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< Back Winner of National Geographic Traveller Competition 8 Jul 2015 An image taken in the highlands of Papua New Guinea by Guy Needham has won National Geographic Traveller magazine's "Colour My World" photography competition. The image, called Final Touches, is of a Huli tribesman getting ready for a 'sing sing' or traditional dance was taken as he prepared his face. < Previous Next >

Like their ancestors before them, the Hamar of the Lower Valley of the Omo are agro-pastoralists and subsistence farmers. The fields of sorghum that they live off are not far from their ornay (huts) and the bocas where the elders sit and chat. TRIBES The Hamar Lower Valley of the Omo, Ethiopia Like their ancestors before them, the Hamar of the Lower Valley of the Omo are agro-pastoralists and subsistence farmers. The fields of sorghum that they live off are not far from their ornay (huts) and the bocas where the elders sit and chat. < Previous Next >

See the exhibition about one of Angola's oldest tribes, the Vatwa of Angola "We were the original inhabitants of this area thousands of years ago. No one really knows where we came from. We have crops over there, we have these goats, we live off the land.” Mutjila, Vatwa chief. The Vatwa of Angola Regarded as the first indigenous inhabitants of the Onconcua region, the Vatwa remain semi-nomadic and grow crops and tend goats within the compounds housing their traditional huts. The most striking thing about the Vatwa are the women, covered in a red paste of ochre clay, animal fats and lotion that makes their skin shine in the unrelenting sun. Young, newly married women wear a three-pronged ekori goatskin on top of their platted dreadlocks. The wearing of certain necklaces, braids and shells represents a unique mix of personal style and significant life stages. The attire makes sense considering the isolated environment: sparse, desolate, flat. See the exhibition Melbourne 8 April - 6 May 2026 Address Ladder Art Space 81 Denmark St, Kew VIC 3101 Contact (03) 9852 8772 Opening Hours Tue - Sat 11:30am – 5:00pm info@ladderartspace.com.au guy@guyneedham.com ABOUT THE PHOTOGRAPHER Guy Needham’s inquisitive worldview was shaped by growing up in rural New Zealand in the 1970s. Today he is noted for his international work with indigenous tribes, primarily drawing on themes of identity and place within cultural narratives. His work is a hybrid of photographic genres, sitting somewhere between documentary and portraiture. The simplicity of his pared-down style has been described as having both a quiet intensity and a subtle momentum. His images have been exhibited in New York, London, Paris, Berlin, Barcelona, Tokyo, and Athens, and been seen on the pages of National Geographic Traveler, CNN.com, Lonely Planet, SUITCASE Magazine, International Traveler, Portrait Magazine and AFAR.

< Back Yunita Mabel wins Shoot The Frame 8 Jul 2022 A portrait of a young Dani woman, Yunita Mabel, from the Papua region of Indonesia has won the Portrait Award for Shoot The Frame. The image, which has echoes of the Mona Lisa , was taken in Anemoigi village and will be on display at this year's IPF Festival in Hyderabad, India. Yunita is one of the Dani tribe that was unknown to the rest of the world until 1938. Like their ancestors they still live a simple life and, while not isolated from the march of modernity, they keep their traditions and values alive through their culture. < Previous Next >

< Back Opening Night in Melbourne 7 May 2021 Last night saw the opening of The Hadzabe of Tanzania in Melbourne, Australia, where guests found out about the Hadzabe's traditional nomadic lifestyle of dirt, baboons and clicks. The exhibition will be on show through to 22nd May at Ladder Art Space, and features award-winning images that have been shown in Europe, the United States and the UK. < Previous Next >

“Don’t worry ‘bout a thing, cause every little thing, gonna be al-riiight…” It seemed only appropriate that Bob Marley blared out the front of the pick-up as we bounced along the dirt road. After all, this was the country of Emperor Haile Selassie, recognised by Rastafarians as the Massiah of African Redemption and head of their religion. < Back Better than a Band Aid New Zealand Herald 12 Jan 2016 “Don’t worry ‘bout a thing, cause every little thing, gonna be al-riiight…” It seemed only appropriate that Bob Marley blared out the front of the pick-up as we bounced along the dirt road. After all, this was the country of Emperor Haile Selassie, recognised by Rastafarians as the Massiah of African Redemption and head of their religion. Not that any of that mattered as we dodged goats and dug into ruts. I was on my way to the Lower Valley of the Omo, a great swathe of land in Southern Ethiopia, to spend time volunteering with the Hamar tribe. Our driver had taken a ‘short cut’ as he’d heard that one of their most important rituals was taking place: the Jumping of the Bulls. Ukuli is a three day coming-of-age ceremony that every Hamar boy must go through in order to prove himself a man. We arrived just in time for the whipping. “Aiii, Aiiiiii!”, a young woman was screaming as she struggled against her mother, pleading to be let go. She broke away and ran to the half-naked man holding an acacia branch. Crack! The whip came down and her skin opened. The young woman smiled with pleasure – a showing of her dedication and love to the boy. It was an eye-opening introduction to the Hamar tribe. As the bleeding women created a bell-ringing frenzy, the men tugged the beasts into place. Tails were held, horns were gripped. The boy jumper looked nervous. He dropped his modest goatskin and leapt up on the first bull. Scampering naked across their backs he made it to the far end and back six times. He was now maza (an unmarried man who had jumped bulls), and was ready to go to the bush while his family selected a bride for him. It made our version of proposing seem a little easy. Going to Ethiopia is like going back in time. For a start they use a different calendar with 13 months in a year, so right now it’s 2008 – I lost 7 years just by getting off the plane. Not only are the years different but so are the hours. The clock starts at 6am. 4 hours after 6am it’s 4 o’clock. 2 hours before 6am is 10 o’clock. But they use both their clock and the farangi (foreigner) clock. Confusing as hell when you want to arrange a meeting time. Most of what we’ve heard about Ethiopia is shaped by images of the 1984 famine. Civil war, a drought and crop shortages all combined to make the situation so dire that Bob Geldoff put together ‘BandAid’ – a concert of the world’s biggest singers to raise funds for the suffering. Unfortunately that legacy lives on, with many today thinking the country is not much more than a dust-bowl. Although it does have serious drought in places, our camp looked out onto lush green bush speckled with brown paths. I was volunteering with an organisation called Big Beyond, an accredited NGO in the UK, Uganda and Ethiopia. They appealed because of their belief that more can be achieved through sharing knowledge than with handouts, and I also liked that they tailored projects to suit a person’s skills. My job was to document the lifestyles of the Hamar for a future cutural centre. My fellow volunteer Luke, a lawyer from the UK, was running business sessions and helping to set up a cottage honey industry. Jilly, a researcher for UK Statistics, was surveying the Hamar and tourists to see what both wanted when it comes to tourism. Crack! The whip came down and her skin opened. “T.I.A,” said Fiona, the manager when I arrived. “Huh?” “T.I.A. This is Africa. Oh and watch out for the scorpions” she added cheerily. What she meant was that if you don’t like flies and dirt and bugs and dust and heat then you’re better off staying at home. There was no electricity, no cellphone coverage, no internet, no running water. Our camp was next to Shele vilage, on land that had been gifted to Big Beyond by the head donza (elder). Shele is all that you imagine an African village to be: thatched roof huts, fenced off goat pens, cows wandering around, a boca where the donza sit, fields of maize and a water pump in the distance. We were considered part of the village and it was not unusual to find two strangers outside your ornay (hut) in the morning chatting away in Hamar, also the name of their language. The camp itself was still being finished when I arrived although it already had the luxury of our own personal huts, an outdoor shower, loo-with-a-view, parafin lamps, a dinning-cum-talking table under the cool shade and an outdoor kitchen. We also had a lame three-legged goat and two resident crows. “Rise up this mornin’, smile with the risin’ sun, three little birds, pitch by my doorstep… The days began with an orchestral warm up of percussional cowbells, a choir of birdsong, baying goats, the crack of whips and the occasional gunshot bringing them all into line. Breakfast was cooked by our resident chef Miley and usually consisted of porridge or eggs and then it was off to do our projects with the nearby Hamar. The Hamar, like a lot of subsistence tribes, still have traditional roles for men and women. The men protect and decide; looking after the lifestock and managing the crops. The women are the heavy lifters; carrying back-bending loads of firewood and sorghum – a type of maize – as well as being responsible for raising the children, cooking and looking after the household. Hamar men often have more than one wife, and the first wive is chosen as young as 7 so the marriage doesn’t take place until she reaches child-bearing age. Part of my project was spending time with a second wife, Hayto, so it was off to her hut I went. “Fiyo” I called out, contorting myself through the small, low, entrance. “Fiyene” came the reply from everyone inside – Hayto, the other wive, their husband, a younger brother, 3 sons, 4 babies and a neighbouring teacher. Everyone had squeezed in for morning buno, the local version of coffee made of dried-up coffee husks, ladelled into a half calabash shell. All eyes were on this farangi as I sat cross-legged and took the first sip. It wasn’t as bad as it sounds. Hamar women are extremely photogenic, their beautiful black skin topped with copper-coloured goscha dreadlocks, a twisted mix of ochre, water and hand-shaken butter. For 5 Birr (35c) you can photograph them in all their finery: colourful chickeny necklaces, brass coils around their wrists, kashe goat skin loosely draped over their bare breasts and, unique to first wives, a leather necklace with a metallic portrusion symbolising fertility. For a start they use a different calendar with 13 months in a year – I lost 7 years just by getting off the plane. After breakfast we started the 17km walk to the nearest town. The occasional tree gave respite from the vicious sun. Vultures circled in the distance. At the edge of a dry river bed a head emerged from a deep hole and called out, offering braken water. The market was still an hour away.Turmi is a small speck of a town, a wide dirt road pimpled with concrete-walled shops. It smells of goat and sweat. The only reason to visit Turmi is the markets, where Hamar from all over the woreda gather to buy and sell – be it coffee, sorghum or tempo (a snuff tobacco). This is where the Hamar also make money by having tourists take their photo. The men’s showpiece is their hair; they take great pride in shaping their locks and often accessorise with hairpins, feathers (for the muza) or clay-moulded hairpieces. In the villages Hamar men usually walk around bare-chested or wrapped in a sheet called kardi when it’s cold, in the town they wear more Westernised tops.The Hamar have no pockets – it’s said because they have nothing to hide – so one thing men carry is their borkoto, a wooden seat no more than 15cm high. You can purchase your own intricately carved one from the market, as well as wooden dolls adorned with chickeny, goat skins to take home and the ubiquitous patterned gourds. Plus of course enough food for dinner that night. Back at the volunteer camp cooking was done over an open fire. There were always root vegetables to be had and on special occasions we ate goat, although it was a little disconcerting having lunch tied up next to you. The main Ethiopian food is injera, a type of spongy thin bread that forms the base of a dish piled with food such as chicken wat, a kind of spicy curry. You tear off a piece of injera, scoop up some wat and eat with your hand. If you’re lucky you can wash it down with some of the local areke liquor. At dinner each night we exchanged stories, listened to some battery powered music and laughed at our First World problems. The downing sun was slowly replaced by a spectacular moonrise. Under the Milky Way it was easy to appreciate the simplicity of Hamar life. Sitting around the table we all agreed that volunteering had opened our eyes to a part of Africa we would never have seen. Being in an unspoilt land and immersing yourself in another culture is not for everyone, but to see first hand the good you can do was a reward in itself. It was worth that long, bumpy, reggae-filled ride down the dirt road. “Sayin’, this is my message to you-ou-ou.” Original publication: New Zealand Herald < Previous Next >

Guy Needham is noted for his international work, primarily drawing on themes of identity and place within cultural narratives. His images have been exhibited in New York, London, Paris, Berlin, Barcelona, Tokyo and Athens. ABOUT Guy Needham’s inquisitive worldview was shaped by growing up in rural New Zealand in the 1970s. Today he is noted for his international work with indigenous tribes, primarily drawing on themes of identity and place within cultural narratives. His work is a hybrid of photographic genres, sitting somewhere between documentary and portraiture. The simplicity of his pared-down style has been described as having both a quiet intensity and a subtle momentum. His images have been exhibited in New York, London, Paris, Berlin, Barcelona, Tokyo, and Athens, and been seen on the pages of National Geographic Traveler, CNN.com, Lonely Planet, SUITCASE Magazine, International Traveler, Portrait Magazine and AFAR. see exhibitions in situ > GET IN TOUCH guy@guyneedham.com +64 2164 5600 CONTACT CONTACT First Name Last Name Email Type your message here... Submit Thanks for submitting!

I was warned about getting shot in Colombia. The balaclava, reflective sunglasses and combat fatigues in the southern city of Pasto were a giveaway. I should have just run. Instead, I'm hit twice - not with bullets but with white foam shooting out of a canister by a 12-year old boy shouting “Viva Pasto!” < Back Colour in the Streets Get Lost Magazine 6 Apr 2018 I was warned about getting shot in Colombia. The balaclava, reflective sunglasses and combat fatigues in the southern city of Pasto were a giveaway. I should have just run. Instead, I'm hit twice - not with bullets but with white foam shooting out of a canister by a 12-year old boy shouting “Viva Pasto!” That gushing “spssstttttttt” was my intro to El Carnaval de Negros y Blancos (Black and Whites' Carnaval), a five day party held in January that just happens to be the world’s biggest foam fight. The Carnaval is the loudest, longest and messiest festival in southern Colombia, and a real celebration of cultures. To be fair, at the time the trigger is pulled I’m distracted by street vendors yelling, “Some goggles for you, senõr ? A sombrero, cheap?”Now I understand why. Of course, in truehorse-bolted fashion, I purchase a ridiculouslyoversized sombrero and a ‘foam-proof’ poncho to protect myself. Post splatter, I sheepishly make my way back to the hotel. The security-conscious manager, Jaime, is waiting behind a locked door. Letting me in with a chuckle, he looks at me with pity. “You got shot on your first day?! Bienvenido a Colombia! ” After cleaning myself up, I cautiously head towards Plaza del Carnaval, the main square of Pasto and the centrepiece of all things Carnaval. My peripheral vision is working overtime – it seems like every second person is armed with a carioca, an aluminium foam canister, cocked at the ready. Squeezing in next to a family, I proudly introduce myself in halting Spanish, adding “ Viva Pasto!” as if it is some sort of protective cloak. We are jostling among the thousands who have gathered to celebrate La Familia Castañeda – a colourful family who, when they arrived in Pasto in 1929, walked smack-bang into the middle of a horse parade and started randomly waving to the crowd. The Castañeda family became so popular they now have a dedicated parade in their honour. The vibe is electric. We cheer on the performers dressed in 1920s attire as they dance and sing their way past the masses, their vibrant costumes lighting up the parade like the hot Colombian sun. The performance is barely finished before I am hit with foam again, but this time it gets me in the mouth. In an attempt to escape, I hurtle down the main street and find myself at a security checkpoint to a concert, being pat down by a member of the policia. What an entry to Colombia I’ve made. I decide to take it all in my festival-stride and finish the night with a chorizo and a few local Poker pale ales. The next morning Jamie intercepts me as I’m leaving to hit the streets on day four of the Carnaval. “Hey, you got Vaseline?” he whispers. It seems like an oddly personal question. “Huh?” I reply. “Your face,” he says, “the Vaseline, to get grease off.” This is his not-so-subtle way of warning me that it is Dia de Negros (Day of the Blacks). This event marks the day African slaves were freed, and it’s now celebrated with partygoers taking to the streets with black paint smeared across their faces as a sign of respect, symbolising the unity between all ethnicities. My peripheral vision is working overtime – it seems like every second person is armed with a carioca Paint decorates the faces of the masses, and before long I realise I should have taken his advice and packed the Vaseline. My own face gets smudged and I’m greeted back to the hotel with a shake of the head and a smile from Jamie sending a telepathic ‘I told you so’. The pinnacle of the Carnaval is the Grand Parade that falls on Dia de Blancos (The Day of the Whites). This is the cause of all the foam, flour bombs and talcum powder, but before the war starts, a spectacular kaleidoscope of floats takes to the streets. It’s like nothing I’ve ever seen before. The floats are covered in colourful and intricate details, and showers of confetti and streamers rain down as tiers of performers dance atop the four-storey-high structures. Cumbia rhythms blast from massive speakers and mechanical heads roar and bob about to the beat alongside the larger-than-life costumedcharacters who dance the streets lined with an enthusiastic crowd. I feel a hand close around my arm and I’m pulled towards a woman. It’s La Lloronda , the legendary ghost who steals children, and she is not to be denied. Doing my best not to look uncoordinated, we salsa Cali-style, spinning and twirling throughout the parade to the sound of laughter, cheers and applause from my fellow spectators. After five hours the show finally comes to an end. Looking around, there is now more white stuff on the ground than in any episode of Narcos. The foam battles have already started up again so I’m pretty grateful there is only 200 metres between my hotel room and my location. Not close enough, it would seem. The powder hits me square on the ear, and it’s impossible not to grin from that one to the other. “ Arriba Pasto! ” Details Get there: Qantas flies to Santiago, Chile, and then take connecting flights on Latam or Avianca from Santiago to Bogota to Pasto www.qantas.com . It is best to arrange a transfer in advance from the airport to your hotel, which should cost approximately 40,000 Colombian Pesos ($18) for the 45min ride. Wear a seatbelt. Stay there: The Hotel Boutique Casa Lopez is perfectly placed between the Plaza del Carnaval and Plaza de Narino – a more casual fun square. The hotel is built in the Spanish style, with restaurant on site, free wi-fi throughout, friendly staff and a relaxed atmosphere. www.facebook.com/hotelcasalopezpasto or on www.Booking.com . Four nights cost 858,000 Colombian Pesos ($377 Tour there: Your hotel manager can arrange local guides, and it’s probably the best way to go as they know their reputation depends on it. You don’t need a guide to the festival, and best of all it’s free. Just get there early and buy a plastic stool off the vendors. Get Informed: Check out Off2Colombia as starting point www.off2colombia.com . The best site about the Carnaval has detail of what to expect every day and is… only in Spanish. Get the Google Translate extension for Chrome or Safari and check out www.carnavaldepasto.org Get in the Know Pablo Escobar was arrested in Pasto when he was caught smuggling 18 kilos of cocaine into Colombia from Peru in truck tires The local culinary delicacy is Guinea Pig, ‘cuy’, which tends to be available roasted. Mmmmmmm. Pasto was founded by the Spanish conquistador Sebastián de Belalcázar in 1537 as he plundered his way south Road rules are more a ‘guide’ as taxi drivers play chicken with petrol tankers on the mountain roads 8000 feet above sea level Near Pasto is the spectacular Las Lajas Sanctuary, a gothic bridge-church built on the site of an apparition of the Virgin Mary. Original publication: Get Lost Magazine < Previous Next >

Members of Culinary Local 226 blocked traffic on the Strip in front of the Cosmopolitan hotel to protest stalled contract negotiations with management. At least 104 people were cited for obstructing the roadway during the protest, which closed parts of Las Vegas Boulevard for 50 minutes, Las Vegas police said. PHOTOJOURNALISM Protests Las Vegas, United States Members of Culinary Local 226 blocked traffic on the Strip in front of the Cosmopolitan hotel to protest stalled contract negotiations with management. At least 104 people were cited for obstructing the roadway during the protest, which closed parts of Las Vegas Boulevard for 50 minutes, Las Vegas police said.

< Back Huli Boy in Dutch exhibition 5 Jun 2018 This walking dichotomy of a young Huli boy - is he turning his back on a traditional way of life, or walking towards his future - has been selected by Rotterdam's Galerie Sehnsucht as part of its Wanderlust exhibition. The image, taken in the highlands of Papua New Guinea, will be on show in The Netherlands from June 20 through to August 5. < Previous Next >

Although thousands of years old, the Dani were unknown to the rest of the world until 1938. Today they they still hunt with bows and arrows in the Papua region of Indonesia, and dress traditionally for celebrations, including wearing a horim or penis gourd. TRIBES The Dani Papua Province, Indonesia Although thousands of years old, the Dani were unknown to the rest of the world until 1938. Today they they still hunt with bows and arrows in the Papua region of Indonesia, and dress traditionally for celebrations, including wearing a horim or penis gourd. < Previous Next >

< Back 6th Biennial of Fine Art & Documentary Photography 25 Sept 2021 December sees The Hadzabe of Tanzania continue its world tour in Barcelona, as part of the 6th Biennial of Fine Art & Documentary Photography. A curated set of nine portraits will be shown at PhotoNostrum, the largest photography gallery in Spain, whose mission is to increase society’s understanding and appreciation of photography and its evolving role in contemporary culture. < Previous Next >