire ‘til they’re ohhh-so-gooey and then add them to a graham cracker topped with a slice of chocolate. With full tummies the next morning we took advantage of our surrounds with a horse ride led by some of the local hands. Wading through the Medina River, past the fallen trees and down the trail, we got to experience their daily life at a leisurely pace. Bandera was also where I discovered how deeply ingrained religion is. On the way into town we noticed a number of flags at half-mast. I politely enquired when we got there, “We saw some of the flags were at half mast, has someone important died?” The lady stared straight back at me and said, “Jesus”. It was Good Friday. Moving on quickly after insulting the entire state of Texas, our next stop on the small town tour was Fredericksburg. Established by a German baron in 1846 after signing a peace treaty with the Comanche Indians, the town is considered the capital of Hill Country. Fredericksburg’s main claim to fame is being the birthplace of Admiral Chester Nimitz who led the US Pacific naval effort in World War II. The town houses the fantastic National Museum of the Pacific War and it made me proud to see the New Zealand flag flying (at full mast). “God damn, that wasn’t meant to happen!” Dennis had just shot himself in the groin with a blank. It looked like it hurt. The best part of Fredericksburg however is just outside of town. It’s called Wine Road 290 and comprises 15 different wineries in the area. In Texas a winery does not necessary mean a vineyard; it could simply be wine retailer. We didn’t let a wee detail like that put us off as we slowly pulled in to The Vintage Cellar. We’d already tried some of the local Bending Branch ‘Thinkers Blanc’ so that was a mandatory buy, but what caught my eye was the “Pour It Forward” chalkboard. Like a ‘random act of kindness’, the idea is to buy someone a drink in advance by writing up an occupation on the board. Unfortunately, no one had written ‘Parched Kiwi’ but if I’d been a fireman, marine, zookeeper or teacher it would have been a very boozy afternoon. Leaving the Hill Country the next day we noticed that the landscape had changed, speckled with political billboards. Texas is staunchly Republican – represented by Senator Ted Cruz – and even here it’s hard to escape the slogans in the midst of an election campaign. Looking around as the last of the sun’s rays lit up the wildflowers on the side of the road, we passed a “Make America Great Again” sign. Something tells me that the locals don’t have anything to worry about. This land of cowboys has never had a problem being great. Details Stay: www.twinelmranch.com Getting there: Air New Zealand flies direct Auckland to Houston (14 hours); Houston to San Antonio is a 1 hour flight; Hill Country is a 1 hour drive away Websites: www.luckenbachtexas.com www.banderacowboycapital.com Visas: Apply online for the USA ESTA visa waiver for up to 90 days Location: Hill Country, Texas, USA Original publication: New Zealand Herald < Previous Next >