Search Results

No one knows exactly where they originally came from, not even their chief. The first indigenous inhabitants of the Onconcua region in southwestern Angola, the semi-nomadic Vatwa are one of the few tribes that imitate the dress of another, the Himba. TRIBES The Vatwa Oncocua, Angola No one knows exactly where they originally came from, not even their chief. The first indigenous inhabitants of the Onconcua region in southwestern Angola, the semi-nomadic Vatwa are one of the few tribes that imitate the dress of another, the Himba. < Previous Next >

The runway was approaching and we still didn’t have clearance. We’d reduced speed but the control tower was looming closer. Suddenly we got the green light. “There it is,” pointed Geoff, “Up in the tower”. Sure enough, a green light beamed back at us, permission to continue on the railway that cuts through Gisborne’s airport. < Back Hidden Gisborne New Zealand Herald 9 Aug 2023 The runway was approaching and we still didn’t have clearance. We’d reduced speed but the control tower was looming closer. Suddenly we got the green light. “There it is,” pointed Geoff, “Up in the tower”. Sure enough, a green light beamed back at us, permission to continue on the railway that cuts through Gisborne’s airport. Geoff was a guard aboard Wa165, the only remaining Wa class steam locomotive in the world. As President of the Gisborne City Vintage Railway, over the clack clacks he shared the history of an engine that first ran when Queen Victoria reigned. After years of neglect, it was lovingly restored by rail enthusiasts and now plies its route as one of Gisborne’s hidden treasures. “You’ll want to see this,” Geoff nodded ahead. We started to slow as the Waipaoa River Bridge came into view. Passing over the longest rail bridge in the North Island made for a vintage scene before picking up steam through the fields to Muriwai. Once the train had safely stopped it was the kids’ time – selfies lying in front of the cowcatcher and oohs and ahs as they clambered into the cab under the watchful eye of the driver. John the fireman (in a steam train sense) took me through the stats: half a tonne of coal, 4,000 litres of water, and a whole lot of levers to get the three carriages here and back. As a trainee driver, it was his job to manage the ‘run around’ – when the engine is shifted to the ‘rear’ of the train in order to lead the way home backwards. As we rumbled back to the city and scenic views gave way to urban landscape, the piercing whistle reminded cars that a 200-tonne train was headed their way. At journey’s end Wa165 braked to a stop and 150 beaming faces disembarked. Quite conveniently the railway depot is just a five-minute walk from New Zealand’s oldest independent brewery. The home of Gisborne Gold, Sunshine Brewing is a boutique brewery, pizzeria and off-licence all wrapped into one. Kahu was there to greet me, passionately explaining what it takes to create such locally-inspired drops as Life’s a Peach, Pipeline Pilsner and Stockies, before generously pouring me a tasting flight from a selection of their 20 tap beers. Spilling out onto the patio was a melting pot of jandals and John Bulls, mullets and bangs. Spilling out onto the patio was a melting pot of jandals and John Bulls, mullets and bangs. Piping hot pizzas landed with ice-cold pints as beer-matching is an art here: Rip Tide pizza accompanied by Mahia Pale Ale, slices of Shore Break with the award-winning No Access East Coast hazy IPA. As I left it was obvious that the locals appreciate it too as ‘double dozens’ were carried off to be sipped elsewhere. Tūranganui-a-Kiwa has always had an active arts scene so it was exciting to come across Toi Ake. Located in the Ballance Street Village, its teardrop banner gave little away. Randomly popping in I was welcomed by co-founder Henare Brooking (Ngati Porou, Rongowhakaata), himself a painter, tā moko, pounamu and paraoa (whalebone) artist. “We wanted to create a hub for local artists to work from, a place where they could grow their art”. Now one of the country’s leading Māori art studios, the gallery features work from across the motu. Paintings and prints cover the walls. Carvings look down and sculptures stand proud. While the front of Toi Ake is a gallery, it was out back where the action was taking place. One of the five full-time tā moko artists was carefully applying fresh ink to a client’s ankle; the concentration was evident. On the other side of town, there was a different sort of concentration: wild stingrays. 24 years ago diver and underwater cameraman Dean Savage was befriended by a curious stingray, planting the seed for what is now Dive Tatapouri’s Ecology Reef tour. Today these kaitiaki of the ocean, sacred to the area, feel the vibrations of people from all over the world who have come to interact with them in their natural environment. Thorough safety briefing done (“avoid the barbs”), waders on and pole in hand, we entered the reef at low tide. My partner's trepidation quickly evaporated as Stevie Ray glided up beside her. Graceful, serene, Stevie Ray investigated the line of legs before being joined by eagle rays Aroha and Rachael. Our guide Matt handed out bait. “When you go to feed them take your hand right to the bottom, all the way down – their mouths are under their body.” Aroha came up to my partner’s hand and sucked the food in like a soft vacuum, despite pushy kahawai trying to get in on the action. Matt was encouraging: “Go ahead, gently stroke them if you like.” I nodded affirmatively as if I was a marine biologist. A hand went into the water and the report came back: slimy but cool. Soon it was our turn for lunch and the city’s inner harbour beckoned. Years ago, when I was wearing Nomads at Gisborne Boys’ High, the Kaiti Freezing Works was a major employer in Tairāwhiti. Today the only remaining building is a gable-roofed structure that houses one of Gisborne’s best eateries, The Works. With an industrial-meets-casual vibe that wouldn’t be out of place on Ponsonby Road, the brick restaurant is less ‘hidden’ and more ‘destination’. Like many a hospitality venue over the summer post-COVID, it has been “smashed as”, but you wouldn’t know it judging by what was coming out of the kitchen. Cradled in a halved brioche was my Pork Belly Karaage, a perfectly coated tonkatsu topped with honey soy sauce… which instantly got ‘shared’ with uninvited forks. The Orecchiette Pasta was nearly enough for two: prawns sitting atop lemon pangrattato and thinly sliced zucchini. There was no need for dessert, tempting as it looked. It’s a little-known fact that the National Arboretum of New Zealand is… in Gisborne. To be accurate, the arboreal ark that is Eastwoodhill is a 30min drive away through the Ngatapa valley. Upon arriving I instantly regretted not putting more time aside to see the largest collection of northern hemisphere trees in this part of the world. Autumn sees the 100-year-old gardens come alive, a deciduous cloak of orange fluttering upon a bed of needles and cones. Another little-known fact: it's not only the Giant Panda and Bizarre-nosed Chameleon that make the IUCN Red List of Threatened Species; Eastwoodhill helps protect over 150 threatened or endangered trees on the list. We took the Yellow Walk to see them, zig-zagging through the woodlands before the scent of eucalyptus led us to The Cathedral. Originally an outline of Westminster Abbey planted in Lawson cypress, the enchanting smell comes from the tallest tree in the arboretum. There is something soul-fulfilling in walking amongst giants and my partner couldn’t help but say hello to the trees in their native language: “Konnichi wa” “Ni hao” “Hola” ”Bonjour”. The arboretum isn’t all exotics though; there are plenty of natives for the kids to learn about if you can tear them away from the carved lion. The fading sunlight was our cue to head down the road to our final destination, Gisborne Astro Tours. Pulling up outside a paddock and a large portacabin shed, I wasn't quite sure what to expect. Our host, John Drummond (MSc Astronomy, Fellow of the Royal Astronomical Society of New Zealand) strolled out to meet us, extending his hand like we were old friends and inviting us inside. As we took a seat John explained how we were in a perfect position: zero light pollution and the best view of the universe. As he started his interactive 30-minute presentation I realised that this astro-scientist was the epitome of Gizzy: friendly, knowledgeable, enthusiastic and authentic. Nebulae, clusters, supernovae, constellations - it was (excuse the pun) all so clear now. John put up with my inane questions (“Why did Pluto get demoted?”) with the skill of a science teacher and the patience of a saint. Then it was time to see the real thing. Leading us out past wool-shedding Wiltshire sheep, John disappeared through a low door before popping up to roll back the roof of his custom-built observatory, revealing two large Newtonian Reflector telescopes. This is where stargazing guests spend most of their time, marvelling at the celestial worlds before them until reluctantly having to share the eyepiece. As we were leaving John casually mentioned Gisborne Astro Tours’ Introductory Course to Astronomy: six lectures over six weeks focusing on how to use the telescope, astrophotography and solar system viewings. Humble as he was, I think it’s one part of the Gisborne experience that doesn’t deserve to be hidden. Details Getting there: Air New Zealand flies from Auckland and Wellington on a daily basis to Gisborne Gisborne City Vintage Railway: www.gcvr.org.nz Sunshine Brewing: www.sunshinebrewing.co.nz Toi Ake gallery: www.toiake.art The Works: www.theworksgisborne.co.nz Reef Ecology Stingray tour: www.divetatapouri.com Eastwoodhill Arboretum: www.eastwoodhill.org.nz Gisborne Astro Tours: www.gisborneastrotours.com Original publication: New Zealand Herald < Previous Next >

Published tear sheets of Guy Needham images and articles. TEAR SHEETS see exhibitions in situ > see exhibitions in situ >

Guy Needham is an international photographer noted for his work with indigenous tribes, who primarily draws on themes of culture, identity and place. Guy Needham Guy Needham Guy Needham Guy Needham

See the exhibition about one of Angola's oldest tribes, the Vatwa of Angola "We were the original inhabitants of this area thousands of years ago. No one really knows where we came from. We have crops over there, we have these goats, we live off the land.” Mutjila, Vatwa chief. The Vatwa of Angola Regarded as the first indigenous inhabitants of the Onconcua region, the Vatwa remain semi-nomadic and grow crops and tend goats within the compounds housing their traditional huts. The most striking thing about the Vatwa are the women, covered in a red paste of ochre clay, animal fats and lotion that makes their skin shine in the unrelenting sun. Young, newly married women wear a three-pronged ekori goatskin on top of their platted dreadlocks. The wearing of certain necklaces, braids and shells represents a unique mix of personal style and significant life stages. The attire makes sense considering the isolated environment: sparse, desolate, flat. See the exhibition Melbourne 8 April - 6 May 2026 Address Ladder Art Space 81 Denmark St, Kew VIC 3101 Contact (03) 9852 8772 Opening Hours Tue - Sat 11:30am – 5:00pm info@ladderartspace.com.au guy@guyneedham.com ABOUT THE PHOTOGRAPHER Guy Needham’s inquisitive worldview was shaped by growing up in rural New Zealand in the 1970s. Today he is noted for his international work with indigenous tribes, primarily drawing on themes of identity and place within cultural narratives. His work is a hybrid of photographic genres, sitting somewhere between documentary and portraiture. The simplicity of his pared-down style has been described as having both a quiet intensity and a subtle momentum. His images have been exhibited in New York, London, Paris, Berlin, Barcelona, Tokyo, and Athens, and been seen on the pages of National Geographic Traveler, CNN.com, Lonely Planet, SUITCASE Magazine, International Traveler, Portrait Magazine and AFAR.

Recent solo and group exhibitions that Guy Needham's work has featured in around the world. EXHIBITIONS SOLO 2026 The Dani of Papua , Galleria Arte Roma Design Rome, Italy 2026 The Vatwa of Angola, Ladder Art Space Melbourne, Australia 2025 The Dani of Papua, Associação de Psicanálise Relacional Lisbon, Portugal 2023 The Dani of Papua, FotoNostrum House of Photography Barcelona, Spain 2023 The Dani of Papua, The Grey Place Auckland, New Zealand 2021 The Hadzabe of Tanzania, Ladder Art Space Melbourne, Australia 2020 The Samburu of Kenya, Studio 541 Auckland, New Zealand 2019 Six Tribes, Blank Wall Gallery Athens, Greece 2019 Six Tribes, L’Atelier de Pilar Güell Barcelona, Spain 2019 The Hadzabe of Tanzania,Grey Gallery Auckland, New Zealand 2018 The Mentawai of Indonesia, ArtHouse Sydney, Australia 2017 The Mentawai of Indonesia, Studio 541 Auckland, New Zealand 2016 The Hamar of Ethiopia, ThisThat Gallery Auckland, New Zealand 2015 Shades of Otara, Studio One Auckland, New Zealand 2014 The Huli of Papua New Guinea, Allpress Studio Auckland, New Zealand 2014 Colour Nature, Rendezvous Auckland, New Zealand 2013 People of The Balkans, The Photographers' Gallery Napier, New Zealand GROUP 2026 Pop-up collective, Galerie Frank Wien, Austria 2025 Winter Solstice, Griffin Museum of Photography Boston, USA 2025 Travel, Blank Wall Gallery Athens, Greece 2024 Indian Photo Festival, State Gallery of Art Hyderabad, India 2023 Portraits, Blank Wall Gallery Athens, Greece 2023 Budapest Inter national Foto Awards, Budapest, Hungary 2022 Prix de la Photographie de Paris, Espace Beaurepaire Paris, France 2022 Winter Solstice, Griffin Museum of Photography Boston, USA 2022 Vienna International Photo Awards exhibition, Austria 2022 Portraits, Glasgow Gallery of Photography, UK 2022 Still Life, Blank Wall Gallery Athens, Greece 2022 The Portrait, Praxis Gallery Minneapolis, USA 2022 Shoot The Face, State Art Gallery Hyderabad, India 2022 Photographers for Ukraine, Incubator Lisbon, Portugal 2022 International Street Photography, Glasgow Gallery of Photography, UK 2021 6th Biennial of Fine Art & Documentary, FotoNostrum Barcelona, Spain 2021 International Photography Awards, Shatto Gallery Los Angeles, USA 2021 Budapest International Photo Awards, Budapest, Hungary 2021 Tales of the Unwritten, Stelio Crise State Library Trieste, Italy 2021 International Juried Exhibition, Centre for Photographic Art, Carmel California, USA 2021 After Dark, Praxis Gallery Minneapolis, Minnesota, USA 2020 Winter Solstice, Griffin Museum of Photography Boston, USA 2020 GZ-Basel, Virtual exhibition, Basel, Switzerland 2020 First Place, Portraits, Florida Museum of Photographic Arts Tampa, USA 2020 The Portrait, Praxis Gallery Minneapolis, Minnesota, USA 2020 The Golden Hour, Auburn Art Gallery Los Angeles, USA 2019 Portraits, Glasgow Gallery of Photography, Scotland, UK 2019 Monochrome, PH21 Gallery Budapest, Hungary 2019 Members Show, Florida Museum of Photographic Arts Tampa, USA 2019 Postcards, Jarvis Dooney Gallery Berlin, Germany 2019 Jurors' Exhibition, Chania International Photo Festival, Greece 2019 Faces of the World, Ferencvárosi Művelődési Központ Budapest, Hungary 2019 SE Members Show, SE Center of Photography, South Carolina, USA 2018 Wanderlust, Galerie Sehnsucht Rotterdam, The Netherlands 2018 London Photo Festival, The Crypt London, UK 2018 LCAP Annual Exhibition, LA Centre of Photography, USA 2018 Atlas of Humanity, Photokina Fair Cologne, Germany 2018 Portraits, Blank Wall Gallery Athens, Greece 2018 Travel, PhotoPlace Gallery Middlebury Vermont, USA 2017 London Photo Festival, The Crypt London, UK 2017 Show Your World, Gallery MC New York, USA 2016 Portrait Salon, Reminders Photography Stronghold Gallery Tokyo, Japan 2015 MIFA Foto Awards, Na Kashirke Gallery Moscow, Russia 2015 UK Portrait Salon, The Embassy Tea Gallery London, UK 2013 The Story of The Creative, See Exhibition Space New York, USA see exhibitions in situ > see tear sheets > see About >

Guy Needham is noted for his international work, primarily drawing on themes of identity and place within cultural narratives. His images have been exhibited in New York, London, Paris, Berlin, Barcelona, Tokyo and Athens. ABOUT Guy Needham’s inquisitive worldview was shaped by growing up in rural New Zealand in the 1970s. Today he is noted for his international work with indigenous tribes, primarily drawing on themes of identity and place within cultural narratives. His work is a hybrid of photographic genres, sitting somewhere between documentary and portraiture. The simplicity of his pared-down style has been described as having both a quiet intensity and a subtle momentum. His images have been exhibited in New York, London, Paris, Berlin, Rome, Barcelona, Tokyo, and Athens, and been seen on the pages of National Geographic Traveler, CNN.com, Lonely Planet, SUITCASE Magazine, International Traveler, Portrait Magazine and AFAR. see exhibitions in situ > GET IN TOUCH guy@guyneedham.com +64 2164 5600 CONTACT CONTACT for print sales and media enquiries First Name Last Name Email Type your message here... Submit Thanks for submitting!

Numbering no more than 3,000, the Waorani live on the edge of the Amazon basin. Like many indigenous peoples they are a tribe in transition - hunting with blowguns and poisonous darts is giving way to nightly wi-fi and televised football. TRIBES The Waorani Territorio Waorani, Ecuador Numbering no more than 3,000, the Waorani live on the edge of the Amazon basin. Like many indigenous peoples they are a tribe in transition - hunting with blowguns and poisonous darts is giving way to nightly wi-fi and televised football. < Previous Next >

TRAVEL Timor-Leste Dili, Timor-Leste The history of Timor-Leste (pron. less-tay) is a long and bloody one. After 400 years as a Portuguese colony, a coup in Lisbon encouraged the East Timorese to declare independence in 1975. While the suffering of the past is never far from the country’s collective memory, these days Timor-Leste is on friendly terms with its neighbours, is eager to prosper, and keen to show the world what it has to offer. Previous Next

The Hadzabe are a tribe so old that National Geographic calls them “the closest living relatives of the humans who first left Africa to migrate to the rest of the world.” Today there are only 1,500 Hadzabe remaining, occupying the same harsh valleys that they have since the beginning of the Stone Age. TRIBES The Hadzabe Lake Eyasi, Tanzania The Hadzabe are a tribe so old that National Geographic calls them “the closest living relatives of the humans who first left Africa to migrate to the rest of the world.” Today there are only 1,500 Hadzabe remaining, occupying the same harsh valleys that they have since the beginning of the Stone Age. < Previous Next >

Every day, NGOs, charities and other on-the-ground organisations are working to make the world a better place. From environmental protection to economic development to disaster response, NGOs are at the forefront of assisting others in their time of need and helping them become self-sufficient in their own communities. PHOTOJOURNALISM NGOs Global Every day, NGOs, charities and other on-the-ground organisations are working to make the world a better place. From environmental protection to economic development to disaster response, NGOs are at the forefront of assisting others in their time of need and helping them become self-sufficient in their own communities.

PROJECTS Māori Wardens Aotearoa / New Zealand There are approximately 700 Māori Wardens who play an intrinsic role in improving the wellbeing of whānau and communities in Aotearoa New Zealand. Māori Wardens are not police, but they have legal responsibilities under the Māori Community Development Act 1962 and they give their time to supporting communities. The guiding principles of a Māori Warden is respect, awhi, aroha, and whānaungatanga. Previous Next