Webb's upcoming Material Culture auction, a celebration of the mastery and skill of indigenous artists and their craft, will feature images from The Hull of Papua New Guinea. < Back The Huli at Webb's 20 Jul 2023 Webb's upcoming Material Culture auction, a celebration of the mastery and skill of indigenous artists and their craft, will feature images from The Hull of Papua New Guinea. The Webbs's catalogue traverses continental regions of Africa and Australia and on through Oceania and Aotearoa, and covers a vast period of time from as early as some five thousand years ago to present day. In keeping with the artefacts a number of Guy Needham's signed, limited-edition prints will be up for auction, featuring one of the last remaining tribes that still wear traditional dress. You can find out more about the auction here . < Previous Next >

Guy Needham is noted for his international work, primarily drawing on themes of identity and place within cultural narratives. His images have been exhibited in New York, London, Paris, Berlin, Barcelona, Tokyo and Athens. ABOUT Guy Needham’s inquisitive worldview was shaped by growing up in rural New Zealand in the 1970s. Today he is noted for his international work with indigenous tribes, primarily drawing on themes of identity and place within cultural narratives. His work is a hybrid of photographic genres, sitting somewhere between documentary and portraiture. The simplicity of his pared-down style has been described as having both a quiet intensity and a subtle momentum. His images have been exhibited in New York, London, Paris, Berlin, Rome, Barcelona, Tokyo, and Athens, and been seen on the pages of National Geographic Traveler, CNN.com, Lonely Planet, SUITCASE Magazine, International Traveler, Portrait Magazine and AFAR. see exhibitions in situ > GET IN TOUCH guy@guyneedham.com +64 2164 5600 CONTACT CONTACT for print sales and media enquiries First Name Last Name Email Type your message here... Submit Thanks for submitting!

The Hadzabe are a tribe so old that National Geographic calls them “the closest living relatives of the humans who first left Africa to migrate to the rest of the world.” Today there are only 1,500 Hadzabe remaining, occupying the same harsh valleys that they have since the beginning of the Stone Age. TRIBES The Hadzabe Lake Eyasi, Tanzania The Hadzabe are a tribe so old that National Geographic calls them “the closest living relatives of the humans who first left Africa to migrate to the rest of the world.” Today there are only 1,500 Hadzabe remaining, occupying the same harsh valleys that they have since the beginning of the Stone Age. < Previous Next >

Guy Needham's Shades of Otara has been chosen as a Selected Series in the dotArt Urban 2018 Photo Awards out of 4,460 photos and 272 portfolios from around the world. < Back Urban 2018 Photo Awards 26 Jun 2018 Guy Needham's Shades of Otara has been chosen as a Selected Series in the dotArt Urban 2018 Photo Awards out of 4,460 photos and 272 portfolios from around the world. The series, taken in South Auckland's Otara markets over a period of years, will now be considered for an exhibition to be held in the Italian city of Trieste later this year. < Previous Next >

When you're in Morocco colour is inescapable. The contrasts, hues and shades that make up this North African country are evident from the moment you land. Travelling through the country is an unbelievably vivid experience, an intoxicating blend of colours, photo opportunities mixed with spicy smells and the strange sounds of a foreign land. < Back Morocco in Focus New Zealand Herald 14 Apr 2009 When you're in Morocco colour is inescapable. The contrasts, hues and shades that make up this North African country are evident from the moment you land. Travelling through the country is an unbelievably vivid experience, an intoxicating blend of colours, photo opportunities mixed with spicy smells and the strange sounds of a foreign land. No photograph can ever capture the chorus of mosques in evening prayer. And even when the camera does freeze some spectacular scene it risks looking unreal. At the edge of the Sahara, the sight of the mighty Erg Chebbi dunes looming over an ancient desert fort, reflected in the mirror of a tranquil oasis, seems too perfect to be true. Similarly, like an elusive mirage on a sea of yellow, the Auberge Yasmina looks impossibly beautiful. Round every corner the images continue. One day I am standing in the stark whiteness of Midelt, feeding nuts to snow-covered Barbary Apes. The next, my eye is caught by a red jellaba framed against the intricate Moorish architecture of Fez. Like an elusive mirage on a sea of yellow, the Auberge Yasmina looked impossibly beautiful. Then there are Essaouira's blue-hued fishing boats, rainbow-coloured rows of shoes, multi-hued piles of spices, pink babouches and palm-fringed Kasbahs all demanding attention. But, above all, it is the people who leave an indelible image. From the curious Berber boy with pre-aged hands to the wary guardian of the medersa, every "Salam a Lakum" opens the door to another room in culture that is best described as proud. Each Moroccan I met knew that they lived in a beautiful part of the world... and who could disagree. Details See visitmorocco.org. Original publication: New Zealand Herald < Previous Next >

Two of Guy Needham's indigenous portraits, Hadzabe Smoker (wearing a kudu skin) from the Hadzabe of Tanzania series, and Final Touches from The Huli of Papua New Guinea, will go on show for the first time in the UK. < Back Kilts meet Kudu 5 Nov 2019 Two of Guy Needham's indigenous portraits, Hadzabe Smoker (wearing a kudu skin) from the Hadzabe of Tanzania series, and Final Touches from The Huli of Papua New Guinea, will go on show for the first time in the UK. Part of the Glasgow Gallery of Photography's international Portraits exhibition, the images will be available to view from 21-30 November. < Previous Next >

Last night Guy Needham spoke at the Auckland Photographic Society about his travel photography experiences and his recent Shades of Otara exhibition. < Back Issues around Permission 23 Oct 2015 Last night Guy Needham spoke at the Auckland Photographic Society about his travel photography experiences and his recent Shades of Otara exhibition. As well as talking about photographic styles, issues around permission, and cultural awareness, Guy took questions on everything from staging an exhibition to low profile street shooting. < Previous Next >

TRAVEL Barcelona’s Mercè Barcelona, Spain La Mercè is Barcelona’s ‘festival of festivals’, a tribute to the Patron Saint Virgen de La Mercè who is credited with ending a plague of locusts upon the city. What began as a religious observation in the Middle Ages is now a heady mix of street theatre, dance, music and pyrotechnics with over 2,000 performers taking part. Previous Next

Deep in the Baliem Valley of Indonesia’s Papua region, size really does matter. The Dani tribe, first discovered by air in 1938 and still isolated in the mountains today, are known for a particular appendage: the horim. < Back A Horim The Travel Almanac 14 Dec 2023 Deep in the Baliem Valley of Indonesia’s Papua region, size really does matter. The Dani tribe, first discovered by air in 1938 and still isolated in the mountains today, are known for a particular appendage: the horim. Made from a dried-out elongated gourd, this penis protector is much more than a simple sheath. Whether a long cylindrical peaking pipe or spectacularly curved seahorse shape, this uniquely Papuan add-on is a sign of prestige, respect, and seniority within the tribe. In fact, the Dani’s male members (pun intended) have two horim – one for show and one for work . Their traditional existence on the land means that their more elaborate, longer phallocrypt s get in the way when working closely with others. No one likes to cross horim . It is no surprise that such an accessory exists in this patriarchal, polygamous society. Manhood in all its forms carries the responsibilit y of traditional authority within the tribe, and displaying such is expected. Smooth and mid-brown in tone, horim are carved out and gifted from father to son, a sign of respect for a growing boy. Many are customised as the years pass by; the more ornate ones carry small cowrie shells and decorative feathers. Manhood in all its forms carries the responsibilit y of traditional authority within the tribe, and displaying such is expected. Fastening a horim is not for the uninitiated: a short loop at the base sits very tightly around the scrotum, while the tip is held in place with a loop halfway up the chest. Carefully wiggled into place with a little adjustment here and a slight tuck there, the men are then off walking. The days of the horim appear to be numbered, though. Generational change is succeeding where the Indonesian Government’s Operasi Koteka (Operation Penis Gourd) failed , replacing traditional attire with W estern clothes. For the younger men, it’s cargos over calabash, garments over gourds. The exception is festivities where pride is as evident as the tribe they belong to. Original Publication: The Travel Almanac < Previous Next >

TRAVEL Torajaland Sulawesi, Indonesia For the Toraja of southern Sulawesi, death is very much a part of life and their elaborate funeral rites are renowned throughout Indonesia. Previous Next

Some of Guy Needham's images marking the 20th anniversary of the 90s wars in the Balkans recently featured in a New York City digital exhibition, The Story of The Creative. < Back Story of the Creative 1 May 2014 Some of Guy Needham's images marking the 20th anniversary of the 90s wars in the Balkans recently featured in a New York City digital exhibition, The Story of The Creative. It was one of the largest events ever put on by See|Me, featuring artists from all over the worlds in two venues in New York City, including their exhibition space at 19-26 Jackson Ave, Long Island City, Queens. < Previous Next >

Europe's first showing of The Dani is now live at Barcelona's Fotonostrum Gallery, accompanied by background on the tribe itself. < Back On show in Barcelona 17 Sept 2023 Europe's first showing of The Dani is now live at Barcelona's Fotonostrum Gallery, accompanied by background on the tribe itself. The portraits, taken in the Papuan village of Anemoigi in 2022, are a testament to the tribe's quiet intensity and traditional values. On display until September 29, the collection includes the award-winning image of Lokop Mabel, an elder in the tribe. < Previous Next >