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- Auckland Festival of Photography
Guy Needham's The Hadzabe of Tanzania has been selected for the Core programme of this year's Auckland Festival of Photography. < Back Auckland Festival of Photography 23 Feb 2019 Guy Needham's The Hadzabe of Tanzania has been selected for the Core programme of this year's Auckland Festival of Photography. The festival takes place within Auckland's major galleries, project spaces, non-gallery venues and public sites, featuring a mix of emerging and established artists. The Hadzabe of Tanzania will be on show at The Grey Place from 28 May - 8 June. < Previous Next >
- Guy Needham | The Strangest Town in Australia
We both looked up. It was a strange sound, obviously unfamiliar to my host. “When was the last time it rained here?” I asked. A pause. “Um… this is the first time this year. Might settle the dust though,” said Nick laconically. Perhaps a good omen to mark the centenary of what some would say is Australia’s strangest town. < Back The Strangest Town in Australia Sunday Star-Times 26 Apr 2015 We both looked up. It was a strange sound, obviously unfamiliar to my host. “When was the last time it rained here?” I asked. A pause. “Um… this is the first time this year. Might settle the dust though,” said Nick laconically. Perhaps a good omen to mark the centenary of what some would say is Australia’s strangest town. I was in Coober Pedy, located in the desert of the South Australian outback, a red dirt town under big blue skies. It’s a town that was founded 100 years ago on opal mining, a town where 50% of the population live underground, and a town that hadn’t seen rain for a while. As the showers gently eased Nick, the owner of The Lookout Cave Underground Hotel, commended me for visiting during the ‘colder’ months (it was 31° outside). In January it had been an unbearable 43°. The locals avoid the worst of it by living in ‘dugout’ homes excavated out of sandstone hills, giving them a constant 22° and respite from the harsh desert heat and dust. Unlike ‘mole holes’ these homes – like my underground hotel room – are generally at ground level, super quiet and thankfully not claustrophobic. When the rain stopped Nick pointed out the air vents that dotted the landscape, rising like metallic mushrooms giving air to the dugouts below. Google Maps had already shown me that Coober Pedy was going to be different: the reddy-brown landscape, few structures, fewer roads and lots of dirt. But what the town lacks in looks it makes up for in superlatives: it is, after all, the Opal Capital of the World, down the road is the Largest Cattle Station in the World, cutting through it is the Longest Man-made Structure in the World, there’s the Driest Golf Course in the World and of course, the Largest Underground Hotel in the World (capitals intended). I think it also has the most flies in the world. I’d timed my visit with the Coober Pedy Opal Festival, which this year was celebrating 100 years since fourteen-year-old Willie Hutchison found the first opal there. The festival kicked off with the annual Street Parade, hosted by jovial MCs keeping the crowd entertained under the blazing mid morning sun. Slowly the flotilla came into view, heavy mining trucks leading the way followed by local businesses, AFL fans and the obligatory Mines Rescue vehicles. In a town of only 3500 if you weren’t in the parade you were cheering it on from the sidelines. “Where you from eh fella?” asked the aboriginal man next to me, from under his Akubra hat. I told him and then David Mindi Crombie told me his life story. Born inside an open-cut opal pit with his twin brother. Famous for writing songs about Coober Pedy. Performed at the Sydney Opera House on a national tour. Named Coober Pedy Citizen of the Year (1992). A Justice of the Peace. Singing tonight at the pub up the road. I’d picked a good person to sit next to. Nick commended me for visiting during the ‘colder’ months (it was 31° outside). The Opal Festival also coincided with Easter so there was no better time to visit one of the town’s underground churches. Father Brian Mathews welcomed me at the door of Saint Peter’s and Paul’s and patiently took me through its history. “The parish is rather large I guess,” he said, standing in front of a wall map. “And we don’t always have a church everywhere. Last week I had mass in the dining room of a pub.” He drew his finger across the boundaries. It went up to Uluru, touched Western Australia, Northern Territory, Queensland and New South Wales. This priest was responsible for a parish area bigger than Texas. Across from the church was one of the town’s two dozen opal jewellery stores, which makes sense when you consider that 85% of Australia’s opals come from Coober Pedy. “They’re all individual, that’s what makes each one so special,” said George of Opalios, peering up with his jewellery magnifiers still on while polishing a stone. “It doesn’t matter what type of opal you like - cut, rough, milky, black, pinfire – it’s bound to be different to what anyone else has.” He pulled out a solid opal set in 18k gold. Price? A steal at $12,500. The dirty end of the business was found at Tom’s Working Opal Mine. After the briefing and donning a hard hat, I wound my way down 12 metres underground. Blower pipes, Caldwell shafts, pillar bashing, explosive setting, sump tunnels - there’s a lot to this opal mining gig. Which explains the numerous abandoned drill holes in the area (“Beware deep shafts” “Don’t walk backwards” the signs warn). Even the town’s name comes from the Aboriginal kupa-piti meaning ‘white man in a hole’. The landscapes weren’t just a potholed mess though; this was the scenery that had starred in Priscilla: Queen of the Desert and Max Mad: Beyond Thunderdome so I arranged to explore more. “Today we’re gonna go off road for about 600k’s,” said Rowie as I put my seatbelt on. Peter Rowe isn’t your typical tour guide. He’s an official Australia Post contractor and I was joining him on ‘mail run’ from Coober Pedy to William Creek to Oodnadatta. The 12-hour drive would take us across the Great Artesian Basin to the edge of the Victorian Desert. First stop was Anna Creek Station, the largest cattle ranch on the planet at a whopping 24,000km2 – that’s 6,000,000 acres. To give you a sense of scale, the distance from the property boundary to the unassuming homestead is further then the distance from Auckland to Hamilton. No one was home but Peter dropped off the mail, disturbing hundreds of screeching Corella birds all wanting to make their presence known. To get to Anna Creek we had to pass the Dog Fence, designed to keep dingoes away from livestock. The fence is twice as long as The Great Wall of China; 5600kms of protective barbed wire and posts weaving across three Australian states. William Creek (pop. 6) is a town so small that it’s entirely surrounded by Anna Creek Station. One thing it does have though – aside from a pub – is an outdoor ‘rocket museum’. I had to squint to read it but that’s what it said: the metal carcass in front of me was part of a rocket used to launch a British satellite from the nearby Woomera Rocket Range. Impressed, I went back inside for some Kangaroo Yiros and a Hahn Super Dry. The unsealed road that runs from William Creek to Oodnadatta is known as the Oodnadatta Track. Partially built on the old Ghan railway line the track is at times bone jarring, very geologically diverse and a little surprising. In the distance a dingo stared at us. “Hang on to ya hat!” Peter yelled, as he turned the 4WD onto the tundra and raced towards the now scurrying dog. That particular chase was futile but we did get close to kangaroos, camels and hawks. On the way back to Coober Pedy I was regaled with more stories – from the Afghan cameleers to the unfortunate souls who perished in the desert heat. We arrived back long after dark. The week of celebrations culminated with the Coober Pedy open-air cinema. Held every second weekend it seemed like the whole town had parked up, tuned in, sat back and enjoyed the free ice creams and cheap snacks. It was one of the few above-the-ground activities in town. Of course, like any movie theatre, it began with the “Patrons: Explosives are not to be brought into this theatre” slide, a joke flashback to the old days. Staying in Coober Pedy made me realise it’s not for everyone. To be honest, it can be a little strange – like that uncle you try to avoid at Christmas – but if you’re ready to exchange more than pleasantries and are willing to be surprised, you’ll find that there’s a lot more under the surface of this unique outback town. Original publication: Sunday Star-Times < Previous Next >
- Viva La Fiesta!
The featured 'Postcard' in the latest Lonely Planet Traveller is a shot taken by Guy Needham at Colombia's Carnaval of The Blacks and Whites. < Back Viva La Fiesta! 9 May 2018 The featured 'Postcard' in the latest Lonely Planet Traveller is a shot taken by Guy Needham at Colombia's Carnaval of The Blacks and Whites. The image captures a solo performer looking up amongst a sea of colour and noise, as if he was a Colombian version of Where's Wally. < Previous Next >
- Behind the scenes in Lisbon
In Lisbon, a city known for its leatherwork, a pencil case is much more than a convenient carrier; it’s a culmination of artisanal training, pre-cut patterns and naked flame... < Back Behind the scenes in Lisbon 21 Oct 2025 In Lisbon, a city known for its leatherwork, a pencil case is much more than a convenient carrier; it’s a culmination of artisanal training, pre-cut patterns and naked flame... A pencil case, keeper of memories and three-way pens, lives in that no-mans-land of utilitarian nostalga and scholastic glory. Read the full article here < Previous Next >
- Warriors with wi-fi
The lead travel story in today's Sunday Star-Times is my experience of meeting the Waorani tribe in the Ecuadorian Amazon - and what I did not expect. < Back Warriors with wi-fi 25 Feb 2018 The lead travel story in today's Sunday Star-Times is my experience of meeting the Waorani tribe in the Ecuadorian Amazon - and what I did not expect. From fishing for piranha to going hunting with blowguns, it was the transition the tribe is going through that made the trip so fascinating. Read the full article here. < Previous Next >
- Guy Needham | Heart of Texas
TRAVEL Heart of Texas Texas, United States Luckenbach, Texas, population 3, is a small town in the Hill Country west of San Antonio - an area known as much for its wildflowers and Harley-hugging roads as it is for being in the Bible Belt of America – a place where God meets guns, traffic yields to longhorns, and TexMex and ribs are a staple diet. Previous Next
- Guy Needham | Disappointing a Nun
Vasillia gently touched my arm and leant in. “You are an Orthodox at heart,” she whispered, her eyes lighting up. “Yes, yes, I can see it inside you!” For the first time in my life I had to disappoint a nun. < Back Disappointing a Nun New Zealand Herald 21 Aug 2019 Vasillia gently touched my arm and leant in. “You are an Orthodox at heart,” she whispered, her eyes lighting up. “Yes, yes, I can see it inside you!” For the first time in my life I had to disappoint a nun. Upon learning of my Protestant upbringing Vasillia feigned disappointment. “Ahh, we all have our crosses to bear!” she laughed, her round face beaming out of her habit. We were standing in the nave of the Monastery of Agios Stefanos, gazing up at a fresco of the Second Coming of Christ. Vasillia was handing out candles. “I have been living here now for 15 years - there are 32 of us. Meteora is my home,” she said proudly. Meteora, a collection of ancient monasteries perched atop towering pinnacles of rock, is one of the holiest sites in Greece. Derived from the Greek meaning “suspended in the air” it literally lives up to its name. We were half a kilometre up in the sky. The history of Meteora dates back thousands of years, with Homer’s Iliad talking of six men from the area who fought alongside Achilles. More ‘recently’ in the 11th century, it became a refuge for monks fleeing inland from pirates. The monks’ need for sanctuary combined with their quest for austerity made Meteora the perfect place to escape to. Setting up solitary cells in the caves dotted across the cliff faces, they established the first hermitages still visible today. There is even a ‘monk jail’ where those who had sinned would be banished to. “Ahh, we all have our crosses to bear!” she laughed, her round face beaming out of her habit. By the 14th century, monks who had formed a community attempted to climb higher, using stakes and ropes to work their way up the rock pillars. When they finally made their way to the top they built their most important structure first – a pulley. It took hundreds of years to lift up provisions and materials to create what is now an UNESCO World Heritage-listed site. Until the 1920s the only way to reach the peaks was by a network of rope ladders, hauled baskets and nets. Local legend has it that a curious visitor asked a monk how often the ropes got replaced. His reply? “When the Lord lets them break.” Once home to 24 monasteries, there are now only six remaining including two run by nuns like Vasillia, who was now walking me to the edge of a precarious garden. “See there?” she nodded towards the town of Kalambaka far below. “The whole town and this monastery were destroyed by the Nazis. Greece was the first to resist. We had to rebuild our spiritual home.” It was a sobering thought. Even from above the sheer rock formations were impressive as the winter mist rolled in. Unsurprisingly a favourite for climbers, it was easy to see how the other-worldly landscape was chosen to feature on Game of Throne s. Each pillar topped with a monastery looked like a giant finger pointing to Heaven. We stepped back towards the katholikon , Agios Stefanos’ main church around which the convent is based. Inside, the alter faced east to meet the rising sun. Vasillia restocked the candles. “We do what those before us have done. We get up early. We prey. We eat. We do our duties.” The life of a nun has not changed much, Vasilla added with a smile in her voice. As I was leaving she reached out. Still not discouraged by my lack of piety, she placed a small green crucifix in my palm. “You never know when your calling will be.” And for the first time in my life, a nun winked at me. Details Getting there: Fly to Athens via London on Air New Zealand / Aegean, train to Kalambaka Tours: www.visitmeteora.com Activities: Pilgrimage, visiting monasteries, hiking, rock climbing Visa: No visa is required for New Zealand nationals for stays up to 90 days Travel tip: Splash out the extra euros on a first class return train ticke Original publication: New Zealand Herald < Previous Next >
- Kanamutico goes to Scotland
The portrait of Kanamutico of the Vatwa tribe will be on the walls of The Glasgow Gallery of Photography in its upcoming Open exhibition, to be held in the UK from 7-31 October < Back Kanamutico goes to Scotland 25 Jun 2026 The portrait of Kanamutico of the Vatwa tribe will be on the walls of The Glasgow Gallery of Photography in its upcoming Open exhibition, to be held in the UK from 7-31 October The photograph of the boy siting inside the opening of a ndjuwo (hut) was taken in southern Angola's Oncocua region as part of a study of the semi-nomadic Vatwa tribe. The Vatwa exhibition has already shown in Melbourne, Australia with a pop-up in Vienna, Austria next. < Previous Next >
- Guy Needham | The Waorani
Numbering no more than 3,000, the Waorani live on the edge of the Amazon basin. Like many indigenous peoples they are a tribe in transition - hunting with blowguns and poisonous darts is giving way to nightly wi-fi and televised football. TRIBES The Waorani Territorio Waorani, Ecuador Numbering no more than 3,000, the Waorani live on the edge of the Amazon basin. Like many indigenous peoples they are a tribe in transition - hunting with blowguns and poisonous darts is giving way to nightly wi-fi and televised football. < Previous Next >
- Shades of Otara | Guy Needham
PROJECTS Shades of Otara Otara, New Zealand Just off New Zealand’s exit 444 is a social institution; a place where, for four decades now, people have come to buy, sell, laugh and sing. These images are an ode to the workers of the Otara Flea Markets, presenting the intersection between the everyday and the special, and balancing quiet moments of contemplation next to natural entrepreneurialism. Previous Next
- Guy Needham | Hats off
"You're not buying a hat," José told me, turning one over in his hands like he was checking for a pulse. "You're buying a hat that already knows how to be worn." My friend Fernando and I had come in expecting a shop. We were getting a philosophy lesson, and I hadn't even parted with any euros yet. < Back Hats off Substack 23 Jun 2026 "You're not buying a hat," José told me, turning one over in his hands like he was checking for a pulse. "You're buying a hat that already knows how to be worn." My friend Fernando and I had come in expecting a shop. We were getting a philosophy lesson, and I hadn't even parted with any euros yet. Porto, in the way that cities become fashionable again, has been busy reinventing itself — new hotels, new menus, new everything. The Chapelaria Centro da Moda has been on Rua Nova de São Crispim, in the unglamorous, unphotographed district of Antas, for only seven years. But the business itself goes back to 1897, when José's great-grandfather started it with nothing but felt, wooden blocks, and an apparently genetic understanding of head shapes. It survived the 1950s, when hats fell out of fashion almost overnight and never really came back - a slump that finished off most of its rivals - and now José is the fourth generation to carry it forward. The city has noticed: the workshop carries official recognition under Porto's Porto de Tradição programme, which exists to protect the handful of trades considered worth keeping alive. I'd asked before I left New Zealand to watch him work, half-expecting a polite no. Instead, Fernando and I got two hours, a tour of the storeroom, and a small lecture on why "the hats are not all the same" - something José said the way other people might recite a mantra. By the time we left, Porto's recent obsession with port wine tours and tiled façades felt like it was missing the point entirely. The real story of this city, it turns out, is sometimes sitting quietly in a shop behind a door with a buzzer - on purpose, José told us, so that only the people who really want to come in, will. < Previous Next >
- Carnaval in the Bogota Post
Colombia's Bogota Post has selected an image taken by Guy Needham at the recent Carnaval de Negros y Blancos for its front page. < Back Carnaval in the Bogota Post 25 Jan 2018 Colombia's Bogota Post has selected an image taken by Guy Needham at the recent Carnaval de Negros y Blancos for its front page. It's a rare honour for a foreign photographer covering a Colombian cultural event to be featured in this newspaper. You can see the image here . < Previous Next >









