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- Guy Needham | Photojournalism
Photojournalism
- Guy Needham | Projects
Projects
- Guy Needham | Māori Wardens
PROJECTS Māori Wardens Aotearoa / New Zealand There are approximately 700 Māori Wardens who play an intrinsic role in improving the wellbeing of whānau and communities in Aotearoa New Zealand. Māori Wardens are not police, but they have legal responsibilities under the Māori Community Development Act 1962 and they give their time to supporting communities. The guiding principles of a Māori Warden is respect, awhi, aroha, and whānaungatanga.
- Guy Needham | The Paper Came the Next Day
PROJECTS The Paper Came the Next Day Tikitiki, New Zealand On the East Coast of New Zealand lies the township of Tikitiki. Rural and isolated, it is a poster-child for parts of the country that have been left behind. In 2014 Guy Needham returned to where he grew up. The sight of decrepit buildings and desolate spaces motivated him to embark on an ongoing project. Originally a cathartic ode to his childhood, his deep connection with the town is evident; the images reflecting both physical and emotional isolation.
- Guy Needham | Shades of Otara
PROJECTS Shades of Otara Otara, New Zealand Just off New Zealand’s exit 444 is a social institution; a place where, for four decades now, people have come to buy, sell, laugh and sing. These images are an ode to the workers of the Otara Flea Markets, presenting the intersection between the everyday and the special, and balancing quiet moments of contemplation next to natural entrepreneurialism.
- Guy Needham | Carnaval de Negros y Blancos
PHOTOJOURNALISM Carnaval de Negros y Blancos Global Some of the world's most colourful - and exciting - celebrations from cultures across the planet.
- Guy Needham | Judging for Crete
< Back Judging for Crete 15 Apr 2019 Guy Needham has been selected as one of the international jury for the upcoming Chania International Photo Festival. As part of the judging committee he will help select the award winners and highly commended images in the festival that runs in Crete from August 16th until August 24th this year. < Previous Next >
- Guy Needham | A Spell in Salem
< Back A Spell in Salem New Zealand Herald 8 Nov 2023 “Salem has 400 years of history, yet all people want to talk about was the single worst year we ever had”. Our gregarious Witch City Walking Tour guide, Sean, with tongue firmly planted in cheek, introduced us to what put this Massachusetts town on the map – the Salem Witch Trials. The source material for numerous movies, novels and articles, most Kiwis first heard of Salem from the pages of The Crucible. While Arthur Millar’s play was an allegory for the 1950s communist witch-hunt in the United States, the book firmly positioned Puritan New England as a place of division, suspicion, and hysteria. Sean continued as the rain softly started to fall, his booming historian voice describing the paranoia of the times. “From February 1692 to May 1693 the trials took place, as children having fits and contortions accused those around them of doing the Devil’s work.” Leading us by lantern light, he paused outside the Salem Witch Trials Memorial. The memorial, dedicated in 1992 to mark the 300th anniversary of the trials, comprises granite slabs etched with the names, dates, and execution of each of the innocent victims. By the end, 19 people were found guilty and hung, and a further 5 died in prison including the infant daughter of one of the accused. 71-year-old Giles Corey who refused to enter a plea was pressed to death by heavy stones placed on him until his organs could no longer work. Salem has come a long way since the mass hysteria of the 17th century. Where once people lived in fear of spells, today they welcome them: the town is a magnet for modern-day Witches, Warlocks and Wiccans. Leanne Marrama is one of them. Co-owner of Pentagram Shoppe – “offering powerful witchcraft supplies, spell kits, and divination tools” – Leanne was happy to share what it’s like being a witch in Salem. “It all started in the 1970s with the arrival of Laurie Cabot. She was the first witch here, and we’ve been coming ever since!” Leanne’s shop was brimming with everything a good occultist needs: double-edged athame for ritualistic offerings, trithemius table of practice to conjure spirits, and the Fourth Pentacle of Mercury (best dedicated to use on Wednesdays within the first hour after sunrise). 71-year-old Giles Corey who refused to enter a plea was pressed to death by heavy stones placed on him until his organs could no longer work. “People think we’re weird and go home and make sacrifices every night,” Leanne opined. “But we’re not. We’re normal people who have families and kids and drive to work just like anyone else. It’s just that we follow a different religion and magickal (with a ‘k’) traditions.” Witches don’t worship Satan, they don’t do evil, but they do cast spells which are more like manifestations. The queue for Leanne’s shop was now out the door. As a registered psychic – all physics in Salem are required to be licensed – her shop was one of the busier ones in town. “I do up to 30 readings a day, sometimes it can be exhausting, especially in October”. Ahhh October, when Salem becomes more kitschy than witchy. Last year over 1 million people visited in the ‘Haunted Happenings’ month of Halloween alone, posing beside the Bewitched statue, buying t-shirts with dubious slogans, and going on one of the many tours on offer. Travel tip: put your name down as early as you can for a restaurant – the wait times are up to 2 hours long. Beyond the hustle and bustle of Essex Street and the gentle waft of legalised marijuana, another witch-adjacent business is leaving its mark on Salem. Black Veil Shoppe of Drear & Wonder is the town’s most famous tattoo parlour, co-owned by identical twins Ryan and Matt Murray. Hidden within Black Veil’s ivy-covered brick walls and beyond the darkened windows lies a world of thick smoke, dripping candles, and Poe-inspired prints. Macabre t-shirts of cats missing eyes hung under a neon ‘Lose Your Soul’ sign. A figure eerily appeared dressed in black: twin Matt. “Being here in Salem, we describe our style as ‘black & grey for the grim-hearted’”. Matt had been tattooing for over a decade, initially under the tutorship of his brother, and had appeared on the TV show Ink Masters. “You’ll see lots of death and mourning in our designs with a New England Victorian inspiration.” Matt and Ryan do all their image printing in the attic above and were preparing for the Salem Night Faire, an annual event “beyond the darkened pines in the haunting pioneer village.” Not wanting to hold him up any longer we bade farewell and stepped out once more into the light. For a town that dwells in the darkness, Salem’s non-witchy history is often overlooked: it used to be one of America’s wealthiest seaports, the Parker Brothers of Monopoly fame got their start here, and it’s the birthplace of the United States National Guard. But there is only one real reason to visit Salem: the single worst year they ever had. Details Where: 45min north of Boston on the i-93 and i-95 Destination Salem: www.salem.org Witch City Walking Tours: www.witchcitywalkingtours.com Black Veil: www.blackveilstudio.com Original publication: New Zealand Herald < Previous Next >
- Guy Needham | Better than a Band Aid
< Back Better than a Band Aid New Zealand Herald 12 Jan 2016 “Don’t worry ‘bout a thing, cause every little thing, gonna be al-riiight…” It seemed only appropriate that Bob Marley blared out the front of the pick-up as we bounced along the dirt road. After all, this was the country of Emperor Haile Selassie, recognised by Rastafarians as the Massiah of African Redemption and head of their religion. Not that any of that mattered as we dodged goats and dug into ruts. I was on my way to the Lower Valley of the Omo, a great swathe of land in Southern Ethiopia, to spend time volunteering with the Hamar tribe. Our driver had taken a ‘short cut’ as he’d heard that one of their most important rituals was taking place: the Jumping of the Bulls. Ukuli is a three day coming-of-age ceremony that every Hamar boy must go through in order to prove himself a man. We arrived just in time for the whipping. “Aiii, Aiiiiii!”, a young woman was screaming as she struggled against her mother, pleading to be let go. She broke away and ran to the half-naked man holding an acacia branch. Crack! The whip came down and her skin opened. The young woman smiled with pleasure – a showing of her dedication and love to the boy. It was an eye-opening introduction to the Hamar tribe. As the bleeding women created a bell-ringing frenzy, the men tugged the beasts into place. Tails were held, horns were gripped. The boy jumper looked nervous. He dropped his modest goatskin and leapt up on the first bull. Scampering naked across their backs he made it to the far end and back six times. He was now maza (an unmarried man who had jumped bulls), and was ready to go to the bush while his family selected a bride for him. It made our version of proposing seem a little easy. Going to Ethiopia is like going back in time. For a start they use a different calendar with 13 months in a year, so right now it’s 2008 – I lost 7 years just by getting off the plane. Not only are the years different but so are the hours. The clock starts at 6am. 4 hours after 6am it’s 4 o’clock. 2 hours before 6am is 10 o’clock. But they use both their clock and the farangi (foreigner) clock. Confusing as hell when you want to arrange a meeting time. Most of what we’ve heard about Ethiopia is shaped by images of the 1984 famine. Civil war, a drought and crop shortages all combined to make the situation so dire that Bob Geldoff put together ‘BandAid’ – a concert of the world’s biggest singers to raise funds for the suffering. Unfortunately that legacy lives on, with many today thinking the country is not much more than a dust-bowl. Although it does have serious drought in places, our camp looked out onto lush green bush speckled with brown paths. I was volunteering with an organisation called Big Beyond, an accredited NGO in the UK, Uganda and Ethiopia. They appealed because of their belief that more can be achieved through sharing knowledge than with handouts, and I also liked that they tailored projects to suit a person’s skills. My job was to document the lifestyles of the Hamar for a future cutural centre. My fellow volunteer Luke, a lawyer from the UK, was running business sessions and helping to set up a cottage honey industry. Jilly, a researcher for UK Statistics, was surveying the Hamar and tourists to see what both wanted when it comes to tourism. Crack! The whip came down and her skin opened. “T.I.A,” said Fiona, the manager when I arrived. “Huh?” “T.I.A. This is Africa. Oh and watch out for the scorpions” she added cheerily. What she meant was that if you don’t like flies and dirt and bugs and dust and heat then you’re better off staying at home. There was no electricity, no cellphone coverage, no internet, no running water. Our camp was next to Shele vilage, on land that had been gifted to Big Beyond by the head donza (elder). Shele is all that you imagine an African village to be: thatched roof huts, fenced off goat pens, cows wandering around, a boca where the donza sit, fields of maize and a water pump in the distance. We were considered part of the village and it was not unusual to find two strangers outside your ornay (hut) in the morning chatting away in Hamar, also the name of their language. The camp itself was still being finished when I arrived although it already had the luxury of our own personal huts, an outdoor shower, loo-with-a-view, parafin lamps, a dinning-cum-talking table under the cool shade and an outdoor kitchen. We also had a lame three-legged goat and two resident crows. “Rise up this mornin’, smile with the risin’ sun, three little birds, pitch by my doorstep… The days began with an orchestral warm up of percussional cowbells, a choir of birdsong, baying goats, the crack of whips and the occasional gunshot bringing them all into line. Breakfast was cooked by our resident chef Miley and usually consisted of porridge or eggs and then it was off to do our projects with the nearby Hamar. The Hamar, like a lot of subsistence tribes, still have traditional roles for men and women. The men protect and decide; looking after the lifestock and managing the crops. The women are the heavy lifters; carrying back-bending loads of firewood and sorghum – a type of maize – as well as being responsible for raising the children, cooking and looking after the household. Hamar men often have more than one wife, and the first wive is chosen as young as 7 so the marriage doesn’t take place until she reaches child-bearing age. Part of my project was spending time with a second wife, Hayto, so it was off to her hut I went. “Fiyo” I called out, contorting myself through the small, low, entrance. “Fiyene” came the reply from everyone inside – Hayto, the other wive, their husband, a younger brother, 3 sons, 4 babies and a neighbouring teacher. Everyone had squeezed in for morning buno, the local version of coffee made of dried-up coffee husks, ladelled into a half calabash shell. All eyes were on this farangi as I sat cross-legged and took the first sip. It wasn’t as bad as it sounds. Hamar women are extremely photogenic, their beautiful black skin topped with copper-coloured goscha dreadlocks, a twisted mix of ochre, water and hand-shaken butter. For 5 Birr (35c) you can photograph them in all their finery: colourful chickeny necklaces, brass coils around their wrists, kashe goat skin loosely draped over their bare breasts and, unique to first wives, a leather necklace with a metallic portrusion symbolising fertility. For a start they use a different calendar with 13 months in a year – I lost 7 years just by getting off the plane. After breakfast we started the 17km walk to the nearest town. The occasional tree gave respite from the vicious sun. Vultures circled in the distance. At the edge of a dry river bed a head emerged from a deep hole and called out, offering braken water. The market was still an hour away.Turmi is a small speck of a town, a wide dirt road pimpled with concrete-walled shops. It smells of goat and sweat. The only reason to visit Turmi is the markets, where Hamar from all over the woreda gather to buy and sell – be it coffee, sorghum or tempo (a snuff tobacco). This is where the Hamar also make money by having tourists take their photo. The men’s showpiece is their hair; they take great pride in shaping their locks and often accessorise with hairpins, feathers (for the muza) or clay-moulded hairpieces. In the villages Hamar men usually walk around bare-chested or wrapped in a sheet called kardi when it’s cold, in the town they wear more Westernised tops.The Hamar have no pockets – it’s said because they have nothing to hide – so one thing men carry is their borkoto, a wooden seat no more than 15cm high. You can purchase your own intricately carved one from the market, as well as wooden dolls adorned with chickeny, goat skins to take home and the ubiquitous patterned gourds. Plus of course enough food for dinner that night. Back at the volunteer camp cooking was done over an open fire. There were always root vegetables to be had and on special occasions we ate goat, although it was a little disconcerting having lunch tied up next to you. The main Ethiopian food is injera, a type of spongy thin bread that forms the base of a dish piled with food such as chicken wat, a kind of spicy curry. You tear off a piece of injera, scoop up some wat and eat with your hand. If you’re lucky you can wash it down with some of the local areke liquor. At dinner each night we exchanged stories, listened to some battery powered music and laughed at our First World problems. The downing sun was slowly replaced by a spectacular moonrise. Under the Milky Way it was easy to appreciate the simplicity of Hamar life. Sitting around the table we all agreed that volunteering had opened our eyes to a part of Africa we would never have seen. Being in an unspoilt land and immersing yourself in another culture is not for everyone, but to see first hand the good you can do was a reward in itself. It was worth that long, bumpy, reggae-filled ride down the dirt road. “Sayin’, this is my message to you-ou-ou.” Original publication: New Zealand Herald < Previous Next >
- Guy Needham | Carnaval in the Bogota Post
< Back Carnaval in the Bogota Post 25 Jan 2018 Colombia's Bogota Post has selected an image taken by Guy Needham at the recent Carnaval de Negros y Blancos for its front page. It's a rare honour for a foreign photographer covering a Colombian cultural event to be featured in this newspaper. You can see the image here . < Previous Next >
- Guy Needham | Rodeo
PROJECTS Rodeo Warkworth, New Zealand Every year one of New Zealand's premiere rodeos, the Warkworth Rodeo, is held north of Auckland. Full of the usual events such as barrel racing, bull riding, saddle bronc riding, steer wrestling and breakaway roping, interest in the event has only grown over the years, no doubt helped by the global TV phenomenon that is Yellowstone.