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  • Botonho & baby in coffee table book

    The mother and baby from the Vatwa tribe are amongst the images selected for this year's New Zealand Camera book < Back Botonho & baby in coffee table book 20 Jun 2026 The mother and baby from the Vatwa tribe are amongst the images selected for this year's New Zealand Camera book Representing a diversity of photographic styles and genres, the hardcover, full-colour coffee-table book showcases outstanding photographic images from members of the Photographic Society of New Zealand. This is the fourth time Guy Needham's images have featured in the annual book, with the 2026 edition out later this year. < Previous Next >

  • Kanamutico meets Boston

    A portrait of Kanamutico of the Vatwa tribe will be on display in the US for the first time, as part of the Griffin Museum of Photography's Winter Solstice exhibition. < Back Kanamutico meets Boston 28 Oct 2025 A portrait of Kanamutico of the Vatwa tribe will be on display in the US for the first time, as part of the Griffin Museum of Photography's Winter Solstice exhibition. T he portrait of Kanamutico looking out of his hut will be on show in the Boston gallery from December 5. One of the Vatwa tribe located in the Angolan municipality of Oncocua, he follows in the footsteps of the older men in the village who spend their days tending to crops and goats in the nearby fields of this semi-nomadic tribe. < Previous Next >

  • Jaguars in the Jungle

    In this coming weekend's Sunday Star-Times you can read all about how I helplessly watched on as my guide was slowly poisoned... < Back Jaguars in the Jungle 20 Jan 2020 In this coming weekend's Sunday Star-Times you can read all about how I helplessly watched on as my guide was slowly poisoned... ... how children celebrate Christmas in an Amazonian fishing village, how the 'mark of the Matses' is slowly fading with generations, and how I ended up on a Peruvian Air Force sea plane trying to reach the middle of the jungle. < Previous Next >

  • From Papua to Boston

    Boston's Griffin Museum of Photography will be the first United States gallery to feature one of the Dani tribe from Indonesia's Papua region. < Back From Papua to Boston 15 Nov 2022 Boston's Griffin Museum of Photography will be the first United States gallery to feature one of the Dani tribe from Indonesia's Papua region. Although thousands of years old, the Dani were unknown to the rest of the world until 1938. Today they still live a simple life and, while not isolated from the march of modernity, their traditions and values have endured. The portrait of Lokop Mabel, pensive while smoking and wearing a traditional horim (penis gourd), will be part of the Winter Solstice exhibition on show in Massachusetts from 9 December 2022 - 8 January 2023. < Previous Next >

  • Pride of Kenya

    If you want to know about drinking goat's blood and tracking lions, pick up a copy of today's New Zealand Herald. < Back Pride of Kenya 11 Dec 2018 If you want to know about drinking goat's blood and tracking lions, pick up a copy of today's New Zealand Herald. The cover article of Travel is my first hand account of journeying into lion country to meet the fearsome Samburu warriors - who are forced to leave home when 12 to fend for themselves. You can read the full article here . < Previous Next >

  • Tower to the People

    "Squinting up, we could make out a young girl in a red helmet scrambling towards the top. The crowd was told to shush. Plaça de Sant Juame fell silent as we held our collective breath..." < Back Tower to the People 8 Oct 2019 "Squinting up, we could make out a young girl in a red helmet scrambling towards the top. The crowd was told to shush. Plaça de Sant Juame fell silent as we held our collective breath..." In the cover story of today's New Zealand Herald Travel section you'll find out what happened next, plus get a taste of what else goes on in Barcelona's Festival of Festivals. < Previous Next >

  • Monochrome in Hungary

    Aman Ipai, one of the lead images in The Mentawai of Indonesia series, has been selected as part of a group Monochrome exhibition to be held in Budapest next month. < Back Monochrome in Hungary 23 May 2019 Aman Ipai, one of the lead images in The Mentawai of Indonesia series, has been selected as part of a group Monochrome exhibition to be held in Budapest next month. The black and white portrait will be one of 35 international images on show at the PH21 Gallery from June 6-29. < Previous Next >

  • Guy Needham | Better than a Band Aid

    “Don’t worry ‘bout a thing, cause every little thing, gonna be al-riiight…” It seemed only appropriate that Bob Marley blared out the front of the pick-up as we bounced along the dirt road. After all, this was the country of Emperor Haile Selassie, recognised by Rastafarians as the Massiah of African Redemption and head of their religion. < Back Better than a Band Aid New Zealand Herald 12 Jan 2016 “Don’t worry ‘bout a thing, cause every little thing, gonna be al-riiight…” It seemed only appropriate that Bob Marley blared out the front of the pick-up as we bounced along the dirt road. After all, this was the country of Emperor Haile Selassie, recognised by Rastafarians as the Massiah of African Redemption and head of their religion. Not that any of that mattered as we dodged goats and dug into ruts. I was on my way to the Lower Valley of the Omo, a great swathe of land in Southern Ethiopia, to spend time volunteering with the Hamar tribe. Our driver had taken a ‘short cut’ as he’d heard that one of their most important rituals was taking place: the Jumping of the Bulls. Ukuli is a three day coming-of-age ceremony that every Hamar boy must go through in order to prove himself a man. We arrived just in time for the whipping. “Aiii, Aiiiiii!”, a young woman was screaming as she struggled against her mother, pleading to be let go. She broke away and ran to the half-naked man holding an acacia branch. Crack! The whip came down and her skin opened. The young woman smiled with pleasure – a showing of her dedication and love to the boy. It was an eye-opening introduction to the Hamar tribe. As the bleeding women created a bell-ringing frenzy, the men tugged the beasts into place. Tails were held, horns were gripped. The boy jumper looked nervous. He dropped his modest goatskin and leapt up on the first bull. Scampering naked across their backs he made it to the far end and back six times. He was now maza (an unmarried man who had jumped bulls), and was ready to go to the bush while his family selected a bride for him. It made our version of proposing seem a little easy. Going to Ethiopia is like going back in time. For a start they use a different calendar with 13 months in a year, so right now it’s 2008 – I lost 7 years just by getting off the plane. Not only are the years different but so are the hours. The clock starts at 6am. 4 hours after 6am it’s 4 o’clock. 2 hours before 6am is 10 o’clock. But they use both their clock and the farangi (foreigner) clock. Confusing as hell when you want to arrange a meeting time. Most of what we’ve heard about Ethiopia is shaped by images of the 1984 famine. Civil war, a drought and crop shortages all combined to make the situation so dire that Bob Geldoff put together ‘BandAid’ – a concert of the world’s biggest singers to raise funds for the suffering. Unfortunately that legacy lives on, with many today thinking the country is not much more than a dust-bowl. Although it does have serious drought in places, our camp looked out onto lush green bush speckled with brown paths. I was volunteering with an organisation called Big Beyond, an accredited NGO in the UK, Uganda and Ethiopia. They appealed because of their belief that more can be achieved through sharing knowledge than with handouts, and I also liked that they tailored projects to suit a person’s skills. My job was to document the lifestyles of the Hamar for a future cutural centre. My fellow volunteer Luke, a lawyer from the UK, was running business sessions and helping to set up a cottage honey industry. Jilly, a researcher for UK Statistics, was surveying the Hamar and tourists to see what both wanted when it comes to tourism. Crack! The whip came down and her skin opened. “T.I.A,” said Fiona, the manager when I arrived. “Huh?” “T.I.A. This is Africa. Oh and watch out for the scorpions” she added cheerily. What she meant was that if you don’t like flies and dirt and bugs and dust and heat then you’re better off staying at home. There was no electricity, no cellphone coverage, no internet, no running water. Our camp was next to Shele vilage, on land that had been gifted to Big Beyond by the head donza (elder). Shele is all that you imagine an African village to be: thatched roof huts, fenced off goat pens, cows wandering around, a boca where the donza sit, fields of maize and a water pump in the distance. We were considered part of the village and it was not unusual to find two strangers outside your ornay (hut) in the morning chatting away in Hamar, also the name of their language. The camp itself was still being finished when I arrived although it already had the luxury of our own personal huts, an outdoor shower, loo-with-a-view, parafin lamps, a dinning-cum-talking table under the cool shade and an outdoor kitchen. We also had a lame three-legged goat and two resident crows. “Rise up this mornin’, smile with the risin’ sun, three little birds, pitch by my doorstep… The days began with an orchestral warm up of percussional cowbells, a choir of birdsong, baying goats, the crack of whips and the occasional gunshot bringing them all into line. Breakfast was cooked by our resident chef Miley and usually consisted of porridge or eggs and then it was off to do our projects with the nearby Hamar. The Hamar, like a lot of subsistence tribes, still have traditional roles for men and women. The men protect and decide; looking after the lifestock and managing the crops. The women are the heavy lifters; carrying back-bending loads of firewood and sorghum – a type of maize – as well as being responsible for raising the children, cooking and looking after the household. Hamar men often have more than one wife, and the first wive is chosen as young as 7 so the marriage doesn’t take place until she reaches child-bearing age. Part of my project was spending time with a second wife, Hayto, so it was off to her hut I went. “Fiyo” I called out, contorting myself through the small, low, entrance. “Fiyene” came the reply from everyone inside – Hayto, the other wive, their husband, a younger brother, 3 sons, 4 babies and a neighbouring teacher. Everyone had squeezed in for morning buno, the local version of coffee made of dried-up coffee husks, ladelled into a half calabash shell. All eyes were on this farangi as I sat cross-legged and took the first sip. It wasn’t as bad as it sounds. Hamar women are extremely photogenic, their beautiful black skin topped with copper-coloured goscha dreadlocks, a twisted mix of ochre, water and hand-shaken butter. For 5 Birr (35c) you can photograph them in all their finery: colourful chickeny necklaces, brass coils around their wrists, kashe goat skin loosely draped over their bare breasts and, unique to first wives, a leather necklace with a metallic portrusion symbolising fertility. For a start they use a different calendar with 13 months in a year – I lost 7 years just by getting off the plane. After breakfast we started the 17km walk to the nearest town. The occasional tree gave respite from the vicious sun. Vultures circled in the distance. At the edge of a dry river bed a head emerged from a deep hole and called out, offering braken water. The market was still an hour away.Turmi is a small speck of a town, a wide dirt road pimpled with concrete-walled shops. It smells of goat and sweat. The only reason to visit Turmi is the markets, where Hamar from all over the woreda gather to buy and sell – be it coffee, sorghum or tempo (a snuff tobacco). This is where the Hamar also make money by having tourists take their photo. The men’s showpiece is their hair; they take great pride in shaping their locks and often accessorise with hairpins, feathers (for the muza) or clay-moulded hairpieces. In the villages Hamar men usually walk around bare-chested or wrapped in a sheet called kardi when it’s cold, in the town they wear more Westernised tops.The Hamar have no pockets – it’s said because they have nothing to hide – so one thing men carry is their borkoto, a wooden seat no more than 15cm high. You can purchase your own intricately carved one from the market, as well as wooden dolls adorned with chickeny, goat skins to take home and the ubiquitous patterned gourds. Plus of course enough food for dinner that night. Back at the volunteer camp cooking was done over an open fire. There were always root vegetables to be had and on special occasions we ate goat, although it was a little disconcerting having lunch tied up next to you. The main Ethiopian food is injera, a type of spongy thin bread that forms the base of a dish piled with food such as chicken wat, a kind of spicy curry. You tear off a piece of injera, scoop up some wat and eat with your hand. If you’re lucky you can wash it down with some of the local areke liquor. At dinner each night we exchanged stories, listened to some battery powered music and laughed at our First World problems. The downing sun was slowly replaced by a spectacular moonrise. Under the Milky Way it was easy to appreciate the simplicity of Hamar life. Sitting around the table we all agreed that volunteering had opened our eyes to a part of Africa we would never have seen. Being in an unspoilt land and immersing yourself in another culture is not for everyone, but to see first hand the good you can do was a reward in itself. It was worth that long, bumpy, reggae-filled ride down the dirt road. “Sayin’, this is my message to you-ou-ou.” Original publication: New Zealand Herald < Previous Next >

  • Guy Needham | Projects

    TRAVEL PROJECTS

  • Guy Needham | Deep in the Heart of Texas

    Y’all not from round here, are ya? Ain’t nobody drinks Budddd. This is Shiner Bock country, sir.” And with that the barman passed over a golden-labelled bottle of ale. I was in Luckenbach, Texas, population 3, a small town in the Hill Country west of San Antonio. < Back Deep in the Heart of Texas New Zealand Herald 3 May 2016 Y’all not from round here, are ya? Ain’t nobody drinks Budddd. This is Shiner Bock country, sir.” And with that the barman passed over a golden-labelled bottle of ale. I was in Luckenbach, Texas, population 3, a small town in the Hill Country west of San Antonio. It was to be the starting point for an adventure deep into the heart of Texas, a road trip to discover the smaller side of the big state. The Hill Country is known as much for its wildflowers and Harley-hugging roads as it is for being in the Bible Belt of America – a place where God meets guns, traffic yields to longhorns, and TexMex and ribs are a staple diet. Even the towns have great names; you can travel to Welfare in the morning, visit Comfort in the afternoon and spend the night in Utopia. ‘Luckenbach, Texas’ was made famous by a Waylon Jennings song and is not so much a town as a gathering of buildings. Located just off Highway 290, the post office is also the general store and the saloon is out back. It’s renowned for its live music scene so we arrived in time to see the ‘picker circle’ – an improvised mish-mash of musicians who gather under an old oak tree and pass around a pick, each playing a song with the others joining in. "Da-da ding-ding, ding-ding, ding-ding, diiinnng," the unmistakable sound of a banjo was slowly echoed by a guitar, "Da-da ding-ding, ding-ding, ding-ding, diiinnng.” Everybody chuckled at Duelling Banjos being played, and I half expected someone to call out “Squeal like a pig, boy!” as a nod to Deliverance. Thankfully it was not to be as the banjo player ended with a flourish before passing the pick to the young cowboy on his right. He broke straight into that ol’ country classic, “Cocaine’s gonna kill my honey dead.” It was time to explore. Not far from the circle in front of a wooden building sat Cassey, co-owner of the Snail Creek Hat Co. “Howdy, y’all look like you need a hat!” While I didn’t take her up on her offer I did ask about what’s in style. “Welllllll,” she drawled, “Over yonder you can see that they come in all shapes and sizes,” pointing to the audience. “I used to be able to tell a Texan from a Dakotan just by looking at their hat but now it’s about personal preference.” She and her husband Glen use water to shape the unstructured palm leaf hats they get in. “In West Texas they angle the brim like this,” she said, folding in the sides like a paper dart. “It means the hat’s more aerodynamic and the winds just pass right on through.” Much as I was tempted to buy a cowboy hat, I opted instead to see the real thing in action, and where better than the Cowboy Capital of the World. Even the towns have great names; you can travel to Welfare in the morning, visit Comfort in the afternoon and spend the night in Utopia. Bandera, Texas, earned its moniker after the Great Western Cattle Trail drives of the 1880s, where at one stage there were more cattle and cowboys going through the main street than all the other cattle trails in the United States. More recently they’ve had a number of rodeo champions come from Bandera, which just gives extra points to their town spurs. Everywhere you look there are authentic buildings, early Americana and signs advertising the next rodeo (Friday). We were here to see the most Western event of them all – the gunslingers shootout.Every weekend the Bandera Cattle Company celebrates its heritage with a re-enactment of real scenarios from the town’s past. Taking a seat on the bleachers behind the Visitors Centre we watched as the period costumed cowboys slowly took up their positions, one drinking ‘whisky’, another playing cards, and our host, Dennis, sharing some of the local history. “God damn, that wasn’t meant to happen!” Dennis had just shot himself in the groin with a blank. It looked like it hurt. “You’re as dumb as a box of hammers!” yelled one of his compatriots to much laughter from the crowd. The show went on for an hour, with kids having the chance to be deputised afterwards. It was enough motivation for me to take the plunge and go buy some cowboy boots. After much assistance I settled on a pair of Justin’s that have been produced since 1879, “Made by his daddy’s daddy and his daddy’s granddaddy before him.” Quite chuffed with my new purchase we rocked up to our accommodation, a Texan ‘dude ranch’. There are a number of dude ranches near Bandera that offer accommodation, meals and activities all rolled into one – think of it as AirBnB meets the Warkworth Rodeo. We chose the Twin Elm “For Western Fun.” As it was getting dark when we arrived the owner pointed us towards the campfire and invited us to join her for ‘s’mores’. S’mores are a Texan treat where you roast marshmallows over a fire ‘til they’re ohhh-so-gooey and then add them to a graham cracker topped with a slice of chocolate. With full tummies the next morning we took advantage of our surrounds with a horse ride led by some of the local hands. Wading through the Medina River, past the fallen trees and down the trail, we got to experience their daily life at a leisurely pace. Bandera was also where I discovered how deeply ingrained religion is. On the way into town we noticed a number of flags at half-mast. I politely enquired when we got there, “We saw some of the flags were at half mast, has someone important died?” The lady stared straight back at me and said, “Jesus”. It was Good Friday. Moving on quickly after insulting the entire state of Texas, our next stop on the small town tour was Fredericksburg. Established by a German baron in 1846 after signing a peace treaty with the Comanche Indians, the town is considered the capital of Hill Country. Fredericksburg’s main claim to fame is being the birthplace of Admiral Chester Nimitz who led the US Pacific naval effort in World War II. The town houses the fantastic National Museum of the Pacific War and it made me proud to see the New Zealand flag flying (at full mast). “God damn, that wasn’t meant to happen!” Dennis had just shot himself in the groin with a blank. It looked like it hurt. The best part of Fredericksburg however is just outside of town. It’s called Wine Road 290 and comprises 15 different wineries in the area. In Texas a winery does not necessary mean a vineyard; it could simply be wine retailer. We didn’t let a wee detail like that put us off as we slowly pulled in to The Vintage Cellar. We’d already tried some of the local Bending Branch ‘Thinkers Blanc’ so that was a mandatory buy, but what caught my eye was the “Pour It Forward” chalkboard. Like a ‘random act of kindness’, the idea is to buy someone a drink in advance by writing up an occupation on the board. Unfortunately, no one had written ‘Parched Kiwi’ but if I’d been a fireman, marine, zookeeper or teacher it would have been a very boozy afternoon. Leaving the Hill Country the next day we noticed that the landscape had changed, speckled with political billboards. Texas is staunchly Republican – represented by Senator Ted Cruz – and even here it’s hard to escape the slogans in the midst of an election campaign. Looking around as the last of the sun’s rays lit up the wildflowers on the side of the road, we passed a “Make America Great Again” sign. Something tells me that the locals don’t have anything to worry about. This land of cowboys has never had a problem being great. Details Stay: www.twinelmranch.com Getting there: Air New Zealand flies direct Auckland to Houston (14 hours); Houston to San Antonio is a 1 hour flight; Hill Country is a 1 hour drive away Websites: www.luckenbachtexas.com www.banderacowboycapital.com Visas: Apply online for the USA ESTA visa waiver for up to 90 days Location: Hill Country, Texas, USA Original publication: New Zealand Herald < Previous Next >

  • Aman Ipai overlooks Florida

    Aman Ipai, also known as 'The Mentawai Smoker' is being shown as part of the Florida Museum of Photographic Arts' exhibition this month. < Back Aman Ipai overlooks Florida 2 Oct 2020 Aman Ipai, also known as 'The Mentawai Smoker' is being shown as part of the Florida Museum of Photographic Arts' exhibition this month. Taken in the doorway of his uma using only natural light to frame his presence, the portrait captures the unique body art of the Mentawai. It will be on display on the external digital billboard screen of the FMOPA's Tampa gallery. < Previous Next >

  • Guy Needham | The Matses

    The Matses live deep in the Peruvian Amazon not far from the Brazilian border. The tribe, which only made permanent contact with the outside world in 1969, has rapidly embraced outside influences yet still holds on to ancestral traditions. TRIBES The Matses Javari River, Peru The Matses live deep in the Peruvian Amazon not far from the Brazilian border. The tribe, which only made permanent contact with the outside world in 1969, has rapidly embraced outside influences yet still holds on to ancestral traditions. < Previous Next >

© Guy Needham 2026

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