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  • La Mercè selected for US exhibition | Guy Needham

    < Back La Mercè selected for US exhibition 13 Sept 2021 La Mercè, an image taken for a New Zealand Herald article, has been selected for Praxis Gallery's International Juried Photography Exhibition. Taken during Barcelona's Correfoc de la Mercè, the photo celebrates the heady mix of street theatre, dance and pyrotechnics on Via Laietana. La Mercè will be on display at the 'After Dark' exhibition from October 16 in the city of Minneapolis. < Previous Next >

  • Tower to the People | Guy Needham

    < Back Tower to the People 8 Oct 2019 "Squinting up, we could make out a young girl in a red helmet scrambling towards the top. The crowd was told to shush. Plaça de Sant Juame fell silent as we held our collective breath..." In the cover story of today's New Zealand Herald Travel section you'll find out what happened next, plus get a taste of what else goes on in Barcelona's Festival of Festivals. < Previous Next >

  • Guy Needham | The Mentawai of Indonesia

    “Hold on, I just need to scrape something off…” My guide had removed his gumboot and was reaching for a knife. Slowly he sliced the blade down his leg to remove the blood sucking leech that had attached itself to him. “Welcome to Mentawai!” he said with a broad grin. < Back The Mentawai of Indonesia New Zealand Herald 24 Oct 2017 “Hold on, I just need to scrape something off…” My guide had removed his gumboot and was reaching for a knife. Slowly he sliced the blade down his leg to remove the blood sucking leech that had attached itself to him. “Welcome to Mentawai!” he said with a broad grin. The leech and I were on the island of Siberut in the Indian Ocean, 150km west of Sumatra, on one of Indonesia’s 17,000 islands. I was there to spend a week living with the Mentawai tribe, a proud, independent hunter-gatherer people living off the land since the Stone Age. Far from your typical holiday, only a few people make it this deep into the equatorial rainforest, and had I not been researching for an exhibition I doubt I would have heard of them. So, here I was, three flights, one ‘fast’ ferry, 1 motorcycle ride, 3 hours on a motorized canoe, and 2 hours tramping through mud later. No electricity, no cell phone, no internet, no bedding, no toilet, no running water. “Anai loita” welcomed the tough, wiry sikerei (medicine man) who wore nothing more than a loin cloth, as his intricately tattooed hands firmly gripped mine. Aman Teutagougou was to be my host for the next few days, and after pointing out where in the uma (long house) I could leave my backpack – just under the monkey skulls hanging from the door frame – it was time to look around. Aman Teutagougou, like other Mentawai men, had multiple tattoos all over his body. He told me that the tattoos – which are tapped out painfully with needle and ink – each take a week. The men all have the same designs and start with the Sun, symbolising life. The final tattoo applied is to the face, signifying “I am finished”. Perhaps more disconcerting to the Western eye is the Mentawai women’s teeth. In a show of traditional beauty women sharpen their teeth to a point, which the Mentawai men find attractive. A beaming Bai Ibuk proudly flashed me her chiselled molars one night, as the jungle rains came down hard outside. Looking out into the torential rain it was easy too understand why the Mentawai consider themselves Keepers of the Rainforest. They are entirely self-sufficient, only taking what they need from the world around them and are at one with nature. I saw first-hand bark from the breadfruit tree stripped to make loincloths, water channelled to make sago, special leaves picked to mix poison for arrows, and left-over chicken bones fed through the floor boards to the snorting pigs below. What living with the Mentawai lacked in creature comforts, it made up for in spirits. Literally. While the rest of Indonesia is predominantly Muslim, the 64,000 Mentawai still follow a type of animalism called sibulngan, which worships the four main nature spirits of the Sky, Sea, Jungle and Earth. It was these spirits that were called upon when I was sick with fever towards the end of my trip. In a show of traditional beauty women sharpen their teeth to a point, which the Mentawai men find attractive. Ill, sweating, shaking, lying on a thin mattress under a mosquito net, I awoke feeling pressure on my stomach. Struggling to open my eyes, I could just make out a man kneeling over me pushing his hands into my abdomen. He slowly lifted my head and poured a crushed concoction of berries, leaves, water and dirt into my dry mouth. Delirious, I wondered why he was wearing my watch… When I awoke the next day I was told that the medicine man who came to see me was Aman Toikok, a village elder I had met at the start of my trip and who I had gifted my watch to. He heard that I was sick, and made the 3 hour walk to the uma I was staying in to call to the spirits of the Sky to heal me. While I was grateful for the relief, officially the Mentawai are not allowed to practice medicine, nor their indigenous religion. Pressure from the Indonesian government, including a 1950s decree prohibiting such customs, and the construction of ‘Government villages’ with schools, amenities, healthcare and free houses to entice the Mentawai from the jungle, are threating the traditional lifestyle and simple values of the tribe. Today the Mentawai people have to work harder than ever to preserve their ancient unique culture. Leeches and all. Original publication: New Zealand Herald < Previous Next >

  • Flowers for Basel | Guy Needham

    < Back Flowers for Basel 21 Aug 2020 A select group of images from "There are always flowers (for those who want to see them) - Henri Matisse" will be making an appearance in a virtual exhibition in Basel, Switzerland. The images, part of a series designed to bring light to the dark days of COVID-19, were taken at the Botanical Gardens in Auckland New Zealand with only natural light. They are designed to be a beacon of hope and the future, of growth and life, and have been regularly published online 'in the Time of Coronavirus'. < Previous Next >

  • Head on Photo Festival | Guy Needham

    < Back Head on Photo Festival 12 Jan 2018 The third of Guy Needham's tribal series, The Mentawai of Indonesia, will be shown as part of the Head On Photo Festival in Australia this year. The exhibition, to be held at the historic ArtHouse Hotel in Sydney, will feature ten of the original portraits taken in 2017 and be on display from May 5th though to June 8th. < Previous Next >

  • Tales of the Unwritten | Guy Needham

    < Back Tales of the Unwritten 21 Apr 2021 Nashi Boy, as featured in Metro magazine and the Royal Photographic Society's The Decisive Moment, has been selected for a street photography book and exhibition in Italy. The 'Tales of the Unwritten' exhibition opens on 10th October, at Stelio Crise State Library in Trieste. The image of young Semi popping out amongst the nashis was part of Shades of Otara - a three-year personal project to pay tribute to the workers of the Otara Markets. < Previous Next >

  • The Dani go to Portugal | Guy Needham

    < Back The Dani go to Portugal 6 Sept 2025 Guy Needham's first exhibition in Portugal brings The Dani of Papua to Lisbon, courtesy of Incubator Gallery Saturday 20 September sees the official opening of The Dani of Papua in Lisboa, courtesy of Portugal's Incubator Gallery, to be held at Sede da PsiRelacional. Featuring a select number of prints from Guy Needham's time with the tribe in the Papua province of Indonesia, the opening night will include a question and answer session for guests. < Previous Next >

  • Aman Ipai honoured in Vienna | Guy Needham

    < Back Aman Ipai honoured in Vienna 11 Sept 2022 A monochromatic portrait of Aman Ipai, one of the Mentawai of Indonesia, has been selected for the Vienna International Photo Awards. The image, which captures his unique body art and trusting presence, has been awarded an Honorary Mention in the People & Portrait Photography category. Playing on contrast in a wider sense, it was taken in his uma (longhouse) using only natural light to frame his generous pose. < Previous Next >

  • Yunita Mabel wins Bronze | Guy Needham

    < Back Yunita Mabel wins Bronze 30 Nov 2022 Fresh off winning the Portrait award for Shoot The Frame, and ashowing at the Indian Photography Festival, this image of Yunita Mabel has just won Bronze at the Budapest International Foto Awards. The strong portrait which has echoes of the Mona Lisa was taken in Anemoigi village in West Papua, Indonesia, and will be on display in Hungary in 2023. Like other Dani women, Yunita plays the traditional role expected of females in the tribe - cooking, cleaning, and looking after the children - and lives separately from the men in the village. < Previous Next >

  • Exposição os Dani | Guy Needham

    < Back Exposição os Dani 23 Sept 2025 Guy Needham's inaugural exhibition in Portugal, Os Dani, opened in Lisboa this weekend hosted by PsiRelacional and Incubator Photo Gallery. The opening night included a dialogue on "Art, Identities and Psychoanalysis", with a discussion on the role of norms, customs, and social cohesion in different societies. The exhibtiion runs for a month and has limited edition books available on The Dani exhibition in both English and Portuguese. < Previous Next >

  • Guy Needham | Colour Nature

    Previous Next PROJECTS Colour Nature Manurewa, New Zealand During the dark days of the Coronavirus pandemic this series echoed Henri Matisse, "There are always flowers for those who want to see them". The images, each taken at the Auckland Botanic Gardens with only natural light, are a microcosm of hope and the future, of growth and life. The collection is a digitisation of beauty, not beauty itself, highlighting the power of a singular image at its most pared back simplicity.

  • Guy Needham | Shades of Otara

    Previous Next PROJECTS Shades of Otara Otara, New Zealand Just off New Zealand’s exit 444 is a social institution; a place where, for four decades now, people have come to buy, sell, laugh and sing. These images are an ode to the workers of the Otara Flea Markets, presenting the intersection between the everyday and the special, and balancing quiet moments of contemplation next to natural entrepreneurialism.

© Guy Needham 2026

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